A quilt is a multi-layered textile, traditionally composed of two or more layers of fabric or fiber. Commonly three layers are used with a filler material. These layers traditionally include a woven cloth top, a layer of batting or wadding, and a woven back combined using the techniques of quilting. This is the process of sewing on the face of the fabric, and not just the edges, to combine the three layers together to reinforce the material. Stitching patterns can be a decorative element. A single piece of fabric can be used for the top of a quilt, but in many cases the top is created from smaller fabric pieces joined, or patchwork. The pattern and color of these pieces creates the design.
Doris Adelaide Derby was an American activist and documentary photographer. She was the adjunct associate professor of anthropology at Georgia State University and the founding director of their Office of African-American Student Services and Programs. She was active in the Mississippi civil rights movement, and her work discusses the themes of race and African-American identity. She was a working member of the Student Nonviolent Coordinating Committee (SNCC) and co-founder of the Free Southern Theater. Her photography has been exhibited internationally. Two of her photographs were published in Hands on the Freedom Plow: Personal Accounts by Women in SNCC, to which she also contributed an essay about her experiences in the Mississippi civil rights movement.
Marie Daugherty Webster was a quilt designer, quilt producer, and businesswoman, as well as a lecturer and author of Quilts, Their Story, and How to Make Them (1915), the first American book about the history of quilting, reprinted many times since. She also ran the Practical Patchwork Company, a quilt pattern-making business from her home in Wabash, Indiana, for more than thirty years. Webster's appliquéd quilts influenced modern quilting designs of the early twentieth century. Her quilts have been featured in museums and gallery exhibition in the United States and Japan. The Indianapolis Museum of Art holds the largest collection of her quilts in the United States. Webster was inducted into the Quilters Hall of Fame in 1991. The Marie Webster House, her former residence in Marion, Indiana, was listed on the National Register of Historic Places in 1992, was designated a National Historic Landmark in 1993, and serves as the present-day home of the Quilters Hall of Fame.
Quilts of the Underground Railroad describes a controversial belief that quilts were used to communicate information to African slaves about how to escape to freedom via the Underground Railroad. It has been disputed by a number of historians.
Quilt art, sometimes known as art quilting, mixed media art quilts or fiber art quilts, is an art form that uses both modern and traditional quilting techniques to create art objects. Practitioners of quilt art create it based on their experiences, imagery, and ideas, rather than traditional patterns. Quilt art generally has more in common with the fine arts than it does with traditional quilting. Quilt art is typically hung or mounted.
Cuesta Benberry was an American historian and scholar. Considered to be one of the pioneers of research on quiltmaking in America, she was the pioneer of research on African-American quiltmaking. Her involvement in quilt research spans from founding and participating in various quilt groups to writing articles in renowned quilt magazines and journals. As a quilt scholar, Benberry acquired a collection of important quilts dating from the late 19th century up to the 21st century, as well as an extensive collection of paper documents supplementing quilting exhibitions, books, articles and her personal research.
The Quilt Index is a searchable database for scholars, quilters and educators featuring over 50,000 quilts from documentation projects, museums, libraries, and private collections. It also has quilt-related ephemera and curated essays and lesson plans for teachers.
The Great Lakes Quilt Center is the Michigan State University Museum’s center for quilt-related research, education, and exhibition activities. While the museum, established in 1857, has long held significant collections, its focus of activities on quilt scholarship and education began with the launch of the Michigan Quilt Project at the museum in 1984. The Michigan Quilt Project not only spearheaded the documentation of the state's quiltmaking history, but also stimulated interest in strengthening the museum's quilt collection, upgrading its care, and expanding its use. As of 2008, the Michigan Quilt Project has collected documentation on over 9000 quilts in the state and the collection of quilts numbers over 700 with significant examples from Michigan and the Great Lakes region, examples of quilts from numerous African countries, major ethnographic collections of Native American quilts and Michigan African American quilts, and special collections assembled by Kitty Clark Cole, Harriet Clarke, Merry and Albert Silber, Deborah Harding, and Betty Quarton Hoard. The MSU Museum also houses two important collections developed by pioneering American quilt historians Cuesta Benberry and Mary Schafer.
Michael Francis James is an American artist, educator, author, and lecturer. He is best known as a leader of the art quilt movement that began in the 1970s. He currently lives and maintains a studio in Lincoln, Nebraska.
Michael Cummings is an American artist and quilter who lives in Harlem, New York.
Carolyn L. Mazloomi is an American curator, quilter, author, art historian, and aerospace engineer. She is a strong advocate for presenting and documenting African-American-made quilts. Her own quilts are designed to tell complex stories around African-American heritage and contemporary experiences.
Roland L. Freeman was an American photographer and award-winning documenter of Southern folk culture and African-American quilters. He was the president of The Group for Cultural Documentation based in Washington, D.C.
Women of Color Quilters Network (WCQN) is a national organization dedicated to preserving African American quiltmaking.
The Samuel Proctor Oral History Program (SPOHP) is the official oral history program at the University of Florida. With over 6,500 interviews and more than 150,000 pages of transcribed material, it is one of the premier oral history programs in the United States. SPOHP's mission is "to gather, preserve, and promote living histories of individuals from all walks of life." The program involves staff, undergraduate and graduate students, and community volunteers in its operation.
Therese May is an American artist who was an early participants in the art quilt movement that began in the 1960s. She is known for her mixed media quilts and is featured in several contemporary quilting histories.
Jean Ray Laury was an American artist and designer. She was one of the first fine artists to move to quilting as a medium of choice in the late 1950s. Her quilts followed neither traditional method nor pattern; they were bold, modern, colorful collages, often laced with humor and satire. Penning over twenty books and teaching over 2,000 workshops, Laury helped women see the creative possibilities in everyday objects and awake their sense of inspiration. Laury has been called a "foremother of a quilt revival", and "one of the pioneers" of non-traditional quilts.
Robert Gordon is an American writer and filmmaker from Memphis, Tennessee. His work has focused on the American south—its music, art, and politics—to create an insider's portrait of his home, both nuanced and ribald.
Gwendolyn (Gwen) Ann Magee was an African-American fiber artist. Learning to quilt in the middle of her life, Magee quickly became known in the world of fiber art for her abstract and narrative quilts depicting the African-American experience. Her work can be found in the permanent collections of the Mississippi Museum of Art, the Museum of Mississippi History, the Michigan State University Museum, and the Renwick Gallery of the Smithsonian Museum of American Art, and has been exhibited internationally.
Cecelia Tapplette Pedescleaux, also known as Cely, is an African-American quilter of traditional and art quilts, inspired by historians, other African-American quilters, and quilt designs used during the Underground Railroad to communicate messages to slaves seeking freedom. Her quilts have been shown in China, France, Washington, D.C., New Orleans, and in other locations in the United States. A solo show of 75 of her quilts were shown at the Le Musée de Free People of Color in New Orleans (2013–2014).
Martha Ann Ricks was an Americo-Liberian woman who was among the early colonists there. Born into slavery in Tennessee, she was freed by her father George Erskine and emigrated at age 13 with him and her family to Liberia in 1830.
