Quilting is the process of joining a minimum of three layers of fabric together either through stitching manually using a needle and thread, or mechanically with a sewing machine or specialised longarm quilting system. An array of stitches is passed through all layers of the fabric to create a three-dimensional padded surface. The three layers are typically referred to as the top fabric or quilt top, batting or insulating material, and the backing.
Patchwork or "pieced work" is a form of needlework that involves sewing together pieces of fabric into a larger design. The larger design is usually based on repeating patterns built up with different fabric shapes. These shapes are carefully measured and cut, basic geometric shapes making them easy to piece together.
A quilt is a multi-layered textile, traditionally composed of two or more layers of fabric or fiber. Commonly three layers are used with a filler material. These layers traditionally include a woven cloth top, a layer of batting or wadding, and a woven back combined using the techniques of quilting. This is the process of sewing on the face of the fabric, and not just the edges, to combine the three layers together to reinforce the material. Stitching patterns can be a decorative element. A single piece of fabric can be used for the top of a quilt, but in many cases the top is created from smaller fabric pieces joined, or patchwork. The pattern and color of these pieces creates the design. Quilts may contain valuable historical information about their creators, "visualizing particular segments of history in tangible, textured ways".
Appliqué is ornamental needlework in which pieces or patches of fabric in different shapes and patterns are sewn or stuck onto a larger piece to form a picture or pattern. It is commonly used as decoration, especially on garments. The technique is accomplished either by hand stitching or machine. Appliqué is commonly practised with textiles, but the term may be applied to similar techniques used on different materials. In the context of ceramics, for example, an appliqué is a separate piece of clay added to the primary work, generally for the purpose of decoration.
A patchwork quilt is a quilt in which the top layer may consist of pieces of fabric sewn together to form a design. Originally, this was to make full use of leftover scraps of fabric, but now fabric is often bought specially for a specific design. Fabrics are now often sold in quarter meters. A "fat quarter" is one square meter folded into four and cut along the folds, thus giving a relatively square piece of fabric 50 cm on a side, as opposed to buying a quarter of a meter off the roll, resulting in a long thin piece that is only 25 cm wide.
Bandhani is a type of tie-dye textile decorated by plucking the cloth with the fingernails into many tiny bindings that form a figurative design. Today, most Bandhani making centers are situated in Gujarat, Rajasthan, Sindh, Punjab region and in Tamil Nadu where it is known as Sungudi. It is known as chunri in Pakistan. Earliest evidence of Bandhani dates back to Indus Valley civilization where dyeing was done as early as 4000 B.C. The earliest example of the most pervasive type of Bandhani dots can be seen in the 6th century paintings depicting the life of Buddha found on the wall of Cave at Ajanta. Bandhani is also known as Bandhej Saree, Bandhni, Piliya, and Chungidi in Tamil and regional dialects. Other tying techniques include Mothra, Ekdali and Shikari depending on the manner in which the cloth is tied. The final products are known with various names including Khombi, Ghar Chola, Patori and Chandrokhani.
Frank Havrah "Kaffe" Fassett, MBE is an American-born, British-based artist who is best known for his colourful designs in the decorative arts—needlepoint, patchwork, knitting, painting and ceramics. While still a child, Fassett renamed himself after an Egyptian boy character from the book Boy of the Pyramid by Ruth Fosdick Jones. His name rhymes with 'safe asset'.
The history of quilting, the stitching together of layers of padding and fabric, may date back as far as 3400 BCE. For much of its history, quilting was primarily a practical technique to provide physical protection and insulation. However, decorative elements were often also present, and many quilts are now primarily art pieces.
Marie Daugherty Webster was a quilt designer, quilt producer, and businesswoman, as well as a lecturer and author of Quilts, Their Story, and How to Make Them (1915), the first American book about the history of quilting, reprinted many times since. She also ran the Practical Patchwork Company, a quilt pattern-making business from her home in Wabash, Indiana, for more than thirty years. Webster's appliquéd quilts influenced modern quilting designs of the early twentieth century. Her quilts have been featured in museums and gallery exhibition in the United States and Japan. The Indianapolis Museum of Art holds the largest collection of her quilts in the United States. Webster was inducted into the Quilters Hall of Fame in 1991. The Marie Webster House, her former residence in Marion, Indiana, was listed on the National Register of Historic Places in 1992, was designated a National Historic Landmark in 1993, and serves as the present-day home of the Quilters Hall of Fame.
Sindhi Lungi or Lungee are a hand-woven gold embroidered cloth worn by Sindhi men on ceremonious occasions like weddings, Engagements, Cultural day and events etc. The Sindhi Lungis are traditionally used as a scarf/shawl, turban and as sash/cummerbund.
Ajrak, also known as Ajrakh, is a unique form of textile block-printing found primarily in Sindh, Pakistan and the village of Ajrakhpur in the bordering Kutch district of India. Ajrak textiles like shawls or dresses display special designs and patterns made using block printing with stamps. Ajrak is a symbol of Sindhi culture and traditions. Ajrak prints are also famous in neighbouring areas of Hyderabad, Pakistan, in Hala, due to their influence from the Indus Valley civilization. Apart from Sindh and Kutch, recently, a Saraiki version of the Ajrak called Sajarak was created and is found in South Punjab, Pakistan.
Quilt art, sometimes known as art quilting, mixed media art quilts or fiber art quilts, is an art form that uses both modern and traditional quilting techniques to create art objects. Practitioners of quilt art create it based on their experiences, imagery, and ideas, rather than traditional patterns. Quilt art is typically hung or mounted.
Nakshi kantha, a type of embroidered quilt, is a centuries-old Bengali art tradition of the Bengal region, notable in Bangladesh and Indian states of West Bengal, Tripura and part of Assam. The basic materials used are thread and old cloth. Nakshi kanthas are made throughout Bangladesh, primarily in the areas of Mymensingh, Jamalpur, Bogra, Rajshahi, Faridpur, Jessore, and Chittagong.
The Culture of Sindh has its roots in the Indus Valley civilization. Sindh has been shaped by the largely desert region, the natural resources it has available, and continuous foreign influence. The Indus or Sindhu River, which passes through the land, and the Arabian Sea also supported the seafaring traditions among the local people. The local climate also reflects why the Sindhis have a language, folklore, traditions, customs, and lifestyle that are so different from the neighbouring regions. The Sindhi culture is also practised by the Sindhi diaspora.
Khayamiya is a decorative Egyptian art appliqué textile, that dates back to as far as Ancient Egypt. They are now primarily made in Cairo, Egypt, along what is known as the Street of the Tentmakers centered in the Qasaba of Radwan Bey, a historic covered market built in the 17th century. The street is located immediately south of bawabet el metwali, and is located along the historic economic axis of Cairo, in a section within Muizz street.
Sindhi clothing are a part of the Sindhi culture. Sindhi women and men wear the Shalwar Qameez or the Kurta with Pyjama. Women also wear Sari or ghagra. However, before the adoption of the Shalwar kameez, kurta, the Sari as well as other articles of clothing, Sindhis had their own traditional costumes.
Pakistani craft has a rich history and deep-rooted tradition. It involves the creation, design, and shaping of objects by hand or with simple tools, selecting the artisanal sills of Pakistani people. Typically crafted by individuals, groups, or independent artisans, this age-old practice employs traditional materials like brass, wood, clay, textiles, paper, and embroidery. Popular techniques include stone carving, working with sandstone and onyx, metalwork, pottery, and the intricate art of Ajrak, all contributing to Pakistan's vibrant handicraft culture.
Khes is a thick cotton blanket cloth in the Indian subcontinent; it is a damask cloth used for blankets and winter wraps. Khes is generally hand-woven with coarse cotton yarns. Khes as a garment is a simple clothing item to wear loosely to cover the upper body by men in Pakistan and northwest India. Khes is an important cloth in the Sindh and Punjab, regions which are famous for its production and historically has been known for not only the production of Khes but also many other coarse cotton textiles, especially in the 19th and 20th centuries. Khes is a comfort object used in bedding, and is also usable as a cover.
Sindhi embroidery comes from the arid province of Sindh in southern Pakistan, which has always been famed for its embroidery.
The crafts of Sindh and its craftsmen are held in high esteem and their works are notable not only in Sindh but also in many other places.
Tukwari (applique) Ralli of Sindh
Tukrinwari Ralli Patchwork Ralli.
