Trapunto, from the Italian for "to quilt", is a method of quilting that is also called "stuffed technique". A puffy, decorative feature, trapunto utilizes at least two layers, the underside of which is slit and padded, producing a raised surface on the quilt.
Trapunto is often confused with the relatively similar techniques used in making traditional whole cloth Provençal quilts that were developed from the 17th century onwards in France. [3]
One of the earliest surviving examples of trapunto quilting is the Tristan Quilt in the Victoria and Albert Museum, a linen quilt representing scenes from the story of Tristan and Isolde which was made in Sicily during the second half of the 13th century. [4] Another piece of the Tristan Quilt, thought to be from a pair to the V. & A.'s example, is in Palazzo Davanzati in Florence. [4]
The technique was used for the inner-tunic collars worn in Starfleet uniforms from Star Trek II: The Wrath of Khan. As of the 1980s, functional trapunto machines were rare, and the specialized needles which they employed were even rarer.[ citation needed ]
Quilting is the process of joining a minimum of three layers of fabric together either through stitching manually using a needle and thread, or mechanically with a sewing machine or specialised longarm quilting system. An array of stitches is passed through all layers of the fabric to create a three-dimensional padded surface. The three layers are typically referred to as the top fabric or quilt top, batting or insulating material, and the backing.
Star Trek II: The Wrath of Khan is a 1982 American science fiction film directed by Nicholas Meyer and based on the television series Star Trek. It is the second film in the Star Trek film series following Star Trek: The Motion Picture (1979), and is a sequel to the television episode "Space Seed" (1967). The plot features Admiral James T. Kirk and the crew of the starship USS Enterprise facing off against the genetically engineered tyrant Khan Noonien Singh. When Khan escapes from a 15-year exile to exact revenge on Kirk, the crew of the Enterprise must stop him from acquiring a powerful terraforming device named Genesis. The film is the beginning of a three-film story arc that continues with the film Star Trek III: The Search for Spock (1984) and concludes with the film Star Trek IV: The Voyage Home (1986).
A quilt is a multi-layered textile, traditionally composed of two or more layers of fabric or fiber. Commonly three layers are used with a filler material. These layers traditionally include a woven cloth top, a layer of batting or wadding, and a woven back combined using the techniques of quilting. This is the process of sewing on the face of the fabric, and not just the edges, to combine the three layers together to reinforce the material. Stitching patterns can be a decorative element. A single piece of fabric can be used for the top of a quilt, but in many cases the top is created from smaller fabric pieces joined, or patchwork. The pattern and color of these pieces creates the design. Quilts may contain valuable historical information about their creators, "visualizing particular segments of history in tangible, textured ways".
The Victoria and Albert Museum in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.8 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert.
The Kobayashi Maru is a training exercise in the Star Trek franchise designed to test the character of Starfleet Academy cadets by placing them in a no-win scenario. The Kobayashi Maru test was first depicted in the 1982 film Star Trek II: The Wrath of Khan, and it has since been referred to and depicted in numerous other Star Trek media.
Nicholas Meyer is an American screenwriter, director and author known for his best-selling novel The Seven-Per-Cent Solution, and for directing the films Time After Time, two of the Star Trek feature films, the 1983 television film The Day After, and the 1999 HBO original film Vendetta.
Saavik is a fictional character in the Star Trek universe. She first appeared in the film Star Trek II: The Wrath of Khan (1982) played by Kirstie Alley. Robin Curtis took over the role for Star Trek III: The Search for Spock (1984) and Star Trek IV: The Voyage Home (1986).
"Space Seed" is the 22nd episode of the first season of the American science fiction television series Star Trek. It was first broadcast by NBC on February 16, 1967. "Space Seed" was written by Gene L. Coon and Carey Wilber and directed by Marc Daniels.
USS Enterprise (NCC-1701) is a starship in the Star Trek media franchise. It is the main setting of the original Star Trek television series (1966–69), and it is depicted in films, other television series, spin-off fiction, products, and fan-created media. Under the command of Captain James T. Kirk, the Enterprise carries its crew on a mission "to explore strange, new worlds; to seek out new life and new civilizations; to boldly go where no man has gone before." Star Trek: Strange New Worlds (2022–present) depicts the Enterprise under the command of Kirk's predecessor, Captain Christopher Pike.
A patchwork quilt is a quilt in which the top layer may consist of pieces of fabric sewn together to form a design. Originally, this was to make full use of leftover scraps of fabric, but now fabric is often bought specially for a specific design. Fabrics are now often sold in quarter meters. A "fat quarter" is one square meter folded into four and cut along the folds, thus giving a relatively square piece of fabric 50 cm on a side, as opposed to buying a quarter of a meter off the roll, resulting in a long thin piece that is only 25 cm wide.
Chintz is a woodblock printed, painted, stained or glazed calico textile that originated in Golconda in the 16th century. The cloth is printed with designs featuring flowers and other patterns in different colours, typically on a light, plain background.
In film, a redress is the redecoration of an existing movie set so that it can double for another set. This saves the trouble and expenses of constructing a second, new set, though they face the difficulty of doing it so the average viewer does not notice the same set is reused. Also there could be logistical problems, such as conflicting shooting schedules, continuity if the set is not quite the same as it was or different. The latter problem arises because the set dresser may be unaware of changes created by the action.
The history of quilting, the stitching together of layers of padding and fabric, may date back as far as 3400 BCE. For much of its history, quilting was primarily a practical technique to provide physical protection and insulation. However, decorative elements were often also present, and many quilts are now primarily art pieces.
Joachim is a genetically engineered character in the fictional Star Trek universe who appears as one of Khan Noonien Singh's henchmen in the Star Trek episode "Space Seed" and the film Star Trek II: The Wrath of Khan, in which he is played by Mark Tobin and Judson Scott, respectively.
The term Provençal quilting, also known as boutis, refers to the wholecloth quilts done using a stuffing technique traditionally made in the South of France from the 17th century onwards. Boutis is a Provençal word meaning 'stuffing', describing how two layers of fabric are quilted together with stuffing sandwiched between sections of the design, creating a raised effect. The three main forms of the Provençal quilt are matelassage, piqûre de Marseilles, and boutis. These terms, along with trapunto are often debated and confused, but they are all forms of stuffed quilting associated with the region.
Khan Noonien Singh is a fictional character in the Star Trek science fiction franchise who first appeared as the main antagonist in the Star Trek: The Original Series episode "Space Seed" (1967), and was portrayed by Ricardo Montalbán, who reprised his role in the 1982 film Star Trek II: The Wrath of Khan. In the 2013 film Star Trek Into Darkness, he is portrayed by Benedict Cumberbatch.
The Tristan Quilt, sometimes called the Tristan and Isolde Quilt or the Guicciardini Quilt, is one of the earliest surviving quilts in the world. Depicting scenes from the story of Tristan and Isolde, an influential romance and tragedy, it was made in Sicily during the second half of the 14th century. There are at least two extant sections of the quilt, one of which is displayed in the Victoria and Albert Museum's Medieval and Renaissance Galleries, and the other in the Bargello in Florence. A third quilt, also depicting Tristan and Isolde, but not thought to be part of the V&A and Bargello examples, is held in private hands. The Tristan Quilts are the only known surviving intact examples of medieval quilts.
Pastiglia, an Italian term meaning "pastework", is low relief decoration, normally modelled in gesso or white lead, applied to build up a surface that may then be gilded or painted, or left plain. The technique was used in a variety of ways in Italy during the Renaissance. The term is mostly found in English applied to gilded work on picture frames or small pieces of furniture such as wooden caskets and cassoni, and also on areas of panel paintings, but there is some divergence as to the meaning of the term between these specialisms.
The radiography of cultural property is the use of radiography to understand intrinsic details about objects. Most commonly this involves X-rays of paintings to reveal underdrawing, pentimenti alterations in the course of painting or by later restorers, and sometimes previous paintings on the support. Many pigments such as lead white show well in radiographs.
The conservation and restoration of quilts refers to the processes involved in maintaining the integrity of quilts and/or restoring them to an acceptable standard so that they may be preserved for future generations. Quilts have been produced for centuries, as utilitarian blankets, decorations, family heirlooms, and now treasured museum collections objects. Quilts are three-layered textile pieces with a decorated top, a back, and a filler in the middle. The composite nature of these objects creates an interesting challenge for their conservation, as the separate layers can be made of different textile materials, multiple colors, and therefore, varying degrees of wear, tear, and damage.
Media related to Trapunto at Wikimedia CommonsLayered textiles and quilts | ||
|---|---|---|
| Quilting |  | |
| Patchwork | ||
| Applique | ||
| History of quilting | ||
| Notable modern works | ||
| People | ||
| Organizations, museums, and events | ||
| Authority control databases: National |
|---|
 | This textile arts article is a stub. You can help Wikipedia by expanding it. |
