A patchwork quilt is a quilt in which the top layer may consist of pieces of fabric sewn together to form a design. [1] Originally, this was to make full use of leftover scraps of fabric, but now fabric is often bought specially for a specific design. Fabrics are now often sold in quarter meters (or quarter yards in the United States). A "fat quarter" is one square meter (or one yard by the width of the fabric, typically 42–44") folded into four and cut along the folds, thus giving a relatively square piece of fabric 50 cm on a side, as opposed to buying a quarter of a meter off the roll, resulting in a long thin piece that is only 25 cm wide. [1]
Designs can be geometric and formal or imaginative. Patchwork blocks were initially created individually, accumulated over time, by use of scrap and salvaged material. Geometric designs were the most efficient way to aggregate fabric into useful units. Applique, where a piece of fabric is layered on top of the a base or "ground" fabric and then the cut edges are folded under and sewn down, is not limited to simple geometric designs. [2] Early uses of applique in the United States included efforts to expand the effect of expensive, imported European fabrics in early America. The dense printed patterns were cut out, spread apart on a background of plain fabric, allowing the effect of the rare fabric to spread further. [1] Broderie perse is a related technique, where selections of printed fabric are cut out, and sewn in place to produce the effect of a custom printed cloth. Reverse appliqué involves cutting the ground fabric, and placing another fabric beneath the opening. The raw, cut edges are folded under, and sewn onto the smaller piece of fabric below, creating a new design.
Additional design options are provided by quilting techniques that alter the texture of the quilt. These include: trapunto (where additional batting to be sewn through is stuffed into a discrete section of the quilting), cording (where cotton cording or yarn are pulled between quilting lines that form channels), and stipple quilting (where dense, closely spaced quilting causes the batting to be more compressed than it is in adjacent areas). Another, more casual option is to "tie" the quilt. Heavy thread or yarn is used to tie all three layers together at points across the surface of the quilt.
The quilt is formed of three layers: the patchwork quilt top, a layer of insulation wadding (batting), and a layer of backing material. These three layers are stitched together ("quilted"), either by hand or machine. The quilting can either outline the patchwork motifs, or be a completely independent design, for when quilting, the design may not necessarily follow the patchwork design, and the design of the quilting may play off the patchwork design. Outline quilting is when the pieces of the pattern are outlined by the quilting stitches. [1]
Though quilting has a long history, likely more than five millennia, [3] and takes various forms in many cultures, the block-style patchwork quilt became a "distinct expression" of nineteenth-century America, [4] evolving into a representative folk art of interest to scholars [5] that is still produced today. Eighteenth-century patchwork "was a ladies’ leisure pursuit" [1] in both Europe and North America, with the earliest surviving specimens from Wiltshire in 1718 [6] and Quebec in 1726 [7] made of silk. The lack of information about earlier quilts [1] made of humbler fabric, is partly attributed to such quilts being "intimately connected to everyday life" of the Dutch and English settlers in the New World. [8] As a heritage object with distinctive patterns, the patchwork quilt has come to be particularly associated with Canada and the United States. [9] A twenty-first-century offshoot is the barn quilt.
Quilting was a very popular early American pastime, first in the Midwest, where quilting circles were a common social pastime for women, and later on the Great Plains, especially from 1825 to 1875, [10] where quilting bees, when many women gathered around a quilting frame and quilted, became important social occasions. Such affairs might last overnight [10] and sometimes took on political significance, such as during the movement for abolition. Annual town fairs generally included a quilting prize to award excellence in quilting. Handmade quilts were a very common wedding gift for young couples, and were often mentioned specifically in wills due to their sentimental significance. It was not uncommon, in early American culture, for quilts to reflect a mosaic of a woman's life, often including swatches of material from memorable events such as pieces of a wedding gown or a child's baptismal garment. The Amish people are famous for their geometric patchwork designs made with solid color fabrics, with independent patterns and quilting; typical motifs include floral designs and heart shapes. The Amish and Mennonite women of the Pennsylvania Dutch country have been creating exquisite quilted masterpieces since the mid-19th century (and some believe even earlier). Amish quilts are an expression of frugality. They not only serve a practical, functional purpose, but serve as a form of entertainment as well.
In 1987 in San Francisco, the Names Project commenced as a memorial to the lives of people who died from AIDS and related diseases with quilt panels made by loved ones. Also known as the AIDS Quilt, it grew to comprise many thousands of panels, and spawned similar projects in countries around the globe. In later years, other subject- and event-specific community-based quilts have been created.
This non-traditional method of quilting uses small blocks of color to achieve the look of a watercolor painting where there is no fixed pattern. Fabrics are chosen for their hue and tone.
Quilting is the process of joining a minimum of three layers of fabric together either through stitching manually using a needle and thread, or mechanically with a sewing machine or specialised longarm quilting system. An array of stitches is passed through all layers of the fabric to create a three-dimensional padded surface. The three layers are typically referred to as the top fabric or quilt top, batting or insulating material, and the backing.
Patchwork or "pieced work" is a form of needlework that involves sewing together pieces of fabric into a larger design. The larger design is usually based on repeating patterns built up with different fabric shapes. These shapes are carefully measured and cut, basic geometric shapes making them easy to piece together.
A quilt is a multi-layered textile, traditionally composed of two or more layers of fabric or fiber. Commonly three layers are used with a filler material. These layers traditionally include a woven cloth top, a layer of batting or wadding, and a woven back combined using the techniques of quilting. This is the process of sewing on the face of the fabric, and not just the edges, to combine the three layers together to reinforce the material. Stitching patterns can be a decorative element. A single piece of fabric can be used for the top of a quilt, but in many cases the top is created from smaller fabric pieces joined, or patchwork. The pattern and color of these pieces creates the design. Quilts may contain valuable historical information about their creators, "visualizing particular segments of history in tangible, textured ways".
Appliqué is ornamental needlework in which pieces or patches of fabric in different shapes and patterns are sewn or stuck onto a larger piece to form a picture or pattern. It is commonly used as decoration, especially on garments. The technique is accomplished either by hand stitching or machine. Appliqué is commonly practised with textiles, but the term may be applied to similar techniques used on different materials. In the context of ceramics, for example, an appliqué is a separate piece of clay added to the primary work, generally for the purpose of decoration.
Broderie perse is a style of appliqué which uses printed motifs from one fabric to create a design on a background fabric. It was popular in the late 18th century and early 19th centuries. The technique could be considered an early form of puzzle piecing.
The Mola or Molas is a hand-made textile that forms part of the traditional women's clothing of the indigenous Guna people from Panamá and Colombia. Their clothing includes a patterned wrapped skirt (saburet), a red and yellow headscarf (musue), arm and leg beads (wini), a gold nose ring (olasu) and earrings in addition to the mola blouse (dulemor). Two groups, Choco and Cuna lived side by side without intermarriage and without adopting a similar culture. In Dulegaya, the Guna's native language, "mola" means "shirt" or "clothing". The mola originated with the tradition of Guna women painting their bodies with geometric designs, using available natural colors; at a certain point, after the arrival of the Spanish, these same designs were woven in cotton, and later still, sewn using cloth "acquired by trade from the ships that came to barter for coconuts during the 19th century".
The history of quilting, the stitching together of layers of padding and fabric, may date back as far as 3400 BCE. For much of its history, quilting was primarily a practical technique to provide physical protection and insulation. However, decorative elements were often also present, and many quilts are now primarily art pieces.
Marie Daugherty Webster was a quilt designer, quilt producer, and businesswoman, as well as a lecturer and author of Quilts, Their Story, and How to Make Them (1915), the first American book about the history of quilting, reprinted many times since. She also ran the Practical Patchwork Company, a quilt pattern-making business from her home in Wabash, Indiana, for more than thirty years. Webster's appliquéd quilts influenced modern quilting designs of the early twentieth century. Her quilts have been featured in museums and gallery exhibition in the United States and Japan. The Indianapolis Museum of Art holds the largest collection of her quilts in the United States. Webster was inducted into the Quilters Hall of Fame in 1991. The Marie Webster House, her former residence in Marion, Indiana, was listed on the National Register of Historic Places in 1992, was designated a National Historic Landmark in 1993, and serves as the present-day home of the Quilters Hall of Fame.
Embroidery in India includes dozens of embroidery styles that vary by region and clothing styles. Designs in Indian embroidery are formed on the basis of the texture and the design of the fabric and the stitch. The dot and the alternate dot, the circle, the square, the triangle, and permutations and combinations of these constitute the design.
A Hawaiian quilt is a distinctive quilting style of the Hawaiian Islands that uses large radially symmetric applique patterns. Motifs often work stylized botanical designs in bold colors on a white background.
Quilt art, sometimes known as art quilting, mixed media art quilts or fiber art quilts, is an art form that uses both modern and traditional quilting techniques to create art objects. Practitioners of quilt art create it based on their experiences, imagery, and ideas, rather than traditional patterns. Quilt art is typically hung or mounted.
A pot-holder is a piece of textile or silicone used to cover the hand when holding hot kitchen cooking equipment, like pots and pans. They are frequently made of polyester and/or cotton. Crocheted pot-holders can be made out of cotton yarn as a craft project/folk art.
Longarm quilting is the process by which a longarm sewing machine is used to sew together a quilt top, quilt batting and quilt backing into a finished quilt.
The Hat and Fragrance Textile Gallery is an exhibit space at Shelburne Museum in Shelburne, Vermont which houses quilts, hatboxes, and various other textiles. The name "Hat and Fragrance" refers both to Electra Havemeyer Webb's collection of hatboxes and to the fragrant, herbal sachets used to preserve textiles. In 1954, Shelburne Museum was the first museum to exhibit quilts as works of art; prior to this exhibition quilts were only shown as accessories in historic houses.
Machine quilting is quilting made using a sewing machine to stitch in rows or patterns using select techniques to stitch through layers of fabric and batting in the manner of old-style hand-quilting. Some machines even replicate hand stitching, for example Sashiko or running stitch quilting.
Sewing is the craft of fastening or attaching objects using stitches made with needle and thread. Sewing is one of the oldest of the textile arts, arising in the Paleolithic Era. Although usually associated with clothing and household linens, sewing is used in a variety of crafts and industries, including shoemaking, upholstery, sailmaking, bookbinding and the manufacturing of some kinds of sporting goods. Sewing is the fundamental process underlying a variety of textile arts and crafts, including embroidery, tapestry, quilting, appliqué and patchwork.
Chinese patchwork is a traditional form of Chinese needlework which has been widely circulated in Chinese folk arts. In China, patchwork has been used for millennia.
Khatwa is the name given to appliqué works in Bihar, India. Khatwa is about designing by cutting of one fabric and stitching the pieces to another fabric. Khatwa is mainly used to create designer tents, canopies and shamianas. In textiles, applique is sometimes confused with patchwork. Though both techniques derive from the recycling of old fabrics by sewing different fabrics to create one piece, they are quite distinguishable. Patchwork refers to a variety of fabrics sewn together to create a single textile pattern. On the other hand, applique refers to a variety of coloured fabrics and ornaments, such as small round mirrors, layered on top of one another in order to create elaborate designs by means of various forms of stitching. There is no restriction to the type of fabrics used in the creation of applique items, and may even be of varying textures. It is often found alongside embroidery and can be sub-divided into two techniques. The simple 'play by ear' technique consists of the open use of an assortment of materials of various shapes and sizes, stitched together without much preparation. The more complex technique involves thorough planning of the design before any work is done with the materials. Khatwa is about designing by cutting of one fabric and stitching the pieces to another fabric. Khatwa is mainly used to create designer tents, canopies, shamianas and much more. Making of such tents involves work by both men and women. While cutting of clothes is done by men, women use their expertise in stitching part. Khatwa is also used in designing women garments as well. This is where the real talent of Bihar people is seen in the work. The designs created are more sharp, intricate and highly appealing. Most of the garments shop sell these highly artistic clothes. People in some villages of Bihar are involved only in art works and it is their main source of income. Since the same skills are passed down to generations, the expertise and innovations are immaculate. It is believed that applique work made its way into western India either from Europe or Arabia in the Middle East through trade contacts. It involves creation of designs by cutting one fabric and stitching the pieces onto another. “Khatwa” is used to craft decorative tents, canopies, shamianas, etc. A thick fabric and Geometric patterns are used while making the Tents on important occasion or functions.
The conservation and restoration of quilts refers to the processes involved in maintaining the integrity of quilts and/or restoring them to an acceptable standard so that they may be preserved for future generations. Quilts have been produced for centuries, as utilitarian blankets, decorations, family heirlooms, and now treasured museum collections objects. Quilts are three-layered textile pieces with a decorated top, a back, and a filler in the middle. The composite nature of these objects creates an interesting challenge for their conservation, as the separate layers can be made of different textile materials, multiple colors, and therefore, varying degrees of wear, tear, and damage.
A tanmono is a bolt of traditional Japanese narrow-loomed cloth. It is used to make traditional Japanese clothes, textile room dividers, sails, and other traditional cloth items.