Quilting is the term given to the process of joining a minimum of three layers of fabric together either through stitching manually by hand using a needle and thread, or mechanically with a sewing machine or specialised longarm quilting system. An array of stitches is passed through all layers of the fabric to create a three dimensional padded surface. The three layers are typically referred to as the top fabric or quilt top, batting or insulating material and the backing.
Patchwork or "pieced work" is a form of needlework that involves sewing together pieces of fabric into a larger design. The larger design is usually based on repeating patterns built up with different fabric shapes. These shapes are carefully measured and cut, basic geometric shapes making them easy to piece together.
A quilt is a multi-layered textile, traditionally composed of two or more layers of fabric or fiber. Commonly three layers are used. These layers traditionally include a woven cloth top, a layer of batting or wadding, and a woven back combined using the techniques of quilting. This is the process of sewing or combining the three layers together to reinforce the material. Stitching patterns can be a decorative element. A single piece of fabric can be used for the top of a quilt, but in many cases the top is created from smaller fabric pieces joined together, or patchwork. The pattern and color of these pieces creates the design.
Appliqué is ornamental needlework in which pieces or patches of fabric in different shapes and patterns are sewn or stuck onto a larger piece to form a picture or pattern. It is commonly used as decoration, especially on garments. The technique is accomplished either by hand stitching or machine. Appliqué is commonly practised with textiles, but the term may be applied to similar techniques used on different materials. In the context of ceramics, for example, an appliqué is a separate piece of clay added to the primary work, generally for the purpose of decoration.
Broderie perse is a style of appliqué which uses printed elements to create a scene on the background fabric. It was most popular in Europe in the 17th century, and probably travelled from India, as there are some earlier findings there. The technique could be considered an early form of puzzle piecing.
Bargello is a type of needlepoint embroidery consisting of upright flat stitches laid in a mathematical pattern to create motifs. The name originates from a series of chairs found in the Bargello palace in Florence, which have a "flame stitch" pattern.
The Mola or Molas is a hand-made textile that forms part of the traditional women's clothing of the indigenous Guna people from Panamá, Central America, and Colombia, South America. The full costume includes a patterned wrapped skirt (saburet), a red and yellow headscarf (musue), arm and leg beads (wini), a gold nose ring (olasu) and earrings in addition to the mola blouse (dulemor).
The history of quilting, the stitching together of layers of padding and fabric, may date back as far as 3400 BCE. For much of its history, quilting was primarily a practical technique to provide physical protection and insulation. However, decorative elements were often also present, and many quilts are now primarily art pieces.
Marie Daugherty Webster was a quilt designer, quilt producer, and businesswoman, as well as a lecturer and author of Quilts, Their Story, and How to Make Them (1915), the first American book about the history of quilting, reprinted many times since. She also ran the Practical Patchwork Company, a quilt pattern-making business from her home in Wabash, Indiana, for more than thirty years. Webster's appliquéd quilts influenced modern quilting designs of the early twentieth century. Her quilts have been featured in museums and gallery exhibition in the United States and Japan. The Indianapolis Museum of Art holds the largest collection of her quilts in the United States. Webster was inducted into the Quilters Hall of Fame in 1991. The Marie Webster House, her former residence in Marion, Indiana, was listed on the National Register of Historic Places in 1992, was designated a National Historic Landmark in 1993, and serves as the present-day home of the Quilters Hall of Fame.
Embroidery in India includes dozens of embroidery styles that vary by region and clothing styles. Designs in Indian embroidery are formed on the basis of the texture and the design of the fabric and the stitch. The dot and the alternate dot, the circle, the square, the triangle, and permutations and combinations of these constitute the design.
A Hawaiian quilt is a distinctive quilting style of the Hawaiian Islands that uses large radially symmetric applique patterns. Motifs often work stylized botanical designs in bold colors on a white background.
Quilt art, sometimes known as art quilting, mixed media art quilts or fiber art quilts, is an art form that uses both modern and traditional quilting techniques to create art objects. Practitioners of quilt art create it based on their experiences, imagery, and ideas rather than traditional patterns. Quilt art generally has more in common with the fine arts than it does with traditional quilting. This art is generally either wall hung or mounted as sculpture, though exceptions exist.
A pot-holder is a piece of textile or silicone used to cover the hand when holding hot kitchen cooking equipment, like pots and pans. They are frequently made of polyester and/or cotton. Crocheted pot-holders can be made out of cotton yarn as a craft project/folk art.
Longarm quilting is the process by which a longarm sewing machine is used to sew together a quilt top, quilt batting and quilt backing into a finished quilt. The longarm sewing machine frame typically ranges from 10 feet to 14 feet in length. A complete longarming system typically consists of an industrial length sewing machine head a 10 to 14-foot frame, a table with a layer of plastic under which is placed a pantograph, and several rollers on which the fabric layers and batting are attached.
The Hat and Fragrance Textile Gallery is an exhibit space at Shelburne Museum in Shelburne, Vermont which houses quilts, hatboxes, and various other textiles. The name "Hat and Fragrance" refers both to Electra Havemeyer Webb's collection of hatboxes and to the fragrant, herbal sachets used to preserve textiles. In 1954, Shelburne Museum was the first museum to exhibit quilts as works of art; prior to this exhibition quilts were only shown as accessories in historic houses.
Machine quilting is quilting made using a sewing machine to stitch in rows or patterns using select techniques to stitch through layers of fabric and batting in the manner of old-style hand-quilting. Some machines even replicate hand stitching, for example Sashiko or running stitch quilting.
Sewing is the craft of fastening or attaching objects using stitches made with needle and thread. Sewing is one of the oldest of the textile arts, arising in the Paleolithic Era. Although usually associated with clothing and household linens, sewing is used in a variety of crafts and industries, including shoemaking, upholstery, sailmaking, bookbinding and the manufacturing of some kinds of sporting goods. Sewing is the fundamental process underlying a variety of textile arts and crafts, including embroidery, tapestry, quilting, appliqué and patchwork.
Chinese patchwork is a traditional form of Chinese needlework which has been widely circulated in Chinese folk arts. In China, patchwork has been used for millennia.
Khatwa is the name given to appliqué works in Bihar, India. Khatwa is about designing by cutting of one fabric and stitching the pieces to another fabric. Khatwa is mainly used to create designer tents, canopies and shamianas. In textiles, applique is sometimes confused with patchwork. Though both techniques derive from the recycling of old fabrics by sewing different fabrics to create one piece, they are quite distinguishable. Patchwork refers to a variety of fabrics sewn together to create a single textile pattern. On the other hand, applique refers to a variety of coloured fabrics and ornaments, such as small round mirrors, layered on top of one another in order to create elaborate designs by means of various forms of stitching. There is no restriction to the type of fabrics used in the creation of applique items, and may even be of varying textures. It is often found alongside embroidery and can be sub-divided into two techniques. The simple 'play by ear' technique consists of the open use of an assortment of materials of various shapes and sizes, stitched together without much preparation. The more complex technique involves thorough planning of the design before any work is done with the materials. Khatwa is about designing by cutting of one fabric and stitching the pieces to another fabric. Khatwa is mainly used to create designer tents, canopies, shamianas and much more. Making of such tents involves work by both men and women. While cutting of clothes is done by men, women use their expertise in stitching part. Khatwa is also used in designing women garments as well. This is where the real talent of Bihar people is seen in the work. The designs created are more sharp, intricate and highly appealing. Most of the garments shop sell these highly artistic clothes. People in some villages of Bihar are involved only in art works and it is their main source of income. Since the same skills are passed down to generations, the expertise and innovations are immaculate. It is believed that applique work made its way into western India either from Europe or Arabia in the Middle East through trade contacts. It involves creation of designs by cutting one fabric and stitching the pieces onto another. “Khatwa” is used to craft decorative tents, canopies, shamianas, etc. A thick fabric and Geometric patterns are used while making the Tents on important occasion or functions.
The conservation and restoration of quilts refers to the processes involved in maintaining the integrity of quilts and/or restoring them to an acceptable standard so that they may be preserved for future generations. Quilts have been produced for centuries, as utilitarian blankets, decorations, family heirlooms, and now treasured museum collections objects. Quilts are three-layered textile pieces with a decorated top, a back, and a filler in the middle. The composite nature of these objects creates an interesting challenge for their conservation, as the separate layers can be made of different textile materials, multiple colors, and therefore, varying degrees of wear, tear, and damage.
