An out-of-place artifact is an artifact of historical, archaeological, or paleontological interest to someone that is claimed to have been found in an unusual context, which someone claims to challenge conventional historical chronology by its presence in that context. Some people might think that those artifacts are too advanced for the technology known to have existed at the time, or that human presence existed at a time before humans are known to have existed. Other people might hypothesize about a contact between different cultures that is hard to account for with conventional historical understanding.
Altun Ha is the name given to the ruins of an ancient Maya city in Belize, located in the Belize District about 50 kilometres (31 mi) north of Belize City and about 10 kilometres (6.2 mi) west of the shore of the Caribbean Sea. The site covers an area of about 8 square kilometres (3.1 sq mi).
The Museum of Gold is an archaeology museum located in Bogotá, Colombia. It is one of the most visited touristic highlights in the country. The museum receives around 500,000 tourists per year.
Tumbaga is the name for a non-specific alloy of gold and copper given by Spanish Conquistadors to metals composed of these elements found in widespread use in pre-Columbian Mesoamerica in North America and South America.
Guanín is an alloy of copper, gold and silver, similar to red gold, used in pre-Columbian central America. The name guanín is taken from the language of the Taíno people, who prized it for its reddish color, brilliant shine, and unique smell, and associated it with both worldly and supernatural power. It was also known as taguagua, and in South America as tumbaga. The Spanish referred to it as "low gold", distinguishing it from items made with a higher purity of gold.
The emergence of metallurgy in pre-Columbian Mesoamerica occurred relatively late in the region's history, with distinctive works of metal apparent in West Mexico by roughly 800 CE, and perhaps as early as 600 CE. Metallurgical techniques likely diffused northward from regions in Central or South America via maritime trade routes; recipients of these metallurgical technologies apparently exploited a wide range of material, including alloys of copper-silver, copper-arsenic, copper-tin and copper-arsenic-tin.
Repatriation is the return of the cultural property, often referring to ancient or looted art, to their country of origin or former owners.
The Sican culture is the name that archaeologist Izumi Shimada gave to the culture that inhabited what is now the north coast of Peru between about 750 and 1375 CE. According to Shimada, Sican means "temple of the Moon". The Sican culture is also referred to as Lambayeque culture, after the name of the region in Peru. It succeeded the Moche culture. There is still controversy among archeologists and anthropologists over whether the two are separate cultures. The Sican culture is divided into three major periods based on cultural changes as evidenced in archeological artifacts.
Malagana, also known as the Malagana Treasure is an archaeological site of Colombia named after a sugarcane estate where it was accidentally discovered in 1992. During the few days after its discovery, the place was subject to a large scale looting with a rough estimate of 4 tons of pre-Columbian artifacts illegally removed from the burial mounds. A rescue archaeological mission was sent by the National Institute of Anthropology and History (ICANH), led by archaeologist Marianne Cardale de Schrimpff. Archaeological excavations at the site established a previously unknown cultural complex, designated as Malagana-Sonsoid, that dates between 300 BC to 300 AD.
Quimbaya Museum is a museum located in Armenia, Colombia designed by Colombian Architect Rogelio Salmona. It displays a large collection of pre-Columbian artcrafts: about 390 gold objects, 104 pieces of pottery, 22 stone sculptures, carved woods, and other objects, mainly from the pre-Columbian Quimbaya civilization, Embera and some other amerindian tribes. Some of the most important pieces are the gold Poporos and the zoomorphic vases.
A Poporo is a device used by indigenous cultures in present and pre-Columbian South America for storage of small amounts of lime produced from burnt and crushed sea-shells. It consists of two pieces: the receptacle, and the lid which includes a pin that is used to carry the lime to the mouth while chewing coca leaves. Since the chewing of coca is sacred for the indigenous people, the poporos are also attributed with mystical powers and social status.
The Larco Museum is a privately owned museum of pre-Columbian art, located in the Pueblo Libre District of Lima, Peru. The museum is housed in an 18th-century vice-royal building. It showcases chronological galleries that provide a thorough overview of 5,000 years of Peruvian pre-Columbian history. It is well known for its gallery of pre-Columbian erotic pottery.
The Quimbaya (/kɪmbaɪa/) were a small indigenous group in present-day Colombia noted for their gold work characterized by technical accuracy and detailed designs. The majority of the gold work is made in tumbaga alloy, with 30% copper, which colours the pieces.
The Western Mexico shaft tomb tradition refers to a set of interlocked cultural traits found in the western Mexican states of Jalisco, Nayarit, and, to a lesser extent, Colima to its south, roughly dating to the period between 300 BCE and 400 CE, although there is not wide agreement on this end date. Nearly all of the artifacts associated with this shaft tomb tradition have been discovered by looters and are without provenance, making dating problematic.
Metallurgy in pre-Columbian America is the extraction, purification and alloying of metals and metal crafting by Indigenous peoples of the Americas prior to European contact in the late 15th century. Indigenous Americans had been using native metals from ancient times, with recent finds of gold artifacts in the Andean region dated to 2155–1936 BCE, and North American copper finds being dated to approximately 5000 BCE. The metal would have been found in nature without the need for smelting, and shaped into the desired form using hot and cold hammering without chemical alteration or alloying. To date "no one has found evidence that points to the use of melting, smelting and casting in prehistoric eastern North America."
The Muisca raft, sometimes referred to as the Golden Raft of El Dorado, is a pre-Columbian votive piece created by the Muisca, an indigenous people of Colombia in the Eastern Ranges of the Colombian Andes. The piece probably refers to the gold offering ceremony described in the legend of El Dorado, which occasionally took place at Lake Guatavita. In this ritual, the new chief (zipa), who was aboard a raft and covered with gold dust, tossed gold objects into the lake as offerings to the gods, before immersing himself into the lake. The figure was created between 1295 and 1410 AD by lost-wax casting in an alloy of gold with silver and copper. The raft was part of an offering that was placed in a cave in the municipality of Pasca. Since its discovery in 1969, the Muisca raft has become a national emblem for Colombia and has been depicted on postage stamps. The piece is exhibited at the Gold Museum in Bogotá.
Santa Ana (La Florida) is an important archaeological site in the highlands of Ecuador, going back as early as 3,500 BC. It is located in the Palanda Canton, just to the north of its regional capital of es:Palanda, in the Zamora-Chinchipe Province of Ecuador.
The pre-Columbian cultures of Colombia refers to the ancient cultures and civilizations that inhabited Colombia before the Spanish Conquest in the 16th century.
Donna Yates is an archaeologist and Associate Professor in the Department of Criminal Law and Criminology at Maastricht University. Her research considers transnational illicit trade in cultural objects, art and heritage crime including Looted art and the Antiquities trade, and white collar crime.
