Poporo Quimbaya
One particularly famous poporo, the Poporo Quimbaya, is a pre-Colombian artpiece of the classic quimbaya period, currently exhibited in the Gold Museum in Bogotá, Colombia. Its primary use was as a ceremonial device for chewing of coca leaves during religious ceremonies. It was made around 300 CE with a lost-wax casting process.
It is believed that the artpiece was stolen from a burial chamber in the early 1930s, on Loma del Pajarito ("Birdie Hill") near Anori in the Antioquia department, where, at the time, the grave robbing of indigenous tombs was very common, often ending with destruction of important archeological pieces in order to extract the gold. [1]
In 1939 the Banco de la República, the central bank of Colombia, purchased the Poporo Quimbaya, in an effort to preserve it from destruction. This began a larger project of preservation of pre-Columbian goldwork that led to the creation of the Gold Museum in Bogotá.
The Poporo Quimbaya is an unusual piece, made of tumbaga, with oddly minimalistic lines, that give it a modern look. It is one of the most recognized pre-Columbian artpieces, being often used as a symbol of the indigenous pre-Columbian culture. It has been depicted in the Colombian currency, in coins and bills. A reproduction served as the winner's trophy for the 2019 and 2020 editions of the Tour Colombia cycling race. [2] [3]
Coca is any of the four cultivated plants in the family Erythroxylaceae, native to western South America. Coca is known worldwide for its psychoactive alkaloid, cocaine.
The Museum of Gold is an archaeology museum located in Bogotá, Colombia. It is one of the most visited touristic highlights in the country. The museum receives around 500,000 tourists per year.
Tairona or Tayrona was a Pre-Columbian culture of Colombia, which consisted in a group of chiefdoms in the region of Sierra Nevada de Santa Marta in present-day Cesar, Magdalena and La Guajira Departments of Colombia, South America, which goes back at least to the 1st century AD and had significant demographic growth around the 11th century.
The Archaeology Museum of Pasca is an archaeological museum located in Pasca, Colombia. It houses a great collection of Pre-Columbian objects and human remains, including Muisca mummies. It has a replica of the famous golden raft, Balsa Muisca, found near this town that represents the El Dorado rite. The museum hosts a piece of Muisca textile from Belén, Boyacá. The total collection numbers 2500 pieces. Apart from the Muisca artifacts, the museum hosts material from the Tairona, Calima, Quimbaya, Sinú, San Agustín and Tierradentro, among others.
The Guane were a South American people that lived mainly in the area of Santander and north of Boyacá, both departments of present-day central-Colombia. They were farmers cultivating cotton, pineapple and other crops, and skilled artisans working in cotton textiles. The Guane lived north of the Chicamocha River, around the Chicamocha Canyon in an area stretching from Vélez in the south to the capital of Santander; Bucaramanga in the north. Other sources state their territory did not extend so far north. Guane, a corregimiento of Barichara, Santander, is said to have been the capital of the Guane people.
The Pijao are an indigenous people from Colombia.
The Museo Casa de Moneda is a numismatics museum located in La Candelaria neighborhood of Bogotá, Colombia. It is managed by the Bank of the Republic of Colombia and used to display its numismatic collection that is composed by around 18,600 objects that include artwork, banknotes, bonds, coins, derivatives, medals, negotiable instruments, and printing instruments from various periods and regions of the world.
The Kogi, or Cogui, or Kágaba, meaning "jaguar" in the Kogi language, are an indigenous group that resides in the Sierra Nevada de Santa Marta mountains in northern Colombia. Their culture has continued since the Pre-Columbian era.
Malagana, also known as the Malagana Treasure is an archaeological site of Colombia named after a sugarcane estate where it was accidentally discovered in 1992. During the few days after its discovery, the place was subject to a large scale looting with a rough estimate of 4 tons of pre-Columbian artifacts illegally removed from the burial mounds. A rescue archaeological mission was sent by the National Institute of Anthropology and History (ICANH), led by archaeologist Marianne Cardale de Schrimpff. Archaeological excavations at the site established a previously unknown cultural complex, designated as Malagana-Sonsoid, that dates between 300 BC to 300 AD.
Quimbaya Museum is a museum located in Armenia, Colombia designed by Colombian Architect Rogelio Salmona. It displays a large collection of pre-Columbian artcrafts: about 390 gold objects, 104 pieces of pottery, 22 stone sculptures, carved woods, and other objects, mainly from the pre-Columbian Quimbaya civilization, Embera and some other amerindian tribes. Some of the most important pieces are the gold Poporos and the zoomorphic vases.
The Quimbaya (/kɪmbaɪa/) were a small indigenous group in present-day Colombia noted for their gold work characterized by technical accuracy and detailed designs. The majority of the gold work is made in tumbaga alloy, with 30% copper, which colours the pieces.
Colombian art has 3500 years of history and covers a wide range of media and styles ranging from Spanish Baroque devotional painting to Quimbaya gold craftwork to the "lyrical americanism" of painter Alejandro Obregón (1920–1992). Perhaps the most internationally acclaimed Colombian artist is painter and sculptor Fernando Botero (1932).
The National symbols of Colombia are the symbols which represent the national identity of the Republic of Colombia as a sovereign state. The national symbols intend to represent the Colombian identity by creating visual, verbal cultural iconic representations of the national people, values, goals, and history.
The Muisca raft, sometimes referred to as the Golden Raft of El Dorado, is a pre-Columbian votive piece created by the Muisca, an indigenous people of Colombia in the Eastern Ranges of the Colombian Andes. The piece probably refers to the gold offering ceremony described in the legend of El Dorado, which occasionally took place at Lake Guatavita. In this ritual, the new chief (zipa), who was aboard a raft and covered with gold dust, tossed gold objects into the lake as offerings to the gods, before immersing himself into the lake. The figure was created between 1295 and 1410 AD by lost-wax casting in an alloy of gold with silver and copper. The raft was part of an offering that was placed in a cave in the municipality of Pasca. Since its discovery in 1969, the Muisca raft has become a national emblem for Colombia and has been depicted on postage stamps. The piece is exhibited at the Gold Museum in Bogotá.
Quimbaya artifacts refers to a range of primarily ceramic and gold objects surviving from the Quimbaya civilisation, which was one of many pre-Columbian cultures of Colombia inhabiting the Middle Cauca River valley and southern Antioquian region of modern day Colombia. The artifacts are believed to have originated during the Classical Quimbaya period 500 BC–600 AD.
Muisca religion describes the religion of the Muisca who inhabited the central highlands of the Colombian Andes before the Spanish conquest of the Muisca. The Muisca formed a confederation of holy rulers and had a variety of deities, temples and rituals incorporated in their culture. Supreme being of the Muisca was Chiminigagua who created light and the Earth. He was not directly honoured, yet that was done through Chía, goddess of the Moon, and her husband Sué, god of the Sun. The representation of the two main celestial bodies as husband and wife showed the complementary character of man and woman and the sacred status of marriage.
A tunjo is a small anthropomorh or zoomorph figure elaborated by the Muisca as part of their art. Tunjos were made of gold or tumbaga; a gold-silver-copper alloy. The Muisca used their tunjos in various instances in their religion and the small votive offering figures have been found in various places on the Altiplano Cundiboyacense, Colombia. Tunjos were used as offer pieces, to communicate with the gods and when the Muisca asked for favours from their deities. Muisca scholar Pedro Simón wrote about the tunjos of the Muisca.
This article describes the economy of the Muisca. The Muisca were the original inhabitants of the Altiplano Cundiboyacense, the high plateau in the Eastern Ranges of central present-day Colombia. Their rich economy and advanced merchant abilities were widely known by the indigenous groups of the area and described by the Spanish conquistadores whose primary objective was the acquisition of the mineral resources of Tierra Firme; gold, emeralds, carbon, silver and copper.
This article describes the art produced by the Muisca. The Muisca established one of the four grand civilisations of the pre-Columbian Americas on the Altiplano Cundiboyacense in present-day central Colombia. Their various forms of art have been described in detail and include pottery, textiles, body art, hieroglyphs and rock art. While their architecture was modest compared to the Inca, Aztec and Maya civilisations, the Muisca are best known for their skilled goldworking. The Museo del Oro in the Colombian capital Bogotá houses the biggest collection of golden objects in the world, from various Colombian cultures including the Muisca.
The pre-Columbian cultures of Colombia refers to the ancient cultures and civilizations that inhabited Colombia before the Spanish Conquest in the 16th century.
