R5, in the film business, is a DVD of a movie sold in Russia very soon after the first screening in cinema, at reduced wholesale prices. [1] [2] It is made with a telecine machine from an analog source and is typically of a lower quality than other retail releases. [3]
Telecine (TK) is the digitization performed by the studio itself, usually from an analog film print. [4] [5] The purpose of it is to create a high-quality digital copy (usually for a later DVD release). But unlike a DVD, an R5 is released before the digital post-processing is finished. [6] The quality of the rips can widely differ, but an R5 can be almost indistinguishable from a DVD rip since many unauthorized film copies are published onto DVD with minimal editing. Cyrillic letters can be seen in the movie picture when text is replaced by Russian. [7]
This digital post-processing is an important step, and provides many qualitative benefits to the finished conversion and should not be under-appreciated. From color correction to grain removal/reduction there are many steps that improve the transfer that generally the R5 does not have, even if done by the originating studio.[ citation needed ]
The name R5 refers to DVD Region 5. [8] In an effort to compete with copyright infringement in these areas, the movie industry chose to create a new format for DVD releases that could be produced more quickly and less expensively than traditional DVD releases. [1] [9] R5 releases differ from normal releases in that they often lack both the image post-processing and special features that are common on DVD releases. [10] This allows the film to be released for sale at the same time that DVD screeners are released. Since these screeners are the chief source of high-quality pre-DVD release unauthorized film copies (in comparison to cam or telesync, mostly), this allows the movie studios to beat the infringers to market. [3] [11] Bootlegged copies of these releases are often distributed on the internet and in some cases, R5 DVDs may be released without an English audio track, requiring the encoder to use the direct line audio from the film's theatrical release. In this case, the unauthorized release will be tagged with "LiNE" to distinguish it from a release with a DVD audio track. [4] [8] [12] Before PUKKA/DREAMLiGHT introduced the R5 tag to the warez scene, the R5 releases were tagged as TC, DVDSCR [13] or DVDRip. [6]
The image quality of an R5 release is generally comparable to a DVD Screener release, except without the added scrolling text and black and white scenes that serve to distinguish screeners from commercial DVD releases. R5 quality can be somewhat better than transfers produced by movie bootleggers because the transfer is performed using professional-grade film scanning equipment.[ citation needed ]
Dubbing is a post-production process used in filmmaking and video production where supplementary recordings are lip-synced and "mixed" with original production audio to create the final product.
Warez is a common computing and broader cultural term referring to pirated software that is distributed via the Internet. Warez is used most commonly as a noun, a plural form of ware, and is intended to be pronounced like the word wares. The circumvention of copy protection (cracking) is an essential step in generating warez, and based on this common mechanism, the software-focused definition has been extended to include other copyright-protected materials, including movies and games. The global array of warez groups has been referred to as "The Scene", deriving from its earlier description as "the warez scene". Distribution and trade of copyrighted works without payment of fees or royalties generally violates national and international copyright laws and agreements. The term warez covers supported as well as unsupported (abandonware) items, and legal prohibitions governing creation and distribution of warez cover both profit-driven and "enthusiast" generators and distributors of such items.
Video CD is a home video format and the first format for distributing films on standard 120 mm (4.7 in) optical discs. The format was widely adopted in Southeast Asia, South Asia, East Asia, Central Asia and West Asia, superseding the VHS and Betamax systems in the regions until DVD-Video finally became affordable in the first decade of the 21st century.
Telecine is the process of transferring film into video and is performed in a color suite. The term is also used to refer to the equipment used in this post-production process.
A home cinema, also called a home theater or theater room, is a home entertainment audio-visual system that seeks to reproduce a movie theater experience and mood using consumer electronics-grade video and audio equipment and is set up in a room or backyard of a private home. Some studies show that films are rated better and generate more intense emotions when watched in a movie theater, but convenience is a major appeal for home cinemas. In the 1980s, home cinemas typically consisted of a movie pre-recorded on a LaserDisc or VHS tape; a LaserDisc Player or VCR; and a heavy, bulky large-screen cathode-ray tube TV set, although sometimes CRT projectors were used instead. In the 2000s, technological innovations in sound systems, video player equipment, TV screens and video projectors have changed the equipment used in home cinema set-ups and enabled home users to experience a higher-resolution screen image, improved sound quality and components that offer users more options. The development of Internet-based subscription services means that 2020s-era home theatre users do not have to commute to a video rental store as was common in the 1980s and 1990s.
Ripping is the extraction of digital content from a container, such as a CD, onto a new digital location. Originally, the term meant to rip music from Commodore 64 games. Later, the term was applied to ripping WAV or MP3 files from digital audio CDs, and after that to the extraction of contents from any storage media, including DVD and Blu-ray discs, as well as the extraction of video game sprites.
The Universal Media Disc (UMD) is a discontinued optical disc medium developed by Sony for use on its PlayStation Portable handheld gaming and multimedia platform. It can hold up to 1.8 gigabytes of data and is capable of storing video games, feature-length films, and music. UMD is the trademark of Sony Computer Entertainment for their optical disk cartridge (ODC).
A telesync (TS) is a bootleg recording of a film recorded in a movie theater, often filmed using a professional camera on a tripod in the projection booth. The audio of a TS is captured with a direct connection to the sound source. If a direct connection from the sound source is not possible, sometimes the bootlegger will tape or conceal wireless microphones close to the speakers, as it is better than a mic on the camera. A TS can be considered a higher quality type of cam, that has the potential of better-quality audio and video.
576i is a standard-definition digital video mode, originally used for digitizing 625 line analogue television in most countries of the world where the utility frequency for electric power distribution is 50 Hz. Because of its close association with the legacy colour encoding systems, it is often referred to as PAL, PAL/SECAM or SECAM when compared to its 60 Hz NTSC-colour-encoded counterpart, 480i.
A workprint is a rough version of a motion picture or television program, used by the film editor(s) during the editing process. Such copies generally contain original recorded sound that will later be re-dubbed, stock footage as placeholders for missing shots or special effects, and animation tests for in-production animated shots or sequences.
In filmmaking, dailies or rushes are the raw, unedited footage shot during the making of a motion picture. The term "dailies" comes from when movies were all shot on film because usually at the end of each day, the footage was developed, synced to sound, and printed on film in a batch for viewing the next day by the director, selected actors, and film crew members. After the advent of digital filmmaking, "dailies" were available instantly after the take and the review process was no longer tied to the overnight processing of film and became more asynchronous. Now some reviewing may be done at the shoot, even on location, and raw footage may be immediately sent electronically to anyone in the world who needs to review the takes. For example, a director can review takes from a second unit while the crew is still on location or producers can get timely updates while travelling. Dailies serve as an indication of how the filming and the actors' performances are progressing. The term was also used to describe film dailies as "the first positive prints made by the laboratory from the negative photographed on the previous day".
Standards in the warez scene are defined by groups of people who have been involved in its activities for several years and have established connections to large groups. These people form a committee, which creates drafts for approval of the large groups. Outside the warez scene, often referred to as p2p, there are no global rules similar to the scene, although some groups and individuals could have their own internal guidelines they follow.
A cam is a bootleg recording of a film. Generally unlike the more common DVD rip or screener recording methods which involve the duplication of officially distributed media, cam versions are original clandestine recordings made in movie theaters.
A re-edited film is a motion picture that has been modified from the manner in which it was showcased in its original theatrical release. Reasons for this type of editing may range from the distributor's demands to accommodating different audience groups. Fan-made movie edits are often met with controversy, as they bring up issues of copyright law.
Film distribution, also called film exhibition or film distribution and exhibition, is the process of making a movie available for viewing to an audience. This is normally the task of a professional film distributor, who would determine the marketing and release strategy for the film, the media by which a film is to be exhibited or made available for viewing and other matters. The film may be exhibited directly to the public either through a movie theater or television, or personal home viewing. For commercial projects, film distribution is usually accompanied by film promotion.
Pirated movie release types are the different types of pirated movies and television series that are shared on the Internet. The quality and popularity of pirated movie release types vary widely, due to the different sources and methods used for acquiring the video content, the development and adoption of encoding formats, and differing preferences on the part of suppliers and end users as to quality and size-efficiency.
The term telecine refers both to a film-to-tape transferring machine, as well as the process by which film is transferred to tape. The telecine process is frequently used by filmmakers to transfer production footage to video, which can then be captured by various non-linear digital editing systems.
A color suite is the control room for color grading video in a post-production environment.
Home video is recorded media sold or rented for home viewing. The term originates from the VHS and Betamax era, when the predominant medium was videotapes, but has carried over to optical disc formats such as DVD and Blu-ray. In a different usage, "home video" refers to amateur video recordings, also known as home movies.
During the autumn of 2005 the Hollywood majors Warner Home Video and Universal Pictures International announced their readiness to place special DVD releases on the Russian market at reduced wholesale prices. [...] Simultaneously, the national representatives of the US studios shrank the window for release to video of new films on distribution (special Russian editions were released just four weeks after the first screening in cinemas)."Russian film industry feels the chill as recession cools the production sector". Archived from the original on 2009-12-22. Retrieved 2010-01-21.
We agree with Pukka and will be tagging future releases with R5 if it's Russian retail source. Everybody should be able to see the quality of the release in the dir tag, so please stop fake tagging.
An 'R5' tagged release from the scene is a studio-produced unmastered telecine, put out quickly and cheaply to compete against telecine piracy in Russia. Mostly they are released with Russian audio only, so scene groups have to source direct English audio. Not all studios are on board for this and so do not release them, Paramount is one of them.
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has generic name (help)Both releases did not take the time to "sub" the scenes where various parts of the film (the ATM) have been changed to Russian.
"A positive role was played by distributing releases with a short window (the difference between film premieres and the release on DVD) and the reduction of prices on wheels" - said Trushin. Four weeks after the premiere of a movie on DVD now appear movie studios Universal and 20th Century Fox, explains Dobychin and added that the recommended retail price of a DVD with movies of these studios, as well as Sony Pictures and Russian producers decreased from 299 to 149 rubles. Prices for DVD studios Disney and Warner Bros. did not decrease.Same article, other source: Translated:
This is fairly new movie format. Basically the same as DVD Screener – this kind of release is legal DVD released in Russia to decrease the level of pirated movies in this country. Retail is rushed out by the studio, so there is little to no cleanup of the film after the telecine process. As a result, you can see some scratches, hairs or other mess on the picture, but you will hardly notice it while watching. External English audio is often used, as these are supplied with Russian sound by default.
Video from Russian DVDSCR with Eng Audio supplied by Saosin