RCA Thesaurus, a brand owned by RCA Victor, was a supplier of electrical transcriptions. [1] It enjoyed a long history of producing electrical transcriptions of music for radio broadcasting which dated back to NBC's Radio Recording Division. [2]
Efforts were made as early as 1936 to consolidate The RCA Victor Transcription service with NBC's independent transcription service within the NBC radio network. NBC'sThesaurus catalog system and library of recordings was not completely merged with RCA's catalog until 1939 when the consolidation was completed in an effort to compete with rival transcription services which were available at the Mutual, Columbia and World Broadcasting Systems. [3]
During the 1950s, RCA Thesaurus produced under the musical direction of Ben Selvin in New York City. [4] [5] As the transcription service continued to grow in 1953, RCA Thesaurus bought a library of 1600 transcriptions of jingles from the Ullman Jingl Library. [6]
In 1954, John Serry Sr. recorded several of his arrangements of easy listening music for RCA Thesaurus with his ensemble The Bel-Cordions quartet and the Serry Sextette. [7] [8] The group consisted of four accordions, string bass and guitar. [9] [10] Copies of Serry's album and his original orchestral scores were subsequently donated years later to the Eastman School of Music's Sibley Music Library for archival purposes within the Ruth T. Watanabe Special Collections Department: John J. Serry Sr. Collection. [11] [12] [13]
By 1955, RCA Thesaurus continued to expand its musical library by including complete shows five times a week which showcased performances by several leading jazz artists including Sammy Kaye and Freddie Martin. [14] In 1956, Lawrence Welk also signed with Ben Selvin at RCA Thesaurus for recordings on his "New Lawrence Welk Show". [15] [16] By 1956, Ben Selvin also signed an agreement with the impresario Norman Granz which enhanced the RCA Thesaurus library to include performances by such jazz luminaries as: Count Basie, Roy Eldridge, Ella Fitzgerald, Stan Getz, Gene Krupa, Oscar Peterson, and Art Tatum. [17]
Included among the classical compositions that were recorded on the RCA Thesaurus label are the following:
Included among the popular songs recorded for RCA Thesaurus are the following: [21]
Included among the musical ensembles that recorded for RCA Thesaurus are the following: [22] [23] [24]
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The John J. Serry Sr. Collection Archive University of Rochester Eastman School of Music. Here on esm.rochester.edu |
RCA Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Group Corporation.
Julius Baker was one of the foremost American orchestral flute players. During the course of five decades he concertized with several of America's premier orchestral ensembles including the Chicago Symphony and the New York Philharmonic Orchestra.
Archibald Martin Bleyer was an American song arranger, bandleader, and record company executive.
Benjamin Bernard Selvin was an American musician, bandleader, and record producer. He was known as the Dean of Recorded Music.
"Beer Barrel Polka", originally in Czech "Škoda lásky", also known as "The Barrel Polka", "Roll Out the Barrel", or "Rosamunde", is a 1927 polka composed by Czech musician Jaromír Vejvoda. Lyrics were added in 1934, subsequently gaining worldwide popularity during World War II as a drinking song.
"Singin' in the Rain" is a song with lyrics by Arthur Freed and music by Nacio Herb Brown. Doris Eaton Travis introduced the song on Broadway in The Hollywood Music Box Revue in 1929. It was then widely popularized by Cliff Edwards and the Brox Sisters in The Hollywood Revue of 1929. Many contemporary artists had hit records with "Singin' in the Rain" since its release, including Cliff Edwards, Earl Burtnett and Gus Arnheim in 1929 alone.
"Shine On, Harvest Moon" is a popular early-1900s song credited to the married vaudeville team Nora Bayes and Jack Norworth. It was one of a series of moon-related Tin Pan Alley songs of the era. The song was debuted by Bayes and Norworth in the Ziegfeld Follies of 1908 to great acclaim. It became a pop standard, and continues to be performed and recorded in the 21st century.
John Serry Sr. was an American concert accordionist, arranger, composer, organist, and educator. He performed on the CBS Radio and Television networks and contributed to Voice of America's cultural diplomacy initiatives during the Golden Age of Radio. He also concertized on the accordion as a member of several orchestras and jazz ensembles for nearly forty years between the 1930s and 1960s.
Squeeze Play is an Ultra High Fidelity monaural phonographic album which was released on the Dot Records label in 1956 (DLP-3024) featuring John Serry Sr. It includes an original composition by Serry, classical works, and popular music of the era. Ben Selvin serves as the musical director/producer for the album. The works were arranged by Serry and performed with his ensemble featuring two accordions, piano, guitar, bass, drum, vibes, and marimba.
"My Melancholy Baby" is a popular song published in 1912 and first sung publicly by William Frawley. The music was written by Ernie Burnett (1884–1959), the lyrics by George A. Norton.
"Chicago" is a popular song written by Fred Fisher and published in 1922. The original sheet music variously spelled the title "Todd'ling" or "Toddling." The song has been recorded by many artists, but the best-known versions are by Frank Sinatra, Ben Selvin and Judy Garland. The song alludes to the city's colorful past, feigning "... the surprise of my life / I saw a man dancing with his own wife", mentioning evangelist Billy Sunday as having not been able to "shut down" the city, and State Street where "they do things they don't do on Broadway".
American Rhapsody was written for the accordion by John Serry Sr. in 1955 and subsequently transcribed for the free-bass accordion in 1963 and for the piano in 2002. The composer was inspired by the classical orchestral works of George Gershwin along with various Latin jazz percussive rhythms utilized throughout South America while composing this opus.
Concerto for Free Bass Accordion was written for the solo free-bass system accordion by John Serry Sr. in 1964 and was revised in 1966. A transcription for solo piano was completed in 1995 and revised in 2002. Written in the classical music concerto form, it illustrates the wide-ranging orchestral qualities of the free-bass accordion and underscores the suitability of the instrument for performances as a robust solo instrument on the classical concert stage.
"Nobody's Sweetheart", also known as "Nobody's Sweetheart Now" and "You're Nobody's Sweetheart Now", is a popular song, written in 1924, with music by Billy Meyers and Elmer Schoebel, and lyrics by Gus Kahn and Ernie Erdman. The song is a jazz and pop standard.
"Chinatown, My Chinatown" is a popular song written by William Jerome (words) and Jean Schwartz (music) in 1906 and later interpolated into the musical Up and Down Broadway (1910). The song has been recorded by numerous artists and is considered an early jazz standard.
"Oh, You Beautiful Doll" is a ragtime love song published in 1911 with words by Seymour Brown and music by Nat D. Ayer. The song was one of the first with a twelve-bar opening. The first was a decade earlier.
The accordion is in a wide variety of musical genres, mainly in traditional and popular music. In some regions, such as in Europe and North America, it has become mainly restricted to traditional, folk and ethnic music. Nonetheless, the button accordion (melodeon) and the piano accordion are widely taught and played in Ireland, and have remained a steady fixture within Irish traditional music, both in Ireland and abroad, particularly in the United States and Great Britain. Numerous virtuoso Irish accordion players have recorded many albums over the past century or so; the earliest Irish music records were made in the 1920s, in New York City, by fiddler and Sligo immigrant Michael Coleman, widely considered to have paved the way for other traditional musicians to record themselves. Accordions are also played within other Celtic styles, as well as in English traditional music, American traditional music, polka, Galician folk music, and Eastern European folk music.
"Somebody Stole My Gal" is a popular song from 1918, written by Leo Wood. In 1924, Ted Weems & his Orchestra had a five-week run at number one with his million-selling version. Its Pee Wee Hunt and his orchestra version is also known in Japan, particularly in Osaka and surrounding area as the theme song used by Yoshimoto Kogyo for their theatre comedies at Namba Grand Kagetsu and other venues.
"If You Knew Susie" is the title of a popular song written by Buddy DeSylva and Joseph Meyer. It was published by Shapiro, Bernstein & Co. in 1925. The sheet music included ukulele tabs by Richard Konter. In the largely comic song, a man sings that he knows a certain woman named Susie to be much wilder and more passionate than most people realize.
"La Cinquantaine" is a piece of music which was composed by Jean Gabriel-Marie in 1887.