 | A major contributor to this article appears to have a close connection with its subject.(September 2017) |
Rachel Rossin | |
|---|---|
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| Born | 1987 |
| Nationality | American |
Rachel Rossin (born 1987, West Palm Beach, Florida) is a multi-media and installation artist based in New York City. [1]
When Rossin was 16, her mother brought her to the Whitney Museum of American Art where she was attracted to Kiki Smith’s wax figures. Rossin expressed that the gallery exhibition had a profound impact on her career, saying “I hated them and I loved them because they were both repulsive and tender. These feelings kept competing and rolling over each other for the front of my mind." [2]
In 2015, Rossin's exhibition, N=7 / The Wake in Heat of Collapse, located at SIGNAL in New York, New York, was a virtual reality simulation that employs the structure of side-scrolling gameplay to create an immersive, Oculus Rift-based experience. [3] Additionally, in 2015, Rossin held her work, Shelter of a Limping Substrate, at the Elliott Levenglick Gallery. Shelter of a Limping Substrate refers to the underlying layer in 3D imaging. She created formal en plein air paintings, which then were reimagined in virtual reality CAD software. [4]
From October 15—November 14, 2015, Rachel held her work, Lossy, at the ZieherSmith, a contemporary art gallery in New York City. [5] [6] [7] [8] In Rossin's words: “The exhibition posits that our relationship with reality isn't comprised of a separate virtual and real but looks more like a gradient between the two— with most of our modern lives being lived in the action of hopping from screen to screen. Like lossy compression, this process includes entropy as an inherent given— in optimizing what already exists by omitting the excess in worlds with their own internal logic.”
From December 9, 2016—January 15, 2017, the exhibition, My Little Green Leaf was held in partnership with Art in General and kim? Contemporary Art Centre in Riga, Latvia. The installation piece interweaves the viewers interactive experience with virtual reality and physical space. [9]
In 2017, she debuted a piece The Sky is a Gap, where she mapped a room-scale virtual reality installation to move 3D time and explosions by the user's movements. [10] [11]
From January 19, 2017—March 3, 2017 Rossin participated in ‘The Unframed World’ located at the HeK (House of electronic Arts Basel) in Basel, Switzerland. This group exhibition presented various approaches in using virtual reality as an artistic medium. [12]
From March 17, 2017—May 31, 2017 Rossin is working with other artists at Chi K11 Art Museum in Shanghai, China. [13]
Rossin will be partaking in a group exhibition ‘ARS17’ at Kiasma located in Helsinki, Finland from March 31, 2017—January 14, 2018. This exhibition will stage international artists working under the theme of digital revolution. [14]
In 2018, Rachel Rossin worked with Cecilia Salama on new store display through May at Melissa shoes, a Brazilian rubberized shoe company. Rossin's video piece is played on massive pixelated screens that comprise the Melissa store lobby. [15]
Rachel Rossin is represented by Magenta Plains in New York, NY. [16] In 2021, Magenta Plains presented its first solo exhibition of Rossin's work, Boohoo Stamina which showcased recent multimedia paintings. Dawn Chan reviewed Boohoo Stamina for the New York Times, writing "Rossin’s take is strangely compelling. At times, her compositions evoke the visionary, spray-painted works of the Romanian-American artist Hedda Sterne, to terrific effect. At other times, Rossin somehow gets her brush marks to replicate the pixelated feel of virtual-reality worlds. [17] " In 2023, Magenta Plains exhibited Scry, a solo presentation of trans-media paintings and larger scale installation. [18]