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The Art of This Century gallery was opened by Peggy Guggenheim at 30 West 57th Street in Manhattan, New York City on October 20, 1942. The gallery occupied two commercial spaces on the seventh floor of a building that was part of the midtown arts district including the Museum of Modern Art, the Museum of Non-Objective Painting, Helena Rubinstein's New Art Center, and numerous commercial galleries. The gallery exhibited important modern art until it closed in 1947, when Guggenheim returned to Europe. The gallery was designed by architect, artist, and visionary Frederick Kiesler.
Dorothea Rockburne DFA is an abstract painter, drawing inspiration primarily from her deep interest in mathematics and astronomy. Her work is geometric and abstract, seemingly simple but very precise to reflect the mathematical concepts she strives to concretize. "I wanted very much to see the equations I was studying, so I started making them in my studio," she has said. "I was visually solving equations." Her attraction to Mannerism has also influenced her work.
Kristin Jones and Andrew Ginzel are a contemporary American artist team. Both Jones and Ginzel pursue independent careers in the arts, but they are best known for their collaborative, large scale public art projects, installations and exhibitions in museums and galleries internationally.
Michael Gitlin is a contemporary sculptor.
María Elena González is a Cuban-American sculptor based in Brooklyn and the Bay Area. She is known for objects, installations and public art that interweave post-minimalist form, conceptual art and concern for materials and craft. Her early work explored themes of memory, family, identity, loss and dislocation through formal, architectural and mapping modes that address site, place and social circumstances; her later work makes connections between nature and art, engaging a broad range of media and sensory experience. In 2020, artist and scholar Ellen Levy wrote "González's art re-invents nature as culture" through an "exquisite attunement" that uncovers formal and thematic analogies between both realms and synesthetic connections between visual and aural senses.
Nancy Grossman is an American artist. Grossman is best known for her wood and leather sculptures of heads.
Nancy Davidson is an American artist best known for large-scale inflatable sculptures regarded as hyper-feminized abstractions of the human female form. Bulbous and flesh-like, the sculptures resemble buttocks and breasts and employ erotic cultural signifiers in their shape and decoration. Davidson's work spans art media but centers around sculpture. It is largely post-minimal in character and described by commentators as providing a feminist counterpoint to the male-dominated, minimalist sculpture of the 1960s, as well as to cultural tropes involving bodies that the works themselves invoke. Of particular note are Davidson's use of humor and a sense of absurdity to seemingly both celebrate and subvert these tropes, inviting their investigation but without the seriousness and moralism that often accompany critical works. Sculpture Magazine critic Robert Raczka wrote that "The confectionary color and oversize scale" of Davidson's sculpture creates a "playfully upbeat mood that allows feminist and gender issues to rise to the surface at irregular intervals, without didacticism." The New Art Examiner's Susan Canning described it as establishing "a context where all can revel in the transgressive and liberating power of the grotesque."
Mary Miss is an American artist and designer. Her work has crossed boundaries between architecture, landscape architecture, engineering and urban design. Her installations are collaborative in nature: she has worked with scientists, historians, designers, and public administrators. She is primarily interested in how to engage the public in decoding their surrounding environment.
Phyllis Green is an artist and educator based in the Los Angeles area. She has largely focused on sculpture using a wide range of materials and fabrication techniques to explore objects and their social context, gender politics, consumerism and spirituality, but has also produced video, installation and performance art. Critics characterize her work by its craft and engagement with surface appearance, diverse sources, unconventional juxtapositions, and grounding in the female body and metaphorical content. Her early work grew out of 1970s feminism and consciousness-raising, while her later work has taken inspiration from the Vedanta branch of Hindu spirituality. In 2018, Sculpture critic Kay Whitney wrote, "Green's polymorphously perverse and experimental thinking counters art historical assumptions regarding gender and culture, while her pun-making glittering and whimsical imagery acts as a shadow-screen for the serious and profound."
Willie Birch is an American visual artist who works in a variety of mediums including drawing, painting, and sculpture. Birch was born in New Orleans, and currently lives and works in New Orleans. He completed his BA at Southern University in New Orleans, and received an MFA from Maryland Institute College of Art in Baltimore, Maryland.
Mary Lum is an American visual artist whose paintings, collages and works on paper reference the urban environment, architectural forms and systems. Critic John Yau writes, "Mary Lum’s paintings on paper are based on collages, which are made from things she uses or encounters in her everyday life as well as photographs she takes of the places she visits. "
Leslie Wayne is a visual artist who lives and works in New York. Wayne is best known for her "highly dimensional paintings".
Aurora Robson is a Canadian-American artist who works in sculpture, installation, painting and collage, focusing on themes related to the environment.
Dora Budor is a Croatian artist who lives and works in New York. She has exhibited extensively throughout the U.S. and Europe.
Ann Pibal is an American painter who makes geometric compositions using acrylic paint on aluminum panel. The geometric intensity is one of the key characteristics that defines her paintings.
SoHyun Bae is an American painter living and working in New York. Her iconography has been described as being shaped by "a history lived from afar, therefore colored by the absence/presence of memory, doubts of otherness, longing, mythologizing and an awareness of archetypal belonging.”
Charlotte Schulz is an American visual artist best known for intricate charcoal drawings, sometimes composed of multiple sheets that she tears, folds and distresses in order to disrupt the two-dimensional picture plane. Her work explores personal and collective responses to traumatic, often-public, experiences and events, interweaving vignettes of landscape, interiors, disasters and unexpected elements in dreamlike combinations that upend spatial and temporal conventions. Artillery critic Seph Rodney describes her drawings as works of "elegant and surreal lyricism" that are exquisitely rendered, thick with detail, and perplexing in their mix of fractured visual logic, overlapping realities, and speculative ruminations on space and time.
Amanda Church is an American artist known for abstract paintings that reference the human figure and other discernible elements. Her works straddle representational and formalist art traditions, suggesting recognizable body parts, objects, and perspectival elements in an otherwise abstract field. Church's distinctive use of contrasting style elements has been consistently noted by critics such as Hyperallergic's Cora Fisher, who described Church's work as "whimsically overruling the left-right brain dichotomy as well as the traditionally gendered axis that divides geometric and decorative art." Church received a Guggenheim Fellowship in 2015 and a Pollock-Krasner Foundation grant in 2017, among other awards. Her work has been covered in publications such as The New York Times, The Boston Globe, ARTnews, Hyperallergic and Forbes Magazine. Her paintings have been exhibited in major U.S. cities as well as internationally, in galleries and museums such as the Brooklyn Museum of Art and the Aldrich Museum. She lives and works in New York.
Caroline Kent is an American visual artist based in Chicago, best known for her large scale abstract painting works that explore the interplay between language and translation. Inspired by her own personal experiences and her cultural heritage, Kent creates paintings that explore the power and limitations of communication. Her work, influenced by her Mexican heritage, delves into the potentials and confines of language and reconsiders the modernist canon of abstraction. She likens her composition process to choreography, revealing an interconnectedness between language, abstraction, and painting. Kent's artwork showcases an evolving dialogue of space, matter, and time, resulting in a confluence of drawings, paintings, sculpture, and performance, blurring the lines between these mediums.
References
- 1 2 3 Guggenheim Foundation
- 1 2 POLLOCK-KRASNER FOUNDATION ANNOUNCES $2.7 MILLION IN GRANTS. Art Forum
- 1 2 About Rachel Rotenberg. America-Israel Cultural Foundation
- ↑ Fall 2023 Exhibitions. American University
- 1 2 3 Art in Embassies
- 1 2 America-Israel Cultural Foundation
- ↑ Sculpture Magazine
- ↑ Hillyer Arts Gallery
- ↑ New McLean Project for Arts exhibition puts focus on creativity. InsideNoVa.com
- 1 2 Baker Artist Portfolios
- ↑ Give and Take: Building Form. Featuring Emilie Benes Brzezinski, Rachel Rotenberg, Foon Sham and Norma Schwartz. McLean Project for the Arts
- ↑ Exhibitions Open Through DEC 20. McLean Project for the Arts
- ↑ Museum on the Seam