Radio Dreams is a 2016 American film by Iranian-born film director Babak Jalali.[3] Inspired by a group of real life Iranian Metallica fans, calling themselves the Persian Magnetic,[3] and the realities of expatriate life of the Iranian diaspora in the United States.[4]
Hamid Royani is the station manager at Pars-FM Radio, the Bay Area's premiere Persian language radio station.[4] As everyone at Pars-FM looks forward to a continuously delayed jam session by Afghan rock band Kabul Dreams with metal legends Metallica, Royani despairs. As a respected man of the arts in his homeland, he must struggle against the commercial demands of the station's owners; erudite and eloquent in his own tongue, he must face the ups and downs of everyday life in a land where he can hardly speak the language.
Marjaneh Moghimi[Wikidata], a producer of community documentaries, was looking to produce her first fictional feature and approached Babak Jalali to helm it.[2] A personal friend of Mohsen Namjoo, Moghimi introduced him to Jalali;[2] at the same time Kabul Dreams had just decided to relocate to the United States, and around these cast members the story was written. With a minimal budget of US$300,000, a virtue was made of necessity and the story that developed staged the action within the span of a day within the confines of a radio station.[2] This setting in turn was to play a part in the lighting and camera setups used by cinematographer Noaz Deshe.[1] The design of the film poster was made by design agency, Ceft and Company New York.[10]
Reception
Neil Young of The Hollywood Reporter described the film as, "presenting a nuanced, intelligent and consistently droll take on hot-button subjects of immigration, identity and cultural assimilation..." and that it "stand[s] comparison with the finest radio-themed enterprises of the current century..."[1]
Writing in Variety, critic Catherine Bray called the film a "quietly satisfying gem..." and a "deserving Tiger competition winner at Rotterdam..."[11]
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
