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The term ripping (slang term for digital media extraction) can also apply to radio. New software, techniques and cloud services now makes it possible to extract the songs played on the radio and digitally save them on separate audio tracks. Available techniques make it possible to rip the music from Internet radio broadcasts, satellite radio broadcasts and FM radio broadcasts.
Ripping is more than simply recording the audio. The key aspect of ripping is disambiguation. When ripping songs from any source, the songs should be split into separate tracks or files, and the songs should be tagged. Otherwise, one is simply recording or dubbing the audio.
Popular audio formats for Internet radio include AAC, AAC+, and MP3. Many AM/FM stations simulcast online use the more efficient AAC format while Internet-only streams more typically use MP3 [ citation needed ]. The Shoutcast database featured 34,281 [1] online radio stations covering almost every conceivable music genre.
Cloud recording services such as DAR.fm, [2] Quick Record [3] can record from all of these formats. Most PC based Internet radio ripping software is built for Shoutcast-style of streams as this MP3-based protocol offers the widest selection of Internet radio stations. Such wide selection of music is one of the major advantages for recording songs from Internet radio compared to FM and satellite radio as well as the fact that it works with cloud services that do not require a separate audio receiver. The disadvantages may include fairly low audio quality in the saved MP3s, which varies from stream to stream.
To begin the recording process, the software connects to the audio stream over TCP. The stream is then buffered 15–30 seconds ahead. Some Internet radio ripping software, [4] [5] [6] [7] [8] utilize special metadata that are being sent along with actual song content. These programs are generally more successful in determining the boundaries of songs (providing for a cleaner MP3 cut) as well as correctly identifying the song in question. Such metadata, however, are available for only a subset of Internet streams, commonly associated with the Shoutcast standard. The existence of open directories of Shoutcast-compliant radio stations such as Shoutcast enables Internet radio rippers to provide an abundant selection of recordable radio stations that are reasonably expected to emit detailed song metadata. The metadata also help avoid commercials from being recorded along with the songs.
TimeTrax has developed software that can record the audio broadcast on XM satellite radio. The software saves songs as individual MP3 files after identifying the name and the artist. TimeTrax is both a software and hardware solution: the TimeTrax software can interface with any PC-compatible satellite receiver, and the adapter box is necessary to allow certain receivers to interface with a PC.
The XM PCR was the first device to allow audio stream ripping from XM radio. The device itself is simple enough: an XM "can" (the actual receiver and decoding hardware) is enclosed in a box with a USB interface chip and audio connector. The PCR plugs into a PC USB port and line-in jack. TimeTrax, or some other similar software, then controls the radio and records the incoming audio. After a legal battle, the TimeTrax software is no longer being sold.
To end the problem for good, XM discontinued the XM PCR receiver. However, TimeTrax almost immediately released a hardware companion product that turned virtually any device capable of receiving XM satellite radio and its primary competitor at the time, Sirius Satellite Radio. Timetrax went on to also include the ability to rip and tag music from the online music streaming services that were being provided by both XM and Sirius.
Notably, TimeTrax went on to extend its technology in a seamless package for FM radio, and further, any music source. It developed this portion of its technology hardware and software offering with Swedish company PopCatcher. TimeTrax was the first company that offered music ripping (a.k.a. audio disambiguation, ripping and tagging, de-aggregation) for the three largest and widespread music distribution methods: satellite radio, Internet streaming and traditional broadcast.
The original TimeTrax software was developed by a Canadian, Scott MacLean. Its popularity resulted in a corporation and formal management team along with funding focused on MacLean's work. The company was led by business executive Elliott Frutkin.
There are two ways of ripping songs from an FM broadcast.
Some FM receivers are capable of receiving Radio Data System (RDS) data. This data provides artist and title information that can be shown on the display of a compatible FM receiver. A compatible receiver, connected to the computer, can tag saved audio streams with these data. The disadvantage of RDS is that the title may change before or after the song itself changes, causing the recording process to miss part of the beginning or end of the song. Some stations also use their display text as a secondary means of advertising themselves or a sponsor and might refuse outright to display title/artist text.
RDS includes a new feature called RT+ or Radio Text Plus. As well as providing discrete text fields for Artist, Album & Track Title, RT+ includes 'item running' and 'item toggle' bits which can be used to accurately mark the track transitions and DJ/commercial interruptions, aiding the process of recording, filenaming and ID3 tagging.
Certain recording packages allow the user to set markers in the file, which the user can use later to split the file into separate tracks. This process can be tedious and time consuming, but has the advantage of being the only truly reliable way to ensure that the song is captured as accurately as possible without cutting off the beginning or end of a track.
This expanding way of ripping music may lead to 'strong legal debates' in a near future, even if it is permitted to record music from the radio for private use in most countries. In Germany it is allowed. There even is a campaign to put focus on it. It is called TauschNix, which in essence stands for: no need to download via filesharing. See link below.
The European Union passed in May 2001 the Information Society Directive which has since then been transposed into the national laws of most of the Member States. Article 5 – 2/b of the directive states that "[Member States may provide for exceptions or limitations to the reproduction right provided for] in respect of reproductions on any medium made by a natural person for private use and for ends that are neither directly nor indirectly commercial, on condition that the rightholders receive fair compensation which takes account of the application or non-application of technological measures referred to in Article 6 [ie. Digital Rights Management ] to the work or subject-matter concerned".
In short, copying music from the radio for private use is permissible if the artists receive a "fair compensation". In case of a lawsuit against radio music ripping technologies, the whole debate will be about the meaning of the term "fair compensation". It can be argued that Radio stations are already paying a "fair compensation" to artists as they know their songs might be copied. Moreover, in an increasing number of EU member states, importers are charged a private copying levy on the purchase of recordable media (MP3 players, writable CDs or DVDs). The tax or levy is usually administrated by copyright collectives. However, at the time of digital copies, the outcome of such a lawsuit is far from being certain if it should occur.
Beginning in 1981, the British Phonographic Industry began a campaign against so-called "home taping", or recording songs from the radio onto cassettes, due to fears that home taping would decrease album sales. Iconic of the campaign is a picture of the silhouette of a cassette tape, with two crossed bones underneath, with the words "HOME TAPING IS KILLING MUSIC" written across the top, and the words "AND IT'S ILLEGAL" printed in smaller letters at the bottom.
Traditionally, the recording industry expressed little or no concern with individuals who recorded music from the radio on a cassette recorder. However, the digital format in this case changes the whole issue since it does not degrade over time and can be easily copied.
The Audio Home Recording Act also lays out certain legal rights on the part of consumers.
RealAudio, also spelled Real Audio, is a proprietary audio format developed by RealNetworks and first released in April 1995. It uses a variety of audio codecs, ranging from low-bitrate formats that can be used over dialup modems, to high-fidelity formats for music. It can be used as a streaming audio format, that is played at the same time as it is downloaded.
Satellite radio is defined by the International Telecommunication Union (ITU)'s ITU Radio Regulations (RR) as a broadcasting-satellite service. The satellite's signals are broadcast nationwide, across a much wider geographical area than terrestrial radio stations, and the service is primarily intended for the occupants of motor vehicles. It is available by subscription, mostly commercial free, and offers subscribers more stations and a wider variety of programming options than terrestrial radio.
XM Satellite Radio (XM) was one of the three satellite radio (SDARS) and online radio services in the United States and Canada, operated by Sirius XM Holdings. It provided pay-for-service radio, analogous to subscription cable television. Its service included 73 different music channels, 39 news, sports, talk and entertainment channels, 21 regional traffic and weather channels, and 23 play-by-play sports channels. XM channels were identified by Arbitron with the label "XM".
Radio broadcasting is the broadcasting of audio (sound), sometimes with related metadata, by radio waves to radio receivers belonging to a public audience. In terrestrial radio broadcasting the radio waves are broadcast by a land-based radio station, while in satellite radio the radio waves are broadcast by a satellite in Earth orbit. To receive the content the listener must have a broadcast radio receiver (radio). Stations are often affiliated with a radio network that provides content in a common radio format, either in broadcast syndication or simulcast, or both. The encoding of a radio broadcast depends on whether it uses an analog or digital signal. Analog radio broadcasts use one of two types of radio wave modulation: amplitude modulation for AM radio, or frequency modulation for FM radio. Newer, digital radio stations transmit in several different digital audio standards, such as DAB, HD radio, or DRM.
A boombox is a transistorized portable music player featuring one or two cassette tape players/recorders and AM/FM radio, generally with a carrying handle. Beginning in the mid 1990s, a CD player was often included. Sound is delivered through an amplifier and two or more integrated loudspeakers. A boombox is a device typically capable of receiving radio stations and playing recorded music. Many models are also capable of recording onto cassette tapes from radio and other sources. In the 1990s, some boomboxes were available with MiniDisc recorders and players. Designed for portability, boomboxes can be powered by batteries as well as by line current. The boombox was introduced to the American market during the late 1970s. The desire for louder and heavier bass led to bigger and heavier boxes; by the 1980s, some boomboxes had reached the size of a suitcase. Some larger boomboxes even contained vertically mounted record turntables. Most boomboxes were battery-operated, leading to extremely heavy, bulky boxes.
A subcarrier is a sideband of a radio frequency carrier wave, which is modulated to send additional information. Examples include the provision of colour in a black and white television system or the provision of stereo in a monophonic radio broadcast. There is no physical difference between a carrier and a subcarrier; the "sub" implies that it has been derived from a carrier, which has been amplitude modulated by a steady signal and has a constant frequency relation to it.
Digital radio is the use of digital technology to transmit or receive across the radio spectrum. Digital transmission by radio waves includes digital broadcasting, and especially digital audio radio services.
Sirius Satellite Radio was a satellite radio (SDARS) and online radio service operating in North America, owned by Sirius XM Holdings.
Shoutcast is a service for streaming media over the internet to media players, using its own cross-platform proprietary software. It allows digital audio content, primarily in MP3 or High-Efficiency Advanced Audio Coding format. The most common use of Shoutcast is for creating or listening to Internet audio broadcasts; however, there are also video streams. The software is available to use for free or as a paid cloud service with additional professional features.
Icecast is a streaming media project released as free software maintained by the Xiph.Org Foundation. It also refers specifically to the server program which is part of the project. Icecast was created in December 1998/January 1999 by Jack Moffitt and Barath Raghavan to provide an open-source audio streaming server that anyone could modify, use, and tinker with. Version 2, a ground-up rewrite aimed at multi-format support and scalability, was started in 2001 and released in January 2004.
Broadcast automation incorporates the use of broadcast programming technology to automate broadcasting operations. Used either at a broadcast network, radio station or a television station, it can run a facility in the absence of a human operator. They can also run in a live assist mode when there are on-air personnel present at the master control, television studio or control room.
Altacast is a free and open-source audio encoder that can be used to create Internet streams of varying types. Many independent and commercial broadcasters use Altacast to create Internet radio stations, such as those listed on the Icecast, Loudcaster and Shoutcast station directories.
TimeTrax is a software and hardware platform from Time Trax Technologies Corp. which allows audio recording from satellite radio, Internet streaming and traditional radio broadcasts. The company is best known for its disruptive innovation and leading role it played in the transformation of the business model of the music industry.
AOL Radio powered by Slacker was an online radio service available in the United States only. It had over 200 free internet radio stations.
Almost all radio stations today use some form of broadcast automation. Although some only use small scripts in audio players, a more robust solution is using a full radio automation suite. There are many commercial and free radio automation packages available.
The XM PCR is a satellite receiver sold by XM Radio and discontinued in 2004, amidst piracy concerns. Programs allowed users to record every song played on an XM channel, quickly and cheaply building an MP3 library.
Total Recorder is a digital audio editor software from High Criteria, Inc. which is able to record digital sound either directly through the computer's soundcard, or virtually through its software driver.
Internet radio, also known as Online radio, web radio, net radio, streaming radio, e-radio and IP radio, is a digital audio service transmitted via the Internet. Broadcasting on the Internet is usually referred to as webcasting since it is not transmitted broadly through wireless means. It can either be used as a stand-alone device running through the Internet, or as a software running through a single computer.