A raga is a melodic framework in Indian classical music.
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Raga or raaga may also refer to:
A raga is a melodic framework in Indian classical music.
Raga or raaga may also refer to:
A raga is a melodic framework for improvisation in Indian classical music akin to a melodic mode. Rāga is central to classical Indian music and a unique feature of the tradition: no equivalent concept exists in Western classical music. Each rāga consists of an array of melodic structures with musical motifs; and, from the perspective of the Indian tradition, the resulting music has the ability to "colour the mind" as it engages the emotions of the audience.
Shankara can refer to:
Bali is an island province of Indonesia.
Kaya may refer to:
Kara or KARA may refer to:
Kalyani may refer to:
Raga rock is rock or pop music with a pronounced Indian influence, either in its construction, its timbre, or its use of Indian musical instruments, such as the sitar, tambura, and tabla. The term "raga" refers to the specific melodic modes used in Indian classical music.
Bongo may refer to:
Raja is an Indian term for a monarch, or princely ruler.
Bahar may refer to:
Desi or Deshi is a self-referential term used by South Asian people.
Kora may refer to:
A reel is an object around which lengths of another material are wound for storage.
Koda or KODA may refer to:
Chakravakam may refer to:
Chakra is a focal point in ancient meditation practices.
Desh may refer to:
Azad Rahman was a Bangladeshi composer. He won Bangladesh National Film Award for Best Music Director twice and Best Male Playback Singer once for his performance in the films Jadur Bashi (1977) and Chandabaz (1993). He received a gold medal in 2011 from Rabindra Bharati University in Kolkata.
Sankarabharanam may refer to:
Gara is a Hindustani classical raga belonging to the Khamaj Thaat. This raga is similar to raga Jaijaiwanti. Both ragas i.e. raga Jaijaiwanti and raga Gara, have the same svaras. Gara is a rare raga. It is rendered in the late evening. The raga uses all the seven notes, six in the ascent and seven in the descent. Therefore, the Jati of the raga is Shaadav-Sampurna. While some say that seven svaras are played in the ascent and seven in the descent. Therefore, the Jati then becomes Sampurna-Sampurna. It uses both, the Komal (flat) and Shuddha (full) Nishad, and all other notes are Shuddha (full). The derivative ragas out of this structure are grouped under the broad head of Khamaj Thaat. Gara belongs to a family of melodic entities, which were apparently derived from folk melodies, and entered art-music in association with the thumri genre. This family includes ragas like Kafi, Piloo, Jangula, Barwa, and Zilla, along with several others. This raga expresses the feeling of happiness and satisfaction of achievement, however it simultaneously conveys the sadness of losing. This raga is also a vivacious and romantic one.