Pulp magazines were inexpensive fiction magazines that were published from 1896 to the late 1950s. The term "pulp" derives from the cheap wood pulp paper on which the magazines were printed. In contrast, magazines printed on higher-quality paper were called "glossies" or "slicks". The typical pulp magazine had 128 pages; it was 7 inches (18 cm) wide by 10 inches (25 cm) high, and 0.5 inches (1.3 cm) thick, with ragged, untrimmed edges.
Amazing Stories is an American science fiction magazine launched in April 1926 by Hugo Gernsback's Experimenter Publishing. It was the first magazine devoted solely to science fiction. Science fiction stories had made regular appearances in other magazines, including some published by Gernsback, but Amazing helped define and launch a new genre of pulp fiction.
Abraham Grace Merritt – known by his byline, A. Merritt – was an American Sunday magazine editor and a writer of fantastic fiction.
Argosy, later titled The Argosy, Argosy All-Story Weekly and The New Golden Argosy, was an American pulp magazine from 1882 through 1978, published by Frank Munsey until its sale to Popular Publications in 1942. It is the first American pulp magazine. The magazine began as a children's weekly story–paper entitled The Golden Argosy. In the era before the Second World War, Argosy was regarded as one of the "Big Four" pulp magazines, the most prestigious publications in the pulp market, that many pulp magazine writers aspired to publish in. John Clute, discussing the American pulp magazines in the first two decades of the twentieth century, has described The Argosy and its companion The All-Story as "the most important pulps of their era."
Railroad Model Craftsman is an American magazine specializing in the hobby of model railroading. The magazine is published monthly by White River Productions, which acquired the title from Carstens Publications in 2014. Its first issue in March 1933 was called The Model Craftsman because it covered other areas of scale modeling as well. Founded by Emanuele Stieri, it was second editor Charles A. Penn who helped grow the company and lead the publication towards the hobby of scale models. In April 1949 it changed its focus to model trains and changed its name to Railroad Model Craftsman to reflect this change in editorial content. While it can claim to be the oldest model railroading magazine in continuous publication in the United States, rival Model Railroader counters with the tagline "Model railroading exclusively since 1934." Over the years, several other titles have been folded into the publication, including Toy Trains, Electric Trains and Hobby Railroading, Miniature Rail Roading, Model & Railway News, and The O Gager.
The Sun was a New York newspaper published from 1833 until 1950. It was considered a serious paper, like the city's two more successful broadsheets, The New York Times and the New York Herald Tribune.
Wonder Stories was an early American science fiction magazine which was published under several titles from 1929 to 1955. It was founded by Hugo Gernsback in 1929 after he had lost control of his first science fiction magazine, Amazing Stories, when his media company Experimenter Publishing went bankrupt. Within a few months of the bankruptcy, Gernsback launched three new magazines: Air Wonder Stories, Science Wonder Stories, and Science Wonder Quarterly.
Frank Andrew Munsey was an American newspaper and magazine publisher and author. He was born in Mercer, Maine, but spent most of his life in New York City. The village of Munsey Park, New York is named for him, along with the Munsey Building in downtown Baltimore, Maryland at the southeast corner of North Calvert Street and East Fayette Street.
Popular Publications was one of the largest publishers of pulp magazines during its existence, at one point publishing 42 different titles per month. Company titles included detective, adventure, romance, and Western fiction. They were also known for the several 'weird menace' titles. They also published several pulp hero or character pulps.
Victor Rousseau Emanuel, originally Avigdor Rousseau Emanuel was a British writer who wrote novels, newspaper series, science fiction and pulp fiction works. He was active in Great Britain and the United States during the first half of the 20th century.
De Lysle Ferrée Cass (1887–1973) was a writer of fantasy short stories. He had at least six stories published pre-World War I in magazines from the Munsey pulp stable. These include: "Oahula the Carnivorous" ; "Pilgrims in Love" ; "The Love Caprice" ; "Love Goes Blindly" ; "The Man Who Could Not Die" ; and "The White Spot". His stories for the Munsey pulps are marked by a frank eroticism unusual for its time, together with frequent settings in Oriental climes.
Munsey's Weekly, later known as Munsey's Magazine, was a 36-page quarto American magazine founded by Frank A. Munsey in 1889 and edited by John Kendrick Bangs. Frank Munsey aimed to publish "a magazine of the people and for the people, with pictures and art and good cheer and human interest throughout". Soon after its inception, the magazine was selling 40,000 copies a week. In 1891, Munsey's Weekly adopted a monthly schedule and was renamed Munsey's Magazine.
Famous Fantastic Mysteries was an American science fiction and fantasy pulp magazine published from 1939 to 1953. The editor was Mary Gnaedinger. It was launched by the Munsey Company as a way to reprint the many science fiction and fantasy stories which had appeared over the preceding decades in Munsey magazines such as Argosy. From its first issue, dated September/October 1939, Famous Fantastic Mysteries was an immediate success. Less than a year later, a companion magazine, Fantastic Novels, was launched.
Amazing Stories Annual was a pulp magazine which published a single issue in July 1927. It was edited by Hugo Gernsback, and featured the first publication of The Master Mind of Mars, by Edgar Rice Burroughs, which had been rejected by several other magazines, perhaps because the plot included a satire on religious fundamentalism. The other stories in Amazing Stories Annual were reprints, including two stories by A. Merritt, and one by H.G. Wells. The magazine sold out, and its success led Gernsback to launch Amazing Stories Quarterly the following year.
The Thrill Book was a U.S. pulp magazine published by Street & Smith in 1919. It was intended to carry "different" stories: this meant stories that were unusual or unclassifiable, which in practice often meant the stories were fantasy or science fiction. The first eight issues, edited by Harold Hersey, were a mixture of adventure and weird stories. Contributors included Greye La Spina, Charles Fulton Oursler, J. H. Coryell, and Seabury Quinn. Hersey was replaced by Ronald Oliphant with the July 1 issue, probably because Street & Smith were unhappy with his performance.
Carstens Publications, Inc. was a publisher of books and magazines related to the railroad and airplane hobby fields until its permanent closure on August 22, 2014. Many of the titles published by Carstens were older than the company, and have long established histories in their respective markets. Carstens was the chief competitor to Kalmbach Publishing in the scale model hobby and enthusiast field. What made Carstens stand out from the competition was the in-depth detail and active voice of the books and magazines. The company's list of monthly magazine titles included:
Railfan & Railroad is an American monthly magazine that has been in publication since the 1970s. It was the first magazine title established in-house by Carstens Publications. As a magazine dedicated to trains and rail transportation, it stands out from its main competitor Trains as a publication focused on the enthusiast and related activities. Established in 1974 as Railfan magazine, it merged in 1979 with Railroad magazine, which Carstens purchased at that time. The magazine was renamed Railfan & Railroad, but the two former titles were listed separately on the masthead until 2015. The magazine was acquired by White River Productions in September 2014. The magazine is produced monthly, edited by Steve Barry.
Fantastic Novels was an American science fiction and fantasy pulp magazine published by the Munsey Company of New York from 1940 to 1941, and again by Popular Publications, also of New York, from 1948 to 1951. It was a companion to Famous Fantastic Mysteries. Like that magazine, it mostly reprinted science fiction and fantasy classics from earlier decades, such as novels by A. Merritt, George Allan England, and Victor Rousseau, though it occasionally published reprints of more recent work, such as Earth's Last Citadel, by Henry Kuttner and C. L. Moore.
White River Productions is an independent publishing company that specializes in books and magazines targeted to railroad enthusiasts and historians. Kevin EuDaly founded the company in 1992 to published the book Missouri Pacific Diesel Power, which he also authored. Several other titles followed, and the company became his full-time venture beginning in 1996. The company expanded when it took on publishing newsletters and managing membership databases for several railroad historical societies. The company is headquartered in Bucklin, Missouri.
Science-fiction and fantasy magazines began to be published in the United States in the 1920s. Stories with science-fiction themes had been appearing for decades in pulp magazines such as Argosy, but there were no magazines that specialized in a single genre until 1915, when Street & Smith, one of the major pulp publishers, brought out Detective Story Magazine. The first magazine to focus solely on fantasy and horror was Weird Tales, which was launched in 1923, and established itself as the leading weird fiction magazine over the next two decades; writers such as H.P. Lovecraft, Clark Ashton Smith and Robert E. Howard became regular contributors. In 1926 Weird Tales was joined by Amazing Stories, published by Hugo Gernsback; Amazing printed only science fiction, and no fantasy. Gernsback included a letter column in Amazing Stories, and this led to the creation of organized science-fiction fandom, as fans contacted each other using the addresses published with the letters. Gernsback wanted the fiction he printed to be scientifically accurate, and educational, as well as entertaining, but found it difficult to obtain stories that met his goals; he printed "The Moon Pool" by Abraham Merritt in 1927, despite it being completely unscientific. Gernsback lost control of Amazing Stories in 1929, but quickly started several new magazines. Wonder Stories, one of Gernsback's titles, was edited by David Lasser, who worked to improve the quality of the fiction he received. Another early competitor was Astounding Stories of Super-Science, which appeared in 1930, edited by Harry Bates, but Bates printed only the most basic adventure stories with minimal scientific content, and little of the material from his era is now remembered.
