Painkulam Raman Chakyar | |
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Born | Raman Koypamahttam Chakyar |
Years active | 1905 - 1980 |
Website | Painkulam Raman Chakyar |
Late Shri Guru Painkulam Raman Chakyar was a Chakyar Koothu and Koodiyattam performer. He won the Kerala Sangeetha Nataka Akademi Award in 1972. [1] He was also a teacher of Vachika Abhinaya in both Chakyar Koothu and Koodiyattam.
Starting in 1925, he performed regular programmes in various temples and religious places spread all over Kerala. He is credited with first bringing this artform outside the temples and closer to general audiences.[ citation needed ] He directed, supervised, and participated in more than 100 Koodiyattam plays, which he edited and condensed for contemporary audiences while striving to maintain artistic integrity and authenticity. He had more than 1000 stage appearances in different roles, besides being a regular participant in All India Radio programmes.[ citation needed ]
He produced and staged the 2nd Act of Sakunthalam, 3rd Act of Nagananda and Jadayuvadhanam in Ascharyachoodamani. He also supervised and participated in the production of a colour documentary film on koodiyattam in 1974. The Prahasa named Bhagavadajjukam of Bodhayana was also one of his productions.[ citation needed ]
In 1980, he spread international awareness of "Chakyar Koothu" and Koodiyattam, by mentoring a few European students and facilitating them in leading his troupe on a European tour including Germany, France, and Poland, which was made possible by the Indian Council of Cultural Relations and their European counterparts.[ citation needed ]
Koodiyattam is a traditional performing art form in the state of Kerala, India. It is a combination of ancient Sanskrit theatre with elements of Koothu, an ancient performing art from the Sangam era. It is officially recognised by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity.
Ottan Thullal is a recite-and-dance art-form of Kerala, India. It was introduced in the eighteenth century by Kunchan Nambiar, one of the Prachina Kavithrayam. The folksy performance, often laced with humour intended at criticism of society, is accompanied by a mridangam and/or the handy idakka besides a pair of ilathalam cymbals.
Guru Chenganoor Raman Pillai, also spelt Chengannur Raman Pillai (1886–1980), was a celebrated Kathakali artist from Kerala in south India. He was known for his brilliant portrayal of the anti-heroic Kathi roles on stage, and was the head of palace kathakali yogam to the Travancore Maharaja in a career spanning almost 65 years.
Koothambalam or Kuttampalam meaning temple theatre is a closed hall for staging Koothu, Nangiar koothu and Koodiyattam, the ancient ritualistic art forms of Kerala, India. Koothambalams are said to be constructed according to the guide lines given in the chapter 2 of Nātyasāstra of Bharata Muni. The stage within the hall is considered to be as sacred as the temple sanctum. It is constructed within the cloister of the Temple; more precisely within the pancaprakaras of the temple. The prescribe location is between the prakaras of bahyahara and maryada. In Kerala tradition it is considered as one among the pancaprasadas of a temple complex. Its dimension vary from temple to temple. A square platform with a separate pyramidal roof supported by pillars in the center called natyamandapam is constructed as s separate structure within the large hall of Koothampalam. The floor of the hall is divided into two equal halves and one part is for performance and other half for seating audience. During the performance, the stage is decorated with fruit-bearing plantains, bunches of coconuts and fronds of the coconut palm. A para filled with rice is placed on the stage. A nilavilakku with three thiri is used for lighting. The mizhavu, a percussion instrument for accompanying Koothu, is placed within a railed enclosure, with a high seat for the drummer( belonging to nampiar community).
Mani Damodara Chakyar is a Kutiyattam and Chakyar Koothu artist in Kerala state of south India. He is a nephew and disciple of legendary guru Nātyāchārya Vidūshakaratnam Padma Shri Māni Mādhava Chākyār. He belongs to the great Mani Chakyar tradition of Koodiyattam and Chakyar koothu.
Guru Mani Madhava Chakyar (15 February 1899 – 14 January 1990) was a celebrated master performance artist and Sanskrit scholar from Kerala, India, considered to be the greatest Chakyar Koothu and Koodiyattam artist and authority of modern times. He was considered as the authority of Abhinaya and Nātyaśāstra.
Chakyar Koothu is a performance art from Kerala, India. It is primarily a type of highly refined monologue where the performer narrates episodes from Hindu epics and stories from the Puranas. Sometimes, however, it is also a traditional equivalent of the modern stand-up comedy act, incorporating commentary on current socio-political events.
Chakyar is an intermediate priestly caste coming under the Ambalavasi community of Hindus in the Kerala state of India. The women in this caste are called Illotammas.
Nātyakalpadrumam is a book written by Guru Māni Mādhava Chākyār, considered the greatest exponent of Koodiyattam and Abhinaya in Kerala, about all aspects of ancient Sanskrit drama theatre tradition of Kerala—Kutiyattam. It was first published in Malayalam (1975) by Kerala Kalamandalam, with financial assistance of Sangeet Natak Academi, New Delhi. This work serves as a reference to both scholars and students. The entire book is written in the old Sanskrit text style closely following Nātyaśāstra. The structure and content of the book alike illustrate the knowledge of the author in both Sanskrit and Nātyaśāstra. The work received the Kerala Sahitya Academy Award in the year 1975. A Hindi translation has been published by the Sangeet Natak Akademi, New Delhi.
Kalamandalam Krishnan Nair was a Kathakali dancer from Kerala in India.
Ammannur Madhava Chakyar was a master of Kutiyattam, the classical Sanskrit theatrical form indigenous to Kerala. He is best known for taking the performances from the temple sanctuaries where they were formerly confined and making them public events.
Sadanam Krishnankutty is a performer of Kathakali, a classical dance-drama form of Kerala, South India. A recipient of Kerala State Kathakali award and Kalamandalam fellowship, he has donned a wide range of characters in his acts. He received the Kerala Sangeetha Nataka Akademi Award in 2002, the Sangeet Natak Akademi Award in 2007, and the Sangeet Natak Akademi Fellowship in 2021.
Paanivadathilakan P. K. Narayanan Nambiar is an Indian musician, known for his virtuosity in Mizhavu, a traditional percussion instrument and his scholarship in the art of Koodiyattom. He is considered to be one of the masters of Koodiyattom. In 2008, he was awarded Padmashri by Government of India for his services to the art.
Kalamandalam Sivan Namboodiri is an Indian classical theatre performer, the first person from outside chakyar community to practice Koodiyattam, from Kerala. He was awarded the Padma Shri, in 2012, for his contributions to the art of Koodiyattam, by the Government of India.
Kalamandalam Girija is an Indian Kutiyattam dancer. She was trained by Natyakalasarvabhowman Guru Painkulam Rama Chakyar, who played a key role in the renaissance of this genre of Indian Sanskrit Theatre & Dance. Girija was chosen by her Guru to be the first non-Nangiar student to learn Kutiyattam and she became the part of the history as the first Kutiyattam actress to perform the art outside the temple premises. She is an empanelled artist of the ICCR.
Margi Sathi was an exponent of Nangiǎr Kūthu which is a form of performing art derived from Koodiyattam and which is traditionally performed by the female members of the Chakkyar community of Kerala. She was also an accomplished expert in enacting the female characters in Koodiyattam. She has performed extensively within India and abroad. A notable performance was at the UNESCO headquarters in Paris in October 2001 as part of a programme to mark UNESCO's proclamation of Kutiyattam as a "masterpiece of oral and intangible heritage of humanity". Sathi had written the attaprakaram for several Nangiǎr Kūthu performance. The attaprakaram for Sreeramacharitham has been published as a book in 1999. She has also appeared in a few Malayalam movies.
The Kerala Sangeetha Nataka Akademi Fellowship is an honour presented by the Kerala Sangeetha Nataka Akademi, an autonomous organisation for the encouragement, preservation, and documentation of the performing arts of Kerala, set up by the Department of Cultural Affairs of the Government of Kerala. Instituted in 1972, the fellowships are given to outstanding artistes who have contributed to the performing arts in the state. The awardees are decided after a general body meeting conducted by the Akademi panel members and are presented by the Governor of Kerala.
Usha Nangiar is an Indian traditional dance performer. Usha performs Nangiarkoothu.
Kalamandalam Rama Chakyar is a Koodiyattam artist from Kerala, India.
Kerala Sangeetha Nataka Akademi Award is an award given by the Kerala Sangeetha Nataka Akademi, an autonomous organisation for the encouragement, preservation, and documentation of the performing arts of Kerala, set up by the Department of Cultural Affairs of the Government of Kerala. Instituted in 1962, the awards are given in the categories of music, dance, theatre, other traditional arts, and for contribution/scholarship in performing arts. The award consists of Rs. 30,000, a citation and a plaque. The recipients of the award are also conferred the title Kalasree.