| Ramblin' with Mose | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | February 1962 | |||
| Recorded | April 18, 1958 | |||
| Studio | Van Gelder Studio, Hackensack, New Jersey | |||
| Genre | Blues, jazz | |||
| Label | Prestige PRLP 7215 | |||
| Producer | Bob Weinstock | |||
| Mose Allison chronology | ||||
| ||||
Ramblin' with Mose is the sixth album to be released (but fourth recorded) by blues/jazz pianist and vocalist Mose Allison which was recorded in 1958 and released on the Prestige label. [1]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
| The Penguin Guide to Jazz | [3] |
Thom Jurek of Allmusic states, "Allison displays absolutely brilliant instrumental prowess as both an arranger and as an improviser. His unique, often unorthodox interpretations of standards and pop songs set him apart from virtually every one of his peers". [2] The Penguin Guide to Jazz described the recording as "curiously disarming". [3]
All compositions by Mose Allison except as indicated
Milestones is a studio album by American jazz trumpeter and composer Miles Davis, recorded with his "first great quintet" augmented as a sextet. It was released in 1958 by Columbia Records.
Mose John Allison Jr. was an American jazz and blues pianist, singer, and songwriter. He became notable for playing a unique mix of blues and modern jazz, both singing and playing piano. After moving to New York in 1956, he worked primarily in jazz settings, playing with jazz musicians like Stan Getz, Al Cohn, and Zoot Sims, along with producing numerous recordings.
At the "Golden Circle" Stockholm is an avant-garde jazz live album in two volumes by the Ornette Coleman Trio, documenting concerts on the nights of December 3 and 4, 1965, at the Gyllene Cirkeln jazz club in Stockholm. Both volumes were released in early 1966. This marked the beginning of Coleman's contract with Blue Note after he left Atlantic Records.
April in Paris is an album by pianist/bandleader Count Basie and His Orchestra, his first released on the Verve label, recorded in 1955 and 1956.
Moon Beams is a 1962 album by jazz musician Bill Evans, and the first trio album recorded by Evans after the death of Scott LaFaro.
How My Heart Sings! is an album recorded by jazz musician Bill Evans in 1962, at the same time as Moon Beams.
The Eminent Jay Jay Johnson, Vol. 2 is the title of a 1954 Blue Note Records recording by American jazz trombonist J. J. Johnson. It is also the title used by Blue Note for two different-but-related compilation/re-issues from 1955 and 1989 (CD).
Dance with Death is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1968 but not released on the Blue Note label until 1980. The album features Hill with saxophonist Joe Farrell, trumpeter Charles Tolliver, bassist Victor Sproles and drummer Billy Higgins performing six originals with an alternate take added to the 2004 CD reissue.
Change is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1966 for the Blue Note label. The album had a complicated release history- it was originally scheduled for issuance in 1967 as BST 84233, but was held back from release until 1975, when the tracks appeared under Sam Rivers' name, as part of a double LP set called Involution, which combined them with tracks recorded under Rivers' leadership. The first release of this material under Hill's name did not occur until 1995 as part of the Mosaic box set The Complete Blue Note Andrew Hill Sessions (1963-66). The album features Hill with saxophonist Sam Rivers, bassist Walter Booker and drummer J.C. Moses performing six of his originals. In 2007, two alternate takes were added to the CD release. The shorter take of "Violence" was initially chosen as the master track for that piece.
Bluesnik is an album by American saxophonist Jackie McLean recorded in 1961 and released on the Blue Note label. It features McLean in a quintet with trumpeter Freddie Hubbard, pianist Kenny Drew, bassist Doug Watkins and drummer Pete La Roca.
Face to Face is the debut album by American jazz organist Baby Face Willette featuring performances recorded and released on the Blue Note label in 1961.
Love Call is an album by the American jazz saxophonist and composer Ornette Coleman recorded in 1968 and released on the Blue Note label.
Fuchsia Swing Song is the debut album by American saxophonist Sam Rivers recorded in 1964 and released on the Blue Note label. The album was reissued on CD in 1995, and again in 2003 as part of the "Connoisseur Series" including four alternate takes as bonus tracks.
Groovin' at Smalls' Paradise is a live album by American jazz organist Jimmy Smith featuring performances recorded at Smalls' Paradise in New York City in 1957 and originally released in two volumes on the Blue Note label. The album was rereleased as a double CD with four bonus tracks recorded at the same performance.
Big Bags is an album by vibraphonist Milt Jackson featuring big band performances arranged by Tadd Dameron and Ernie Wilkins recorded in 1962 and released on the Riverside label.
Sonny Stitt/Bud Powell/J. J. Johnson is an album by saxophonist Sonny Stitt compiling tracks recorded with trombonist J. J. Johnson or pianist Bud Powell in 1949–50 and released on the Prestige label in 1957. The 1990 CD reissue added five bonus tracks to the original LP. The cover art was done by cartoonist Don Martin of MAD magazine fame.
The King! is an album by jazz saxophonist Illinois Jacquet which was recorded in 1968 and released on the Prestige label.
Pakistani Pomade is an album by German free jazz pianist Alexander von Schlippenbach's Trio, featuring saxophonist Evan Parker and percussionist Paul Lovens, recorded in Germany in 1972 for the FMP label.
Carmen McRae is a 1955 album by Jazz singer Carmen McRae. It was McRae's second album and was released on the Bethlehem label exclusively as 10" monoaural LP.> The album was reissued on LP in 1976 as The Finest of Carmen McRae: You'd Be So Easy to Love, with an additional track, "Too Much in Love to Care". In 1994 Betlehem had digitally remastered the recordings and released a CD with six additional tracks, alternate takes of songs from the original sessions.
Dizzy Atmosphere is an album featuring members of Dizzy Gillespie's Orchestra including trombonist Al Grey, saxophonist Billy Mitchell and trumpeter Lee Morgan recorded in 1957 and released on the Specialty label.