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Ramu Ramanathan | |
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Born | |
Nationality | Indian |
Education | Bachelor of Science, Chemistry, University of Mumbai, 1988 |
Spouse | Kinnari Vohra |
Website | placesotherthanthis |
Ramakrishnan Ramanathan, known as Ramu Ramanathan, is an Indian playwright and director. He has written plays including Mahadevbhai, Cotton 56, Polyester 84, Jazz, Comrade Kumbhakarna, and Postcards From Bardoli.
His book 3, Sakina Manzil And Other Plays, [1] is a collection of eight plays, published by Orient Blackswan in collaboration with the English and Foreign Languages University (EFLU). [2]
Besides playwriting, Ramanathan is the editor of PrintWeek and WhatPackaging? magazines. He has been associated with the print industry for 30 years. [3]
He is the author of three books. 3, Sakina Manzil And Other Plays which is a collection of eight plays. And, two collections of poems, My Encounters with a Peacock and To Sit on A Stone - And Other Shorts. [4] In addition, he pens columns for newspapers.
He has also co-edited Book Binding with Adhesives along with P Sajith and Babri Masjid, 25 Years ... along with Irfan Engineer and Sameena Dalwai.
Ramanathan was born on 29 December 1967 in Kolkata and later moved to Mumbai. He completed his schooling at St. Stanislaus High School, Mumbai. In 1987, Ramanathan graduated from Mithibai College with a bachelor's degree in chemistry. That same year, he wrote his first one-act play, I Am I. Later, he completed his Diploma in Journalism from Bharatiya Vidya Bhavan, Mumbai, and an MA in English Literature from the University of Mumbai.
Later, Ramanathan wrote 13 one-act plays for inter-collegiate competitions. He also wrote radio plays and radio documentaries for AIR, produced by S. D. Prins, a rare motivated officer in Akashvani. Along with Sunil Shanbag, he explored alternative spaces for plays, such as on top of a water tank at the YWCA in Andheri, which was transformed into an amphitheatre. He founded and organized the IIT Theatre Fest in 2006 with Raja Mohanty at the IDC in IIT. For ten years, he edited a theatre journal for Prithvi Theatre called PT Notes, published by Sanjna Kapoor. Later, he co-edited the eSTQ bulletin from 2005. He also ran a play-reading movement for many years, in which more than 75 unperformed and unpublished plays in English, Gujarati, Hindi, and Marathi were read in front of an invited audience.
In 1993, Ramanathan wrote Shanti, Shanti, It's a War, which won Best Play at The Hindu - All India Playscript Competition. This play was produced by Madras Players. It was penned in 1992, within the first ten days after 6 December.
In the mid-nineties, he wrote and directed a Gripps play (a children's play) called The Boy Who Stopped Smiling, which was performed in approximately 150 shows. More than one hundred of these shows were organized by Sanjna Kapoor, the play's producer, who created a theatre network across the country.
Ramanathan directed Vaikom Mohammed Basheer’s Me Grandad 'Ad an Elephant and later Marguerite Duras’ L’amante Anglaise (both with university students), as well as Samuel Beckett's Krapp's Last Tape, Jean Genet’s Deathwatch, Václav Havel’s Audience, and a play called Nothing (for V Theatre Group).
Similarly, his collaboration with a group of architecture students resulted in three plays and another piece called PM @ 3 pm. This group hosted 7-day workshops on set design and theatre aesthetics, and fabricated four model sets of King Lear for four language theatre directors in Mumbai. Later, the group staged three student productions: Yaar, What’s the Capital of Manipur!; The Sanjivani Super Show; and Medha and Zoombish – II.
Ramu Ramanathan has conducted workshops for students and taught at KRIVIA, IDC (IIT Powai), the University of Mumbai, and Symbiosis (Pune). He has also been associated with at least 20 educational institutes across the country.
Title | Year | Acclamation |
---|---|---|
I Am I; What It Is; Gagan Mahal; Etc. | (1987 to 1993) | Award-winning inter-collegiate one-act plays |
Nothing – A Play Without Words | 1990 | |
Shanti, Shanti, It’s A War | 1993 | All India Best Play Award awarded by The Hindu |
The Boy Who Stopped Smiling | 1998 | |
Curfew | 1999 | Premiered at the Prithvi Theatre Festival |
The Travel Show | 2000 | Premiered at the Prithvi Theatre Festival |
Yaar, What’s The Capital Of Manipur! | 2002 | |
Combat | 2002 | Premiered at the Kala Ghoda Festival |
Mahadevbhai 1892-1942 | 2002 | |
Collaborators | 2003 | Regional Award Winner of the BBC International Radio Playwriting Competition |
Medha And Zoombish | 2004 | |
3, Sakina Manzil | 2004 | |
Chello Ank(in Gujarati) | 2004 | Bagged the best play award for the Bhupen Khakkhar Playwriting Competition organised by Mumbai Samachar, Friends of Bhupen Khakkar, Image Publications and Coffee Mates. |
Cotton 56, Polyester 84 | 2006 | Bagged the META best play and best playwright award [5] |
Three Ladies Of Ibsen | 2006 | |
Medha And Zoombish II | 2007 | |
Shakespeare And She | 2008 | |
Jazz | 2008 | |
Kashmir Kashmir | 2009 | |
Comrade Kumbhakarna | 2011 | |
The Diary Of A Word | 2012 | |
Postcards From Bardoli | 2013 | |
Title | Year | Adapted from |
---|---|---|
Translator Of Ded Inch Upar (Into English) | 1997 | Hindi original by Nirmal Verma |
L’ Amante Anglaise (In English) | 2002 | Based on French play by Marguerite Duras |
Steppenwolf | 2002 | Based on Herman Hesse’s novel in German. Staged as part of the Herman Hesse Celebrations at Max Mueller Bhavan, Mumbai |
The Train To Argentina | 2002 | Theatrical adaptation of play by Thuppatan |
Gandhi Katha | 2003 | |
The Sanjivani Super Show | 2004 | Adaptation of Adya Rangacharya’s Kannada play, SANJIVANI |
A Play About A Painter | 2004 | Edoardo Erba’s Italian drama |
Title | Year | Notes |
---|---|---|
Krapp’s Last Tape | 1989 | Playwright: Samuel Beckett |
Deathwatch | 1991 | Playwright: Jean Genet |
Audience And Mistake (actor &c-Director) | 1994 | Playwright: Vaclav Havel |
Credit Titles | 1997 | Playwright: Vijay Padki. A staged play-reading |
The Boy Who Stopped Smiling | 1998 | |
Me Grandad ‘Ad An Elephant | 1998 | Theatrical adaptation of the Malayalam novella by Vaikom Mohammed Basheer, into a dramatized presentation (Group co-ordination & direction) 1998-99 |
Angst. Angst. Coontah. Coontah. Boom. Bam. Dhandal. Dhamaal. Kaput. (Concept And Direction) | 2001 | Premiered at TECHFEST, IIT Mumbai |
Time To Tell A Tale | 2001 | Co-produced with Katha Publishing and SNDT, University |
Yaar, What’s The Capital Of Manipur! | 2002 | Co-produced by Kamala Raheja Vidyanidhi Institute of Architecture |
Mahadevbhai 1892–1942 | 2002 | Premiered at the Prithvi Theatre Festival 2002 |
L’ Amante Anglaise (in English) | 2002 | Co-produced by Alliance Francaise, Mumbai |
The Train To Argentina | 2002 | Premiered at the Varkhari Kerala Theatre Festival in Mumbai, on 25 December 2002 |
Gandhi Katha | 2003 | Staged reading, premiered at the Gujarati Forbes Sabha’s book launch of Narayan Desai’s four-volume biography on Mahatma Gandhi, in Mumbai on 2 October 2003 |
The Sanjivani Super Show | 2004 | Staged during the 100th Birth Anniversary of the Adya Rangacharya, at Mysore Association, Mumbai |
Collaborators | 2003 | |
A Play About A Painter | 2004 | Edoardo Erba’s Italian drama |
Medha And Zoombish | 2004 | |
Arabian Night | 2004 | Play by Ronald Schimmelpfennig |
Medha And Zoombish II | 2007 | |
Shakespeare And She | 2008 | |
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The Eleventh Dr. Ashok Da Ranade Memorial Lecture: 8 ½ Reasons Why We Need Playwrights Today
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Vijay Tendulkar Biography by Ramu Ramanathan (Part 2)
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