Rapture (Bradley Joseph album)

Last updated
Rapture
Rapturebj1.jpg
Studio album by Bradley Joseph
Released March 11, 1997 (1997-03-11)
Genre New-age
Length55:05
Label Narada
Producer Bradley Joseph
Bradley Joseph chronology
Hear the Masses
(1994)
Rapture
(1997)
Solo Journey
(1999)

Rapture is the second album by Bradley Joseph, and his debut album on the Narada label, released in March 1997. This is an instrumental album in which Joseph wrote and conducted all of the scores. In addition to incorporating a core band including violinist Charlie Bisharat and drummer Charlie Adams, he used a 50-piece orchestra. It is an "expression of a life's work and dreams", featuring intimate piano pieces, quartets and full orchestrations, [1] "combining smooth jazz with contemporary instrumental themes". [2] It reached New Age Voice (NAV)'s "Airwaves Top 30" at No. 15 in July 1997. [3]

Bradley Joseph Composer, pianist, keyboardist, arranger, producer, recording artist

Bradley Joseph is an American composer, arranger, and producer of contemporary instrumental music. His compositions include works for orchestra, quartet, and solo piano, while his musical style ranges from "quietly pensive mood music to a rich orchestration of classical depth and breadth".

Narada Productions

Narada is a record label formed in 1983 as an independent New-age music label and distributed by MCA. A fully owned subsidiary of Universal Music Group and distributed by Capitol Music Group's Blue Note Records, the label evolved through an expansion of formats to include world music, jazz, Celtic music, new flamenco, acoustic guitar, and piano genre releases.

Charlie Bisharat is an American violinist who was a member of the band Shadowfax. He won the Best New Age Performance Grammy Award with Shadowfax in 1988 for the album Folksongs for a Nuclear Village. He has toured with Yanni during the Reflections of Passion, Revolution in Sound, Dare to Dream and Yanni Live, The Symphony Concerts 1993 concert tours. He is also featured on John Tesh's live concert video Live at Red Rocks. Bisharat accompanied Tesh in live shows as co-writer and co-producer.

Contents

History

During his years of worldwide concert tours as keyboardist with Yanni and Sheena Easton, Bradley Joseph released his debut album, Hear the Masses in 1994. Subsequently, Joseph attracted the attention of Narada Productions via the World Wide Web. A representative for Narada came across Joseph's website and downloaded some music. This sparked their interest and resulted in signing Joseph to a multi-record deal. [4]

Yanni Greek pianist, keyboardist, composer, and music producer

Yiannis Chryssomallis, known professionally as Yanni, is a Greek composer, keyboardist, pianist, and music producer who has resided in the United States during his adult life.

Sheena Easton Scottish singer and songwriter

Sheena Shirley Easton is a Scottish singer and songwriter. She has a dual British-American nationality. Easton first came into the public eye as the focus of an episode in the first British musical reality television programme The Big Time: Pop Singer, which recorded her attempts to gain a record contract and her eventual signing with EMI Records.

<i>Hear the Masses</i> 1994 studio album by Bradley Joseph

Hear the Masses is the debut album by Bradley Joseph,, a self-produced and self-published release consisting of 10 original instrumental compositions ranging from upbeat piano to orchestral ballads.

The outcome was Rapture, Joseph's second album, which was recorded at a number of different studios including Captain and Tennille's studio in Los Angeles [5] and Pachyderm Studio in Cannon Falls, Minnesota. [6]

Cannon Falls, Minnesota City in Minnesota, United States

Cannon Falls is a city in Goodhue County, Minnesota, United States. The population was 4,083 at the 2010 census. Located along U.S. Route 52 to the southeast of the Twin Cities, Cannon Falls may be best known as the home of Pachyderm Studio, where many famous musicians have recorded their music. Nirvana is probably the best known band to use the site. The group recorded In Utero at the studio.

In addition to using a core band including Charlie Adams on percussion, Charlie Bisharat on violin and Steven Trochlil on clarinet, Joseph brought in a 50-piece orchestra and conducted and wrote all the scores. [5] Michael Debbage of Wind and Wire magazine recalls, "It was the year 1997 and New Age music had already peaked commercially as the interest and exposure seemed to lag. The genres main labels – Narada, Windham Music, and Higher Octave – were beginning to explore worldly themes versus the warm, earthly, acoustic themes that prior artists had established. It appeared that the abundance of new artists was becoming a dying breed. An exception to the rule was Bradley Joseph, who released his first mainstream album Rapture to glorious reviews, and to this day it remains his tour de force." [2]

Charlie Adams (drummer) musician, drummer, percussionist

Charlie Adams is an American drummer, best known for playing in Yanni's touring band, after having played with Yanni in the early 1980s rock band Chameleon. Adams was born in Joliet, Illinois.

Joseph used the Yamaha and Bösendorfer pianos for this album. He often references the past when he names his songs and his music is frequently reminiscent of his rural Minnesota roots. His company, Robbins Island Music, [and song] is named after a city park in Willmar, says Anne Polta of the West Central Tribune. [7]

Bösendorfer is an Austrian piano manufacturer and, since 2008, a wholly owned subsidiary of Yamaha. Bösendorfer is unusual in that it produces 97- and 92-key models in addition to instruments with standard 88-key keyboards, and in its use of 3 strings-per-hammer model of construction.

Critical reception

Professional ratings
Review scores
SourceRating
Allmusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [8]

Ken Moore of the Naples Daily News cites, "Joseph's music is backed by 15 talented musicians, some playing three or more different instruments that make up a symphony of sounds ranging from quietly pensive mood music to a rich orchestration of classical depth and breadth." [9] It contains "...heavy flowing strings and emotion-filled keyboard melodies, as on 'A Lover's Return'", states the Johnson County Sun, [10] while Ross Boissoneau of Allmusic contradicts saying, "...Joseph has a good ear for melody, but he pretty much refrains from Yanni's trademark sweeping, whooshing synth swells." [8]

A review of Rapture from New Age Voice states, "Joseph is smooth, painting romantic pictures in sound with voices and instruments that escalate from quiet, intimate passages to big, energetic movements. The arrangements are structured so that the trumpet can lead a line out on 'Be Still' signaling an introspective sort of mood. Yet the strings swell on 'The Passage', engulfing the listener in an ocean of sound. Even cuts that start quiet, such as 'Healing the Hollow Man' or 'Blue Rock Road' ebb and flow between quiet moments and crescendos." [11]

John Blake of The Atlanta Journal notes that often New Age music sounds as if it should be played in a supermarket. The songs can sound like musical cotton candy — soft, airy and ultimately uninteresting. "For the most part, Bradley's music doesn't make that mistake." [12] "The music is cinematic, filled with introspective piano solos, swelling violins, and a hypnotic song pacing that allows the listener to daydream." [12]

Track listing

  1. "A Lover's Return" – 4:08
  2. "Feel" – 4:32
  3. "Jewel" – 4:26
  4. "Healing the Hollow Man" – 4:12
  5. "Blue Rock Road" – 3:13
  6. "Robbins Island" – 3:54
  7. "Stray" – 6:05
  8. "A Stolen Kiss" – 4:08
  9. "The Gallery" – 4:30
  10. "Be Still" – 2:52
  11. "Coastal Highway" – 3:14
  12. "Storyteller" – 4:56
  13. "The Passage" – 4:18

Personnel

"Special thanks to the St. Olaf Players."

Production

Additional recording at:

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References

  1. Rapture (CD liner). Bradley Joseph. Narada Equinox. 1997. ND-63038.
  2. 1 2 Debbage, Michael. "Review of The Journey Continues". Wind and Wire. Archived from the original on 2012-02-05. Retrieved 2006-12-21.
  3. "Airwaves Top 30 – July 1997". New Age Voice. 1997-07-25.
  4. Spellman, Peter (2002). The Musician's Internet: On-line Strategies for Success in the Music Industry. Hal Leonard Corporation. p. 86. ISBN   978-0-634-03586-9 . Retrieved 2007-06-05.
  5. 1 2 Wheeler, Fred (2002). "Interview with Bradley Joseph". Indie Journal. Archived from the original on 2004-11-01. Retrieved 2006-12-21.
  6. "Rapture at Pachyderm". Billboard. 1997. Archived from the original on 1997-05-30. Retrieved 2006-12-21.
  7. 1 2 Polta, Anne (2007-02-08). "Continuing Journey: Bradley Joseph sustains music career with songwriting, recording". West Central Tribune. Retrieved 2007-02-18.
  8. 1 2 Boissoneau, Ross. "Rapture – Bradley Joseph". AllMusic. Retrieved 7 September 2017.
  9. Moore, Ken (1997-04-25). "Rapture – Bradley Joseph". Naples Daily News.
  10. "Bradley Joseph Rapture". Johnson County Sun. 1997-05-02.
  11. 1 2 3 4 "New Age Voice review of Rapture". New Age Voice. 1997-07-25.
  12. 1 2 Blake, John (1997-07-19). "Joseph's solo debut has range" (fee required). The Atlanta Journal-Constitution . Retrieved 2008-01-18.