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Rash | |
---|---|
Directed by | Nicholas Hansen |
Written by | Nicholas Hansen |
Produced by | Nicholas Hansen |
Edited by | Nicholas Hansen |
Music by | Rhyno Music |
Distributed by | Mutiny Media |
Release date |
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Running time | 73 min |
Country | Australia |
Language | English |
Rash, written RASH, is a 2005 Australian documentary film, directed by Nicholas Hansen. Its subject is contemporary urban Australia and the artists who are making it a host for illegal street art. With the tagline 'Scratch it and it spreads', Rash explores the cultural value of unsanctioned public art and the ways that street art and graffiti contribute to public dialogue.
Directed by Nicholas Hansen and Mutiny Media, Rash was three years in the making and includes interviews with many of Melbourne's inspired street art and graffiti artists as well as visitors who came to Melbourne and leave their mark. Rash is the first feature-length documentary in Australia to focus on the new art form of street art.
Filming began in 2002 on this documentary, which conveys the commitment, ideals and beliefs demonstrated in Melbourne street art. Artists use a variety of approaches including bill posters, stencils, and performance art put the artwork right in the public eye.
The film was made in the lead up to the Melbourne 2006 Commonwealth Games. Before the games local councils were juggling the need to present a clean and safe city for visitors against the enthusiastic activities of street and graffiti artists. A similar response was later observed in the lead up to the London 2012 Summer Olympics. [1]
In Rash the spirit of rebellion is channeled into street art and the visual conversations are spread across the walls of Melbourne. Rash offers a rare look inside these graffiti artists world-view.
The musical soundtrack was created by Ryan Ritchie and band True Live. The band was made up of MC Rhyno, Thomas Butt (double bass), Tamil Rogeon (violin), Tim Blake (cello), Ivan Khatchoyan (drums) and Thai Mattus (keys).
A 2006 review stated 'It is this rare spotlight on this hidden subculture that makes Rash so fascinating and potentially illuminating to those who view graffiti artists as merely vandals. In fact, it is this misconception of the graffiti artist and their role in society that Hansen's film centrally explores. Rash reveals that Melbourne's graffiti subculture is not only a very tight knit community where everyone knows what each other is doing. It is also governed by a set of 'street etiquette'’. [2]
Prior to its 2006 TV broadcast in Australia Sacha Molitorisz of The Age newspaper reviewed the film saying 'This fresh documentary explores Melbourne's flourishing graffiti subculture.' [3] Other notable screenings include the 17 August 2008 event of documentaries programmed in the 'Street Art' exhibition at the Tate Modern in London. [4] Archival footage from Rash was licensed to Banksy's film production company Paranoid Pictures for the opening montage of documentary Exit Through the Gift Shop (2010).
Featured artists include Chali 2na, Civilian Dest, Dominic Allen, Fers, Fliq (BurnCrew), Ha-Ha, Dlux AKA James Dodd, KAB 101, Kano, Lister, Meek, Miles Allinson, Prism, Psalm, Reka, Shida, Sixten, Snog, Sync, Tai Snaith, Tower, and Vexta.
The Rash DVD extras include short films: Girls Do Street Art, Gallery VS Street, Drawing Room, Phibs, Urban Express – Short Film 2004, Shepard Fairey (Interview) OBEY GIANT USA, SCIEN (Interview 8.5 mins), 123Klan – France.
Graffiti is writing or drawings made on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written "monikers" to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire.
Leonard Hilton McGurr, known as Futura, and formerly known as Futura 2000, is an American contemporary artist and former graffiti artist.
Street art is visual art created in public locations for public visibility. It has been associated with the terms "independent art", "post-graffiti", "neo-graffiti" and guerrilla art.
Stencil graffiti is a form of graffiti that makes use of stencils made out of paper, cardboard, or other media to create an image or text that is easily reproducible. The desired design is cut out of the selected medium and then the image is transferred to a surface through the use of spray paint or roll-on paint.
Civilian is the pseudonym of Tom Civil a street artist, operating out of Melbourne, Australia, who has been profiled as a "leading player" of "the city's vibrant stencil art scene".
James Dodd is a South Australian artist, arts educator and street artist who used the pseudonym Dlux for his street art when he operated out of Melbourne.
Meek is a notable street artist operating out of Melbourne, Australia, and specialising in the subgenre of stencil graffiti.
Phibs is the pseudonym of Tim De Haan, a notable graffiti artist operating out of Sydney, Australia.
Vexta is an Australian stencil artist and street artist from Melbourne, Victoria.
True Live was an Australian band that was formed in Melbourne, Australia. The group had mild chart success with "TV" reaching #76 on the ARIA Single Chart and The Shape of It reaching #85 on the ARIA Albums Chart. The band received regular play on radio and television and were chosen to perform at the 2006 Commonwealth Games. The group's early recordings contained strong ties to hip hop but since 2011 have made a significant turn toward rock and classical leanings.
Melbourne, the capital of Victoria and the second largest city in Australia, has gained international acclaim for its diverse range of street art and associated subcultures. Throughout the 1970s and 1980s, much of the city's disaffected youth were influenced by the graffiti of New York City, which subsequently became popular in Melbourne's inner suburbs, and along suburban railway and tram lines.
Cheryl Dunn is an American documentary filmmaker and photographer. She has made two feature films, Everybody Street (2013) and Moments Like This Never Last (2020). She has had three books of photographs published: Bicycle Gangs of New York (2005), Some Kinda Vocation (2007) and Festivals are Good (2015).
Graffiti in New York City has had a substantial local, national, and international influence.
Graffiti in Iran consists of different styles. Some are slogans painted by governmental organizations, and some are works of art by regular citizens. During the last few years, Tehran Municipality has been drawing graffiti in order to beautify the city. Much governmental graffiti regards the Iranian Revolution, Islamic Republic of Iran policies and The Politics of Resistance. Pro-democracy activists are also continuing a political graffiti campaign in Tehran. Islamic graffiti can also be seen around the city. Graffiti has long served as a medium of expression through Iran's complicated political history.
See No Evil is a collection of works of public art by multiple graffiti artists, located around Nelson Street in Bristol, UK. The artwork was first created in an event in August 2011 that was Europe's largest street art festival at the time. It culminated with a block party. The street was mostly repainted in a repeat event in 2012. The artworks comprise murals of various sizes, in different styles, some painted on tower blocks, including a 10-storey office block. The works were created under a road closure, using scaffolding and aerial work platforms.
Videograf Productions is an underground video magazine series that documents the U.S. graffiti subculture. Videograf was founded in 1989 by two former New York city graffiti writers Carl Weston and Colin "KoolSpin" Turner. The inspiration for the Videograf series came during the summer of 1988, from the graffiti zine movement. It was publications like New York City's "International Graffiti Times" published by David Schmidlapp and Phase2 and the first color graffiti zine from Los Angeles - "Can Control Magazine" published by Power that planted the idea of doing a videotape version of a fan zine. By February 1989 Videograf issue one was in full production. By the summer of 1989, photographer and graffiti artist William "Nic One" Green joined the Videograf team as a producer. A year later the future cofounder of Egotrip magazine, writer and television producer Sacha Jenkins joined Videograf as well. The Videograf Productions operation was run out of Henry Chalfant's studio at 64 Grand Street for about 3 years before moving to Greenpoint Brooklyn.
Kroonjuwelen - Hard Times, Good Times, Better Times is a 2006 documentary film produced and directed by independent Dutch film crew Stunned Film.
Shida is an Australian multidisciplinary artist best known for his large scale mural work. Shida's practice encompasses video, publishing, public works and murals.
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