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Graffiti is art that is written, painted or drawn on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written words to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire.
Josh MacPhee is an artist, curator, stonemason and activist living in Brooklyn, New York.
Rash, written RASH, is a 2005 Australian documentary film, directed by Nicholas Hansen. Its subject is contemporary urban Australia and the artists who are making it a host for illegal street art. With the tagline 'Scratch it and it spreads', Rash explores the cultural value of unsanctioned public art and the ways that street art and graffiti contribute to public dialogue.
Street art is visual art created in public locations for public visibility. It has been associated with the terms "independent art", "post-graffiti", "neo-graffiti" and guerrilla art.
Stencil graffiti is a form of graffiti that makes use of stencils made out of paper, cardboard, or other media to create an image or text that is easily reproducible. The desired design is cut out of the selected medium and then the image is transferred to a surface through the use of spray paint or roll-on paint.
Civilian is the pseudonym of Tom Civil a street artist, operating out of Melbourne, Australia, who has been profiled as a "leading player" of "the city's vibrant stencil art scene".
James Dodd is a South Australian artist, arts educator and street artist who used the pseudonym Dlux for his street art when he operated out of Melbourne.
Phibs is the pseudonym of Tim De Haan, a notable graffiti artist operating out of Sydney, Australia.
Vexta is an Australian stencil artist and street artist from Melbourne, Victoria.
Melbourne, the capital of Victoria and the second largest city in Australia, has gained international acclaim for its diverse range of street art and associated subcultures. Throughout the 1970s and 1980s, much of the city's disaffected youth were influenced by the graffiti of New York City, which subsequently became popular in Melbourne's inner suburbs, and along suburban railway and tram lines.
Scott Williams is an American artist best known for paintings made using stencils. He began working with stencils in the early 1980s, painting on walls, cars and the found paper and objects that accumulated in his studio. He has painted many murals in San Francisco and was dubbed by artist/writer Aaron Noble The Stencil Godfather of the Mission, where stencil graffiti is common. Williams has painted numerous murals in San Francisco, both indoors and out, including Armadillo's on Fillmore Street, Amoeba Records, Clarion Alley, Leather Tongue video, The Chamelleon bar, DNA Lounge, Burger Joint, Pedal Revolution, and The Lab. The preponderance of his work in the Mission and his ability to go back and forth from street to studio has led some people to see him as a forerunner of the Mission school, which coalesced 10 years after he began working in the neighborhood. Working outside the mainstream, Williams exhibited at alternative spaces throughout the 80s and 90s including Show and Tell Gallery, Altarpiece at the Offensive, Bibliomancy, the Adobe Bookstore and Southern Exposure. As curatorial awareness of Williams grew, he was invited to exhibit at Yerba Buena Center for the Arts, and the San Francisco Art Institute.
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A1one is the pseudonym of Karan Reshad, an Iranian visual artist who pioneered graffiti and street art in Iran. His career as a street artist began in his hometown Tehran.
Graffiti in Iran consists of different styles. Some are slogans painted by governmental organizations, and some are works of art by regular citizens. During the last few years, Tehran Municipality has been drawing graffiti in order to beautify the city. Much governmental graffiti regards the Iranian Revolution, Islamic Republic of Iran policies and The Politics of Resistance. Pro-democracy activists are also continuing a political graffiti campaign in Tehran. Islamic graffiti can also be seen around the city. Graffiti has long served as a medium of expression through Iran's complicated political history.
Dolk, is the pseudonym of Norway's most recognized stencil artist, Andreas Hamran Færø. His motives are often pop-cultural references put into a humoristic or critical context. Dolk's works can be seen on walls in cities such as Bergen, Berlin, Copenhagen, Barcelona, Oslo, Lisbon, Stockholm, London, Prague and Melbourne. Since 2006, Dolk has stepped into galleries where he has had several exhibitions.
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Hosier Lane is a laneway in the central business district (CBD) of Melbourne, Victoria, Australia. Located on the CBD's southern edge, it extends between Flinders Street and Flinders Lane, and opens opposite the Atrium at Federation Square. Since the late 1990s, Hosier Lane has become a popular tourist attraction due to its street art.
Shida is an Australian multidisciplinary artist best known for his large scale mural work. Shida's practice encompasses video, publishing, public works and murals.
Wendy Murray is a visual artist and arts educator, formerly known as Mini Graff. Under her former persona, Murray worked as an urban street poster artist between 2003–2010, working in and around the city's urban fringe. Since 2014, Murray's art expanded into traditional forms of drawing and artist book design, whilst still engaging with social and political issues through poster making. Murray's use of letraset transfers, accompanied with vibrant colours and fluorescent inks, references the work of studios from the 1960s through to the 1980s, including the community-based Earthworks Poster Collective and Redback Graphix. The 2018 collaboration with The Urban Crew, a 17 person collective of socially engaged geographers, planners, political scientists and sociologists, resulted in the Sydney – We Need to Talk! artist book, addressing issues of development, transport congestion, housing affordability and commercialisation of public space.
References
- 1 2 "Begging for change. 2004", Meek bio information at National Gallery of Art, Canberra, Australia
- ↑ Jake Smallman; Carl Nyman (2005). Stencil graffiti capital : Melbourne. New York: Mark Batty Publisher. ISBN 0-9762245-3-4.
- ↑ Josh MacPhee (2004). Stencil Pirates: A Global Study of the Street Stencil. New York: Soft Skull Press. ISBN 1-932360-15-8.
- ↑ Saskia Folk (2005). Conform: FoToFolk no.1. Melbourne: Macmillan. ISBN 1-876832-68-1.
- ↑ Matthew Lunn (2006). Street art uncut. Melbourne: Craftsman House. ISBN 0-9757684-3-3.
- ↑ RASH (2005) – Feature-length documentary film about Melbourne street art and graffiti. RASH on Mutiny Media website
