Rash promise

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The rash promise, also blind promise or rash boon is a promise given without considering its consequences. It is a common motif in medieval and folk literature, especially fairy tales. [1] [2] It is classified in the Motif-Index of Folk-Literature as motif M223 [3] [4] and likely has an Oriental origin. [5]

Contents

Examples

Salome with the Head of the Baptist (1761) Salome con la cabeza del Bautista, de Mariano Salvador Maella (Real Academia de Bellas Artes de San Fernando).jpg
Salome with the Head of the Baptist (1761)

Bible: Mark 6.14-29: the beheading of John the Baptist involves a rash promise of king Herod Antipas to Salome, the daughter of his second wife Herodias, who, by her mother's advice asked for the head of John. [6]

Geoffrey Chaucer's "The Franklin's Tale", itself partly based on Boccaccio's The Filocolo : Dorigen, a married woman whose husband is absent, promises another suitor that he may have her if she makes the rocks on the coast of Brittany disappear. [5] [7]

Chaucer's "The Wife of Bath's Tale": the main character, a young rapist knight threatened with execution if he cannot answer the question "What do women want?," promises an older woman (the proverbial "loathly lady") anything she desires if she can provide the answer (she desires to marry him). [8] [9]

Related Research Articles

<span class="mw-page-title-main">Geoffrey Chaucer</span> English poet and author (c. 1340s – 1400)

Geoffrey Chaucer was an English poet, author, and civil servant best known for The Canterbury Tales. He has been called the "father of English literature", or, alternatively, the "father of English poetry". He was the first writer to be buried in what has since come to be called Poets' Corner, in Westminster Abbey. Chaucer also gained fame as a philosopher and astronomer, composing the scientific A Treatise on the Astrolabe for his 10-year-old son, Lewis. He maintained a career in the civil service as a bureaucrat, courtier, diplomat, and member of parliament.

<span class="mw-page-title-main">The Wife of Bath's Tale</span> Part of the Canterbury Tales

"The Wife of Bath's Tale" is among the best-known of Geoffrey Chaucer's Canterbury Tales. It provides insight into the role of women in the Late Middle Ages and was probably of interest to Chaucer, himself, for the character is one of his most developed ones, with her Prologue twice as long as her Tale. He also goes so far as to describe two sets of clothing for her, in his General Prologue. She calls herself both Alyson and Alys in the prologue, but to confuse matters, these are also the names of her 'gossip', whom she mentions several times, as well as many female characters throughout The Canterbury Tales.

<span class="mw-page-title-main">The Franklin's Tale</span> Part of the Canterbury Tales

"The Franklin's Tale" is one of The Canterbury Tales by Geoffrey Chaucer. It focuses on issues of providence, truth, generosity and gentillesse in human relationships.

A fabliau is a comic, often anonymous tale written by jongleurs in northeast France between c. 1150 and 1400. They are generally characterized by sexual and scatological obscenity, and by a set of contrary attitudes—contrary to the church and to the nobility. Several of them were reworked by Giovanni Boccaccio for the Decameron and by Geoffrey Chaucer for his Canterbury Tales. Some 150 French fabliaux are extant, the number depending on how narrowly fabliau is defined. According to R. Howard Bloch, fabliaux are the first expression of literary realism in Europe.

<span class="mw-page-title-main">The Pardoner's Tale</span> Part of the Canterbury Tales

"The Pardoner's Tale" is one of The Canterbury Tales by Geoffrey Chaucer. In the order of the Tales, it comes after The Physician's Tale and before The Shipman's Tale; it is prompted by the Host's desire to hear something positive after the physician's depressing tale. The Pardoner initiates his Prologue—briefly accounting his methods of swindling people—and then proceeds to tell a moral tale.

<span class="mw-page-title-main">Ellesmere Chaucer</span> 15th-century illuminated manuscript of the Canterbury Tales

The Ellesmere Chaucer, or Ellesmere Manuscript of the Canterbury Tales, is an early 15th-century illuminated manuscript of Geoffrey Chaucer's Canterbury Tales, owned by the Huntington Library, in San Marino, California. It is considered one of the most significant copies of the Tales.

<i>Troilus and Criseyde</i> 1380s poem by Geoffrey Chaucer

Troilus and Criseyde is an epic poem by Geoffrey Chaucer which re-tells in Middle English the tragic story of the lovers Troilus and Criseyde set against a backdrop of war during the siege of Troy. It was written in rime royale and probably completed during the mid-1380s. Many Chaucer scholars regard it as the poet's finest work. As a finished long poem, it is more self-contained than the better known but ultimately unfinished The Canterbury Tales. This poem is often considered the source of the phrase: "all good things must come to an end" (3.615).

<span class="mw-page-title-main">The Man of Law's Tale</span> Part of the Canterbury Tales

"The Man of Law's Tale" is the fifth of the Canterbury Tales by Geoffrey Chaucer, written around 1387. John Gower's "Tale of Constance" in Confessio Amantis tells the same story and may have been a source for Chaucer. Nicholas Trivet's Les chronicles was a source for both authors.

<span class="mw-page-title-main">General Prologue</span> First part of "The Canterbury Tales"

The General Prologue is the first part of The Canterbury Tales by Geoffrey Chaucer. It introduces the frame story, in which a group of pilgrims travelling to the shrine of Thomas Becket in Canterbury agree to take part in a storytelling competition, and describes the pilgrims themselves. The Prologue is arguably the most familiar section of The Canterbury Tales, depicting traffic between places, languages and cultures, as well as introducing and describing the pilgrims who will narrate the tales.

<span class="mw-page-title-main">The Squire's Tale</span> Part of the Canterbury Tales

"The Squire's Tale" is a tale in Geoffrey Chaucer's The Canterbury Tales. It is unfinished, because it is interrupted by the next story-teller, the Franklin, who then continues with his own prologue and tale. The Squire is the Knight's son, a novice warrior and lover with more enthusiasm than experience. His tale is an epic romance, which, if completed, would probably have been longer than rest of the Tales combined. It contains many literary allusions and vivid descriptions.

Elizabeth Helen Cooper,, known as Helen Cooper, is a British literary scholar. From 2004 to 2014, she was Professor of Medieval and Renaissance English at the University of Cambridge, and a fellow of Magdalene College, Cambridge.

<span class="mw-page-title-main">Loathly lady</span> Archetypal woman who transforms from ugly to beautiful

The loathly lady, is a tale type commonly used in medieval literature, most famously in Geoffrey Chaucer's The Wife of Bath's Tale. The motif is that of a woman who appears unattractive but undergoes a transformation upon being approached by a man in spite of her unattractiveness, becoming extremely desirable. It is then revealed that her ugliness was the result of a curse which was broken by the hero's action.

"The Marriage of Sir Gawain" is an English Arthurian ballad, collected as Child Ballad 31. Found in the Percy Folio, it is a fragmented account of the story of Sir Gawain and the loathly lady, which has been preserved in fuller form in the medieval poem The Wedding of Sir Gawain and Dame Ragnelle. The loathly lady episode itself dates at least back to Geoffrey Chaucer's "Wife of Bath's Tale" from The Canterbury Tales. Unlike most of the Child Ballads, but like the Arthurian "King Arthur and King Cornwall" and "The Boy and the Mantle", "The Marriage of Sir Gawain" is not a folk ballad but a song for professional minstrels.

<i>Vitae duorum Offarum</i>

The Vitae duorum Offarum "The lives of the two Offas" is a literary history written in the mid-thirteenth century, apparently by the St Albans monk Matthew Paris; however, the most recent editor and translator of the work rejects this attribution and argues for an earlier date, in the late twelfth century. The earliest editor, William Wats, argues that the texts are older than Matthew's day but were revised by him; he bases this view on stylistic elements, such as the inclusion in the first Vita of a quotation from Lucan which also appears repeatedly in Matthew's Chronica maiora.

<span class="mw-page-title-main">Influence of Italian humanism on Chaucer</span>

Contact between Geoffrey Chaucer and the Italian humanists Petrarch or Boccaccio has been proposed by scholars for centuries. More recent scholarship tends to discount these earlier speculations because of lack of evidence. As Leonard Koff remarks, the story of their meeting is "a 'tydying' worthy of Chaucer himself".

Siege of Thebes is a 4716-line poem written by John Lydgate between 1420 and 1422. Lydgate composed the Siege of Thebes directly following his composition of Troy Book - which was patronized by King Henry V - and directly preceding his production of The Fall of Princes - which Humphrey Duke of Gloucester patronized during King Henry VI's regency. The poem is particularly significant because it was written without an identifiable patron, and most probably without patron or commission whatsoever. Whatever the status of its patronage, the Siege of Thebes still managed to gain significant popularity, attested to by its 31 surviving manuscripts. The poem is, in large part, a response to Geoffrey Chaucer's The Canterbury Tales. Lydgate's poem borrows The Canterbury Tales' pilgrimage-based framing device and is written as an additional tale in the cycle. However, unlike Chaucer, Lydgate establishes himself as the narrator of the work, and recounts the siege of Thebes. Lydgate's Siege of Thebes follows and expands upon the Theban Cycle, but makes significant additions to the source materials.

The Prologue and Tale of Beryn are spurious fifteenth century additions to Geoffrey Chaucer's Canterbury Tales. They are both written in Middle English.

Crescentia is an Early Middle High German language chivalric romance, included in the Kaiserchronik about 1150. Other versions appeared in the thirteenth and fourteenth centuries, in prose and verse.

The Canterbury Tales is a collection of stories, mostly in verse, written by Geoffrey Chaucer chiefly from 1387 to 1400. They are held together in a frame story of a pilgrimage on which each member of the group is to tell two tales on the way to Canterbury, and two on the way back. Fewer than a quarter of the projected tales were completed before Chaucer's death. It is uncertain in what order Chaucer intended the tales to appear; moreover it is very possible that, as a work-in-progress, no final authorial order of tales ever existed.

The Squire (<i>Canterbury Tales</i>) Character in the Canterbury Tales

The Squire is a fictional character in the framing narrative of Geoffrey Chaucer's Canterbury Tales. He is squire to the Knight and is the narrator of The Squire's Tale or Cambuscan. The Squire is one of the secular pilgrims, of the military group. The Knight and the Squire are the pilgrims with the highest social status. However his tale, interrupted as it is, is paired with that of the Franklin. The Squire is a candidate for the interrupter of The Host in the epilogue of the Man of Law's Tale.

References

  1. Mitchell, Jerome (1987). Scott, Chaucer, and Medieval Romance: A Study in Sir Walter Scott's Indebtedness to the Literature of the Middle Ages . UP of Kentucky. p.  175. ISBN   9780813116099 . Retrieved 9 January 2013.
  2. "Franklin's Tale, The". Merriam-Webster's Encyclopedia of Literature . Merriam-Webster. 1995. p.  433. ISBN   9780877790426 . Retrieved 9 January 2013.
  3. Thompson, Stith (1955–58). Motif-index of folk-literature : a classification of narrative elements in folktales, ballads, myths, fables, mediaeval romances, exempla, fabliaux, jest-books, and local legends. Bloomington: Indiana UP.
  4. Chaucer, Geoffrey; Benson, Larry Dean (2008). The riverside Chaucer: based on The works of Geoffrey Chaucer. Oxford UP. pp. 895–. ISBN   9780199552092 . Retrieved 9 January 2013.
  5. 1 2 Edwards, Robert R. (2003). "The Franklin's Tale". In Robert M. Correale (ed.). Sources and Analogues of the Canterbury Tales. Vol. 1. Mary Hamel. Cambridge: D. S. Brewer. pp.  211–65. ISBN   9780859918282.
  6. Brenda Deen Schildgen, "A Blind Promise: Mark's Retrieval of Esther", Poetics Today Vol. 15, No. 1, Purim and the Cultural Poetics of Judaism (Spring, 1994), pp. 115-131
  7. Clouston, W. A. (1872). "The Damsel's Rash Promise: Indian Original and Some Asiatic and European Variants of Chaucer's Franklin's Tale". In F.J. Furnivall (ed.). Originals and analogues of some of Chaucer's Canterbury tales. E. Brock, W.A. Clouston. Furnivall. pp. 289–340.
  8. Mann, Jill (2002). Geoffrey Chaucer. Boydell & Brewer. p. 10. ISBN   9780859916134 . Retrieved 9 January 2013.
  9. Wollock, Jennifer G. (2011). Rethinking Chivalry and Courtly Love. ABC-CLIO. p. 169. ISBN   9780275984885 . Retrieved 9 January 2013.

Further reading