Raunch 'N' Roll Live | ||||
---|---|---|---|---|
Live album by | ||||
Released | February 1973 / 2007 | |||
Recorded | December 1 and 2, 1972 | |||
Venue | Paramount Theatre, Portland, Oregon and Paramount Theatre, Seattle, Washington | |||
Genre | Southern rock, hard rock, boogie-woogie | |||
Length | 35:13 / 2:11:53 | |||
Label | ATCO Records | |||
Producer | Tom Dowd | |||
Black Oak Arkansas chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Raunch 'N' Roll Live is a live album by the Southern rock band Black Oak Arkansas, released in 1973. The album was recorded at the Paramount Theatres in Portland, Oregon and Seattle, Washington, on October 30, 1973. It was produced by Tom Dowd and released under the Atco Records label. The album captures the band's energetic and raucous live performance, showcasing their unique blend of hard rock, Southern rock, and boogie-woogie.
The album Raunch 'N' Roll Live received generally positive reviews from critics. It was praised for its energetic and raw performances, capturing the essence of Black Oak Arkansas' live shows. AllMusic, in their review of the album, gave it a positive rating, highlighting the band's tight musicianship and charismatic stage presence. The reviewer commended the album for its high-octane rock 'n' roll spirit and the band's ability to engage the audience throughout the live recording. The album has been regarded as a strong representation of Black Oak Arkansas' live prowess and their unique blend of Southern rock and boogie. [1]
All tracks are written by Black Oak Arkansas
No. | Title | Original album | Length |
---|---|---|---|
1. | "Gettin' Kinda Cocky" (Seattle) | 3:22 | |
2. | "When Electricity Came To Arkansas" (Portland) | Black Oak Arkansas | 7:28 |
3. | "Gigolo" (Seattle) | 3:09 | |
4. | "Hot Rod" (Seattle) | 3:16 | |
5. | "Mutants Of The Monster" (Seattle) | If an Angel Came to See You, Would You Make Her Feel at Home? | 5:25 |
6. | "Hot And Nasty" (Portland) | Black Oak Arkansas | 3:45 |
7. | "Up" (Portland) | 8:48 | |
Total length: | 35:13 |
All tracks are written by Black Oak Arkansas, except where noted
No. | Title | Writer(s) | Original album | Length |
---|---|---|---|---|
1. | "Gettin' Kinda Cocky" | 4:04 | ||
2. | "Fever In My Mind" | Keep the Faith | 4:04 | |
3. | "Uncle Lijiah" | Black Oak Arkansas | 4:11 | |
4. | "Keep the Faith" | Keep the Faith | 3:58 | |
5. | "Mutants of the Monster" | If an Angel Came to See You, Would You Make Her Feel at Home? | 6:08 | |
6. | "Hot Rod" | 3:21 | ||
7. | "Lord Have Mercy On My Soul" | Black Oak Arkansas | 5:45 | |
8. | "Full Moon Ride" | If an Angel Came to See You, Would You Make Her Feel at Home? | 4:19 | |
9. | "When Electricity Came To Arkansas" (from Raunch 'N' Roll Live) | Black Oak Arkansas | 5:28 | |
10. | "Dixie" | Traditional | 4:00 | |
11. | "Hot and Nasty" (from Raunch 'N' Roll Live) | Black Oak Arkansas | 4:34 | |
12. | "Up" (from Raunch 'N' Roll Live) | 15:27 | ||
13. | "Movin'" | High on the Hog | 5:35 | |
Total length: | 70:54 |
All tracks are written by Black Oak Arkansas
No. | Title | Original album | Length |
---|---|---|---|
1. | "Gettin' Kinda Cocky" (from Raunch 'N' Roll Live) | 3:55 | |
2. | "Fever In My Mind" | Keep the Faith | 4:04 |
3. | "Uncle Lijiah" | Black Oak Arkansas | 3:27 |
4. | "Gigolo" (from Raunch 'N' Roll Live) | 3:16 | |
5. | "Mutants of the Monster" (from Raunch 'N' Roll Live) | If an Angel Came to See You, Would You Make Her Feel at Home? | 6:26 |
6. | "Hot Rod" (from Raunch 'N' Roll Live) | 5:41 | |
7. | "Movin'" | High on the Hog | 4:37 |
8. | "Full Moon Ride" | If an Angel Came to See You, Would You Make Her Feel at Home? | 4:09 |
9. | "When Electricity Came To Arkansas" | Black Oak Arkansas | 8:34 |
10. | "Hot and Nasty" | Black Oak Arkansas | 4:27 |
11. | "Up" | 12:23 | |
Total length: | 60:59 |
Produced by Tom Dowd.
Recorded live in concert at the Paramount Theatres in Portland, Oregon (December 1, 1972) and Seattle, Washington (December 2, 1972).
Chart (1973) | Peak position |
---|---|
US Billboard 200 [2] | 90 |
Region | Certification | Certified units/sales |
---|---|---|
United States (RIAA) [3] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
Southern rock is a subgenre of rock music and a genre of Americana. It developed in the Southern United States from rock and roll, country music, and blues and is focused generally on electric guitars and vocals. Author Scott B. Bomar speculates the term "Southern rock" may have been coined in 1972 by Mo Slotin, writing for Atlanta's underground paper, The Great Speckled Bird, in a review of an Allman Brothers Band concert.
Canned Heat is an American blues and rock band that was formed in Los Angeles in 1965. The group has been noted for its efforts to promote interest in blues music and its original artists. It was launched by two blues enthusiasts Alan Wilson and Bob Hite, who took the name from Tommy Johnson's 1928 "Canned Heat Blues", a song about an alcoholic who had desperately turned to drinking Sterno, generically called "canned heat". After appearances at the Monterey and Woodstock festivals at the end of the 1960s, the band acquired worldwide fame with a lineup of Hite (vocals), Wilson, Henry Vestine and later Harvey Mandel, Larry Taylor (bass), and Adolfo de la Parra (drums).
Heart is an American rock band formed in 1973 in Seattle, Washington. The band evolved from previous projects led by founding members Roger Fisher (guitar) and Steve Fossen, including The Army (1967–1969), Hocus Pocus (1969–1970), and White Heart (1970–1973). By 1975, original members Fisher, Fossen, and Ann Wilson, along with Nancy Wilson, Michael Derosier (drums), and Howard Leese formed the lineup for the band's initial mid- to late-1970s success period. These core members were included in the band's 2013 induction into the Rock and Roll Hall of Fame.
ELO 2 is the second studio album by the Electric Light Orchestra (ELO), released in 1973. In the US, the album was released as Electric Light Orchestra II. It was the band's last album to be released by the Harvest label, the last on which the band used the definite article The in their name, and the one that introduced their abbreviated name 'ELO'.
Black Oak Arkansas is an American Southern rock band named after the band's hometown of Black Oak, Arkansas. The band reached the height of its fame in the 1970s, charting ten albums. Their style is punctuated by multiple guitar players and the raspy voice and on-stage antics of vocalist Jim "Dandy" Mangrum.
Showaddywaddy are a rock and roll group from Leicester, England. They specialise in revivals of hit songs from the 1950s and early 1960s, while also issuing original material. They have spent 209 weeks on the UK Singles Chart, and have had 10 Top Ten singles, one reaching number one.
Wire is the seventh album by Christian rock band Third Day. It breaks from the style of the band's previous albums to return to simple, rock and roll-driven melodies. To quote Allmusic's review of the album, "Third Day has stripped away the shine and gotten back to the grittiness of being a rock & roll band." The album is largely carried by the energetic guitar riffs that pervade its songs, although the forceful lyrics also contribute significantly.
Tommy Aldridge is an American heavy metal and hard rock drummer. He is noted for his work with numerous bands and artists since the 1970s, such as Black Oak Arkansas, Pat Travers Band, Ozzy Osbourne, Gary Moore, Whitesnake, Ted Nugent, Thin Lizzy, Vinnie Moore and Yngwie Malmsteen.
On Your Feet or on Your Knees is the first live album by American rock band Blue Öyster Cult, released on February 27, 1975 by Columbia Records. The album features three songs from each of the band's first three studio albums, two covers, and one original instrumental that remains a staple of the band's live shows to this day. The 12 songs include performances at the Academy of Music in New York City, the Paramount Theatre in Portland, the Paramount Theatre in Seattle, the Show Palace in Phoenix, the Long Beach Arena, the P.N.E. Coliseum in Vancouver and the Capitol Theatre in New Jersey, although it is not clear which songs came from which venues and on what dates.
"Lewis Boogie" is a song written by Jerry Lee Lewis in 1956 and released as a single in June 1958 on Sun Records, Sun 301, backed with "The Return of Jerry Lee". The recording was reissued in 1979 as a 7" 45 single as Sun 29 as part of the Sun Golden Treasure Series. The song was also released in the UK and Canada as a single.
Dash Rip Rock is an American rock band. The band is best known for its cowpunk sound, which mixes punk rock, rockabilly, hard rock, country and boogie. The New York Times stated that Dash Rip Rock combines “fluency in American roots music with a robust dose of punk-rock spirit.” Bill Davis, Dash Rip Rock's founder and frontman, is a songwriter known for his blistering guitar work. Spin praised Dash Rip Rock as “undeniably the South’s greatest rock band.” In 2012, Dash Rip Rock was inducted into the Louisiana Music Hall of Fame.
Black Oak Arkansas is the eponymous debut studio album by American Southern rock band Black Oak Arkansas, released in 1971.
"So You Want to Be a Rock 'n' Roll Star" is a song by the American rock band the Byrds. Written by Jim McGuinn and Chris Hillman, it was included on the band's 1967 album, Younger Than Yesterday. The song was inspired by the manufactured nature of the Monkees and was released as a single on January 9, 1967, reaching number 29 on the Billboard Hot 100, but failing to chart in the United Kingdom.
High on the Hog is the fourth studio album by American southern rock band Black Oak Arkansas, released in 1973 by Atco Records. It is known for its cover of the LaVern Baker song "Jim Dandy", which reached number 25 on the US Billboard Hot 100.
Return of the Boogie Men is the thirteenth studio album by British hard rock band Foghat, released in 1994. This album reunited the original members of the band, Dave Peverett, Roger Earl, Rod Price and Tony Stevens. Price had left the group after the completion of 1980's "Tight Shoes" release; Stevens had departed following the recording of "Rock and Roll Outlaws" in 1974. Beginning in June, 1994, Foghat toured through the end of 1996 to promote "Return of the Boogie Men". Two performances at the Roseland Theater in Portland, Oregon on October 25 and 26, 1996 were recorded which resulted in the 1998 live album, Road Cases.
Sallie Ford and the Sound Outside was an American rock band from Portland, Oregon. The band has been described as "Rockabilly", or as having a "raw soul" 1950s rock-and-roll energy sound. Sallie Ford describes it as "Rock n Roll" and that people find it "more rockin’ than they expected." The group received positive reviews from USA Today's music critic Whitney Matheson and from The Oregonian critic Ryan White. In 2011, they signed a record deal with Partisan Records and released their first full-length CD Dirty Radio in May, began a US tour in June, and in August, performed on the Late Show with David Letterman.
Bill Davis is an American guitarist, vocalist, and songwriter. He is the founder, lead guitarist, and lead vocalist of the rock band Dash Rip Rock, and a member of the Louisiana Music Hall of Fame. Davis founded Dash Rip Rock in 1984 and is often credited as a pioneer of cowpunk, a genre that combines country and punk rock, but Davis has said in interviews that he considers his music to be widely roots-based. His work has been inspired by a variety of styles, including rock, country, power pop, punk, soul and, at times, Cajun.
Keep the Faith is the second album by Black Oak Arkansas released in 1972. The original LP pressings have "gimmick" top-loading cover with 2 fold-out flaps on front that reveals a different photo, lyrics and credits when opened up.
If an Angel Came to See You, Would You Make Her Feel at Home? is the third studio album released by southern rock band Black Oak Arkansas in 1972. It is the recording debut of drummer Tommy Aldridge.
"I Do' Wanna Know" is a song written by Kevin Cronin that was the lead single from REO Speedwagon's 1984 album Wheels Are Turnin'. It was more of a rocker reminiscent of the songs REO Speedwagon had released in the 1970s than the ballads the band had been successful with in the early 1980s. It had limited success on popular music charts, which was blamed for delaying sales of the album until the release of the follow-up single, the ballad "Can't Fight This Feeling." The video to the song was nominated for several awards.