Raymond Smith is a Canadian ballet dancer and teacher, who was a principal dancer of the National Ballet of Canada from 1980 to 1995. [1]
Raymond Smith was born in Edinburgh, Scotland, and immigrated to Canada at the age of seven. [2] He began dancing lessons in London, [3] Ontario, at the age of 11, and entered Canada's National Ballet School [4] at the age of 12, in the eighth grade. Upon graduating in 1975, he joined the corps de ballet of the National Ballet of Canada, [5] making his professional debut at the Metropolitan Opera House in New York in Coppélia . [2] He was promoted to the rank of second soloist in 1978, to first soloist in 1979, and to principal dancer in 1980. [6] [7] During the 1985-86 season, he was a principal dancer with London Festival Ballet. [8] Smith performed as a guest artist at La Scala, [9] with Scottish Ballet, Pittsburgh Ballet Theater and Royal Winnipeg Ballet. [10] He also appeared as a contemporary dancer with the Desrosiers Dance Theatre at the Calgary Olympic Arts Festival in 1988. [11] His decade-long stage partnership with ballerina Veronica Tennant was particularly admired by critics. [12] [13] [14] [15] [16] [2]
Smith retired from the stage in May 1995, following a performance as one of the Stepsisters [17] in Ben Stevenson's Cinderella. [2] He subsequently worked as a ballet master for Ontario Ballet Theatre, [18] Ballet BC [10] and BalletMet. [19] Since 2004 he has been on the faculty of Canada's National Ballet School. [20] [21] [22]
Smith's repertoire included La Sylphide (James), Napoli (Gennaro), [23] Giselle (Count Albrecht), [24] Coppélia (Franz), [25] Swan Lake (Prince), [26] [27] The Sleeping Beauty (Prince Florimund, [12] [28] Bluebird [29] ), Celia Franca's production of The Nutcracker (Prince), [30] Don Quixote (Basilio), [13] [31] the third act of Raymonda (Jean de Brienne), [32] Michel Fokine's Les Sylphides [7] and Le Spectre de la rose , [7] Frederick Ashton's Romeo and Juliet (Romeo, Mercutio [33] ), La Fille mal gardée (Colas) [34] and The Two Pigeons (Young Man), [35] John Cranko's Romeo and Juliet (Romeo), [36] [15] [37] Onegin (Lensky, [38] Onegin [14] [39] [40] [41] ) and The Taming of the Shrew (Lucentio), [42] [43] [44] Ronald Hynd's The Merry Widow (Camille de Rosillon; [45] [46] [47] a role filmed by the Canadian Broadcasting Corporation [48] ), George Balanchine's Serenade , Concerto Barocco , [49] The Four Temperaments (Melancholic, [50] Sanguinic [51] ) and Symphony in C (third movement), [52] Kenneth MacMillan's Elite Syncopations, Song of the Earth (the Man) [53] and Concerto, [54] Glen Tetley's Sphinx (Oedipus), [55] Alice (White Rabbit), [56] [57] La Ronde (the Count) [58] [59] and Tagore, [60] Maurice Béjart's Song of a Wayfarer, [61] Harald Lander's Etudes , [62] Anne Ditchburn's Mad Shadows (Patrice; a role filmed by the CBC [63] ), Robert Desrosiers' Blue Snake (filmed by the National Film Board of Canada [64] ) and several ballets created by James Kudelka [65] [66] [2] and John Alleyne. [67] [68]
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