Real Life | |
---|---|
Directed by | Albert Brooks |
Written by | Albert Brooks Monica Johnson Harry Shearer |
Produced by | Penelope Spheeris |
Starring | Charles Grodin Frances Lee McCain J. A. Preston Matthew Tobin Albert Brooks |
Cinematography | Eric Saarinen |
Edited by | David Finfer |
Music by | Mort Lindsey |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 99 minutes |
Language | English |
Box office | $364,642 [2] |
Real Life is a 1979 American comedy film starring Albert Brooks (in his directorial debut), who also co-authored the screenplay alongside Monica Johnson and Harry Shearer. It is a spoof of the 1973 reality television program An American Family and portrays a documentary filmmaker named Albert Brooks who attempts to live with and film a dysfunctional family for one full year.
Charles Grodin co-stars as the family's patriarch who allows cameras in his Arizona home. Real-life producer Jennings Lang also has an acting role in Real Life.
Documentary film producer Albert Brooks leads a project meant to encapsulate the joys, sorrows and intimacy of real life by filming a regular American family, the Yeagers, at all times for a full year using expensive cameras: some installed on walls, and four large helmet-like ones worn by a camera crew that follows Brooks and the family in and out of their neighboring homes.
The Yeagers are sent on vacation and filming starts as they arrive back at the airport, causing immediate nervousness in the family. Brooks takes an hour off to do antiquing while the Yeagers have pizza and argue about rules at the dinner table. The father, Warren, makes a few unsympathetic remarks and ends up eating alone.
Doctors Howard Hill and Ted Cleary are there to observe the project's integrity and progress. Cleary does not appreciate Brooks' intrusive method of constantly filming the family, worrying that their hold on reality is being threatened.
The mother, Jeanette, leaves the house without cameras to unwind and meets Brooks later to thank him by inviting him to an appointment at the gynecologist. Brooks is thrilled until Jeanette kisses him, which he dislikes. He warns her that he is no better than her husband and that his charisma "doesn't run deep".
The gynecologist refuses to be on camera because of a damning news story that ran about him years ago. Brooks offers him $500 to accept but then recognizes the man as "the baby broker" from the news story, causing the gynecologist to refuse the deal.
Warren brings the crew to witness a day at his work as a veterinarian. Being nervous from the cameras, he starts surgery on a horse by accidentally ordering an anesthetic drug twice, which kills the animal. He asks Brooks to not show the footage in the film, but Brooks will not agree to that.
Jeannette's grandmother dies and the family enters a deep depression. Trying to cheer the family up, Brooks invites Jeanette to a dinner date which she declines, having reconsidered her attraction to him. Brooks then shows up to the house in a clown costume to cheer the kids, but they are at school. While still in costume, Brooks is asked to sit down with Warren and Jeannette, where Warren confesses to fearing he may be on the verge of a nervous breakdown. Brooks dismisses the claim, saying that it is okay to be sad and confused as long as one does not "clam up".
After a meeting with the doctors, some scientists from the institute, and a film producer obsessed with getting movie stars involved, Dr. Cleary leaves the project, disapproving of how the family is being treated. The family returns to a happier, more harmonious lifestyle until Cleary's book on the project is published, calling it "mind-control" and "psychological rape". The book attracts attention to the family from newscasters, much to the anger of Brooks and the discomfort of the Yeagers.
Dr. Hill, the institute and the film producer call for the early termination of the project. Brooks brings the Yeagers to the meeting and, to his surprise, they also want to end the project. Despite his pleas and threats for them to stay, they do not change their minds and the producer calls for the Yeagers to be paid in full to apologize for the stress they endured.
While dressing back into the clown costume for a benefit at a children's hospital, in a desperate attempt to find a solid ending to the film, Brooks recalls the endings of famous films and decides to copy Gone with the Wind . He elatedly burns down the Yeagers' house, though no one is harmed.
An epilogue is presented in text form saying that the house was rebuilt with a tennis court added for 'appreciation', and that Dr. Cleary's book sold poorly and he is now ill. Real-life historians are invited to call 1-800-555-3824, should they want documentation on the project.
Roger Ebert gave the film one star out of four and wrote that it "gets most of its laughs in the first 10 minutes, slides into a long middle stretch of repetitive situations and ends on a note of embarrassing hysteria. An idea is not enough for a movie. Characters have to be developed, comic situations have to be set up before they can pay off and the story should have a conclusion instead of a dead stop. Real Life fails in all of those areas — fails so miserably that it lets its audiences down." [3]
Janet Maslin of The New York Times praised the film as an "often very funny assault on manners, moviemaking, an allegedly typical American family and everything its members hold dear ... Its manner is deadpan and sly, so sly that some viewers may not find it comic at all. But for anyone well-disposed toward Mr. Brooks, who is never without his absolute insincerity and irrational good cheer, Real Life is full of delightful nonsense, a very funny account of one man's crusade to capture all the truth and wisdom that money can buy." [4]
Variety said: "Expanding on the deadpan satiric tone of the short parodies and pseudo-documentaries he's filmed in the past for NBC's Saturday Night Live into his first feature, Albert Brooks has come up with a mostly very funny (though uneven) take-off on social-minded docu filmmaking that stands to draw boxoffice support from the young adult, primarily college crowd that's made the late-night tv show the success it is." [5]
Gene Siskel of the Chicago Tribune gave the film three-and-a-half stars out of four, and wrote: "Admittedly, documentary filmmaking doesn't sound like the greatest subject to be satirized, but Real Life is full of undeniable laughs." [6]
Charles Champlin of the Los Angeles Times called Grodin "wonderful to watch" and thought that the film "generates some spectacular moments," but "the movie, like the experiment, runs out of steam well before it is finished and, like many a promising routine, is stuck for a sock ending." [7]
Gary Arnold of The Washington Post stated: "Albert Brooks may be the Woody Allen of the 1980s. His extraordinary first feature, Real Life, demonstrates a potential genius for movie comedy and is animated by a peculiarly fertile and subtle imagination." [8]
David Ansen of Newsweek wrote that the film "doesn't quite come off, for all its funny ideas. It feels like a 30-minute gag stretched to fill a feature film, and the repetitiousness of the situation gets wearisome. It's a one-note movie, and Brooks's performance doesn't help: he's like an aggressive emcee who doesn't know when to shut up and turn the show over to his guests. That may be the point, but it's also the problem." [9]
Real Life holds a rating of 84% on Rotten Tomatoes based on 25 reviews, with an average score of 6.80/10. [10]
Melvin James Brooks is an American actor, comedian, and filmmaker. With a career spanning over seven decades, he is known as a writer and director of a variety of successful broad farces and parodies. A recipient of numerous accolades, he is one of 21 entertainers to win the EGOT, which includes an Emmy Award, a Grammy Award, an Academy Award, and a Tony Award. He received a Kennedy Center Honor in 2009, a Hollywood Walk of Fame star in 2010, the AFI Life Achievement Award in 2013, a British Film Institute Fellowship in 2015, a National Medal of Arts in 2016, a BAFTA Fellowship in 2017, and the Honorary Academy Award in 2024.
The Right Stuff is a 1983 American epic historical drama film written and directed by Philip Kaufman and based on the 1979 book of the same name by Tom Wolfe. The film follows the Navy, Marine, and Air Force test pilots who were involved in aeronautical research at Edwards Air Force Base, California, as well as the Mercury Seven, the seven military pilots who were selected to be the astronauts for Project Mercury, the first human spaceflight by the United States. The film stars Sam Shepard, Ed Harris, Scott Glenn, Fred Ward, Dennis Quaid, and Barbara Hershey; Levon Helm narrates and plays Air Force test pilot Jack Ridley.
Charles Sidney Grodin was an American actor, comedian, author, and television talk show host. Known for his deadpan delivery and often cast as a put-upon straight man, Grodin became familiar as a supporting actor in many Hollywood comedies of the era. After a small part in Rosemary's Baby in 1968, he played the lead in Elaine May's The Heartbreak Kid (1972) where he received a nomination for the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy.
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Real Genius is a 1985 American science fiction comedy film directed by Martha Coolidge, written by Neal Israel, Pat Proft, and PJ Torokvei, and starring Val Kilmer and Gabriel Jarret. The film, set on the campus of Pacific Tech, a science and engineering university similar to Caltech, follows Chris Knight (Kilmer), a genius in his senior year, who is paired with a new student on campus, Mitch Taylor (Jarret), to work on a chemical laser, only to learn it will be used for dangerous purposes.
The Heartbreak Kid is a 1972 American romantic black comedy film directed by Elaine May and written by Neil Simon, starring Charles Grodin, Cybill Shepherd, Jeannie Berlin, Audra Lindley, Eddie Albert, and Doris Roberts. It is based on the short story "A Change of Plan", written by Bruce Jay Friedman and first published in Esquire in 1966.
The Muppet Movie is a 1979 musical road comedy film directed by James Frawley and produced by Jim Henson, and the first theatrical film to feature the Muppets. A co-production between the United Kingdom and the United States, the film was written by The Muppet Show writers Jerry Juhl and Jack Burns. Produced during the third season of The Muppet Show, the film tells the origin story of the Muppets, as Kermit the Frog embarks on a cross-country trip to Los Angeles, encountering several of the Muppets—who all share the same ambition of finding success in professional show business—along the way while being pursued by Doc Hopper, a greedy restaurateur with intentions of employing Kermit as a spokesperson for his frog legs business.
Midnight Run is a 1988 American action comedy film directed by Martin Brest, written by George Gallo, and starring Robert De Niro and Charles Grodin. Yaphet Kotto, John Ashton, Dennis Farina, Joe Pantoliano, and Philip Baker Hall play supporting roles.
The Great Muppet Caper is a 1981 musical heist comedy film directed by Jim Henson and the second theatrical film featuring the Muppets. The film stars Muppet performers Henson, Frank Oz, Dave Goelz, Jerry Nelson, Richard Hunt, and Steve Whitmire, as well as Charles Grodin and Diana Rigg, with special cameo appearances by John Cleese, Robert Morley, Peter Ustinov, and Jack Warden. The film was produced by ITC Entertainment and The Jim Henson Company and distributed by Universal Pictures. In the plot, the Muppets are caught up in a jewel heist while investigating a robbery in London.
Walk the Line is a 2005 American biographical drama film directed by James Mangold. The screenplay, written by Mangold and Gill Dennis, is based on two autobiographies by the American singer-songwriter Johnny Cash: Man in Black: His Own Story in His Own Words (1975) and Cash: The Autobiography (1997). The film follows Cash's early life, his romance with the singer June Carter, his ascent in the country music scene, and his drug addiction. It stars Joaquin Phoenix as Cash, Reese Witherspoon as Carter, Ginnifer Goodwin as Cash's first wife Vivian Liberto, and Robert Patrick as Cash's father.
Seems Like Old Times is a 1980 American comedy film starring Chevy Chase, Goldie Hawn, and Charles Grodin, directed by Jay Sandrich and written by Neil Simon. It was the only theatrical film directed by Sandrich, who was best known for his television sitcom directing work. It follows Nick Gardenia, a writer who is forced to rob a bank and becomes a fugitive, leaving him to seek help from his ex-wife Glenda Parks, a public defender. Her current husband, Ira Parks, is the Los Angeles County district attorney, who harbors a jealous disdain towards Nick.
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The Incredible Shrinking Woman is a 1981 American science-fiction comedy film directed by Joel Schumacher, written by Jane Wagner, and starring Lily Tomlin, Charles Grodin, Ned Beatty, John Glover, and Elizabeth Wilson. A parody of the 1957 science-fiction film The Incredible Shrinking Man, it is credited as based on Richard Matheson's 1956 novel, The Shrinking Man. The original music score was composed by Suzanne Ciani.
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