William "Smokey" Robinson Jr. is an American R&B and soul singer, songwriter, record producer, and former record executive director. He was the founder and frontman of the original and pioneering Motown vocal group the Miracles, for which he was also chief songwriter and producer. He led the group from its 1955 origins as "the Five Chimes" until 1972, when he announced his retirement from the group to focus on his role as Motown's vice president. However, Robinson returned to the music industry as a solo artist the following year. Robinson left Motown Records in 1990, following the sale of the company two years earlier.
Motown is an American record label owned by the Universal Music Group. It was founded by Berry Gordy Jr. as Tamla Records on January 12, 1959, and incorporated as Motown Record Corporation on April 14, 1960. Its name, a portmanteau of motor and town, has become a nickname for Detroit, where the label was originally headquartered.
Mary Esther Wells was an American singer, who helped to define the emerging sound of Motown in the early 1960s.
The Miracles were an American vocal group that was the first successful recording act for Berry Gordy's Motown Records, and one of the most important and most influential groups in pop, rock and roll, soul and R&B music history.
Claudette Annette Rogers Robinson is an American singer, best known as a member of the vocal group The Miracles from 1957 to 1972. Her brother Emerson "Sonny" Rogers was a founding member of the group, which before 1957 was named "The Matadors". Claudette replaced her brother in the group after he was drafted into the U.S. Army.
Motown 25: Yesterday, Today, Forever is a 1983 television special, produced by Suzanne de Passe for Motown Records, to commemorate Motown's 25th year. The program was taped before a live audience at the Pasadena Civic Auditorium in Pasadena, California on March 25, 1983, and broadcast on NBC on May 16. Among its highlights were Michael Jackson's performance of "Billie Jean", Smokey Robinson's reunion with the Miracles, a Temptations / Four Tops "battle of the bands", Marvin Gaye's inspired speech about black music history and his memorable performance of "What's Going On", a Jackson 5 reunion, and an abbreviated reunion of Diana Ross & the Supremes, who performed their final #1 hit, "Someday We'll Be Together" from 1969. The show was co-written by de Passe with Ruth Adkins Robinson, who would go on to write shows with de Passe for the next 25 years, including the follow-up label tributes—through "Motown 40", Buz Kohan was the head writer.
The Motortown Revue was the name given to the package concert tours of Motown artists in the 1960s. Early tours featured Smokey Robinson & The Miracles, Mary Wells, The Marvelettes, Barrett Strong, and The Contours as headlining acts, and gave then-second-tier acts such as Marvin Gaye, Martha & The Vandellas, Stevie Wonder, The Supremes, The Four Tops, Gladys Knight & the Pips and The Temptations the chances to improve their skills.
Where Did Our Love Go is the second studio album by Motown singing group the Supremes, released in 1964. The album includes several of the group's singles and B-sides from 1963 and 1964. Included are the group's first Billboard Pop Singles number-one hits, "Where Did Our Love Go", "Baby Love", and "Come See About Me", as well as their first Top 40 hit, "When the Lovelight Starts Shining Through His Eyes", and the singles "A Breathtaking Guy" and "Run, Run, Run".
Meet the Supremes is the debut studio album by The Supremes, released in late 1962 on Motown.
The Supremes at the Copa is a live album by Motown singing group the Supremes, recorded during their debut engagement at the prestigious Copacabana nightclub in New York City. Released in the late fall of 1965, At the Copa was the first live album issued by the Supremes, and the only live album issued by the group's best-known lineup of Diana Ross, Florence Ballard and Mary Wilson.
The Miracles Recorded Live on Stage is a 1963 live album by the Miracles, part of the early 1960s Motown "Live on Stage" series by various artists. The first of three live albums the group released during their career, it features R&B numbers led by Smokey Robinson along with Bobby Rogers, Ronnie White and Claudette Robinson recorded at either the Apollo Theater in New York or The Regal Theatre in Chicago, Illinois during their 1962 and 1963 tour. Miracles member Pete Moore was serving in the US Army at the time of this performance. The opener "Mighty Good Lovin'" was selected for various later compilations, while "I've Been Good To You" later appeared in a stereo mix on the 2002 compilation Ooo Baby Baby: The Anthology.
Bye Bye Baby I Don't Want to Take a Chance is the debut album by Motown recording artist Mary Wells, released on Motown in 1961. The album didn't chart but yielded two hit singles for the teenaged Wells including "Bye Bye Baby", issued in late 1960, and "I Don't Want to Take a Chance", a song written for her by Berry Gordy and Mickey Stevenson. Wells' follow-up album, The One Who Really Loves You, was released in 1962.
"Mickey's Monkey" is a 1963 song recorded by the R&B group the Miracles on Motown Records' Tamla label. It was written and produced by Motown's main songwriting team of Brian Holland, Lamont Dozier, and Eddie Holland, who later went on to write two more Miracles hit singles, the Top 40 "I Gotta Dance to Keep From Crying", and the Top 20 "(Come 'Round Here) I'm The One You Need". This was an unusual writing situation for the Miracles, as most of their songs were composed by the group members themselves.
"What Love Has Joined Together" is a song written and composed by Miracles members Smokey Robinson and Bobby Rogers, and was recorded by six Motown acts: Mary Wells, The Temptations, Smokey Robinson & The Miracles, Barbara McNair, Syreeta, and Queen Latifah and was issued as B-sides to hits by Wells and The Temptations; "Your Old Standby" for Wells, released in 1963, and "It's Growing" by The Temptations, released in 1965.
"Way Over There" is a 1960 Motown soul song and single, written by William "Smokey" Robinson, produced by Berry Gordy, and first performed by The Miracles for the Tamla (Motown) label. It was one of The Miracles' earliest charting singles, reaching #94 on the Billboard Pop chart. Motown president Berry Gordy, Jr. had The Miracles record the song several times during its chart run. The first version had minimal orchestration. The second version added strings, and this is the version played by most oldies stations today. Claudette Robinson had several lead parts on this song, answering Smokey's leads with chants of "Come to me, Baby". The song's B-side, "(You Can) Depend on Me", while not charting nationally, did become a popular regional hit in many areas of the country, and Smokey still sings it in his live shows today. "Way Over There" has inspired cover versions by Edwin Starr, The Temptations, The Marvelettes, The Royal Counts, The Spitballs, and Eddie Adams Jr, while "(You Can) Depend on Me" has inspired cover versions by The Temptations, The Supremes, Mary Wells, and Brenda Holloway. The song was also used for the title of Hip-O Select's 2009 compilation: The Miracles – Depend on Me: The Early Albums, which collects the first five LP releases by the group.
"Bad Girl" is a 1959 doo-wop single by The Miracles. Issued locally on the Motown Records label, it was licensed to and issued nationally by Chess Records because the fledgling Motown Record Corporation did not, at that time, have national distribution. It was the first single released on the Motown label – all previous singles from the company were released on Motown's Tamla label. Although The Miracles had charted regionally and on the R&B charts with several earlier songs, including "Got a Job", "I Cry", "I Need a Change", and "(You Can) Depend on Me", "Bad Girl" was their first national chart hit, reaching #93 on the Billboard Hot 100. Written by Miracles lead singer Smokey Robinson and Motown Records' President and Founder Berry Gordy, "Bad Girl" is a sad, remorseful ballad about a young woman, whom Robinson, as the narrator, says "was so good at the start", but who later in the song "is breaking my heart". It is in the popular doo-wop style, as several of The Miracles' songs were during the late 1950s. The record's success, coupled with the distributor's failure to pay Gordy and The Miracles properly for its sales, prompted Robinson to urge Gordy to "go national" with it, meaning that Motown should do its own national distribution of its songs, and eliminate the middleman, to ensure that all money from sales of its records would go directly to the label.
The Regal Theater was a night club, theater, and music venue, popular among African-Americans, located in the Bronzeville neighborhood in Chicago, Illinois. The theater was designed by Edward Eichenbaum, and opened in February 1928. It closed in 1968 and was demolished in 1973.
The Miracles – Depend On Me: The Early Albums is a 2009 double-CD limited release by Motown Records' original vocal group The Miracles, released through Universal's Hip-O Select imprint to coincide with the legendary Motown label's 50th anniversary. In addition, this collection's release also coincided with The Miracles' being honored with a star on the Hollywood Walk of Fame on March 20 of that year.
"A Love She Can Count On" is a 1963 hit single by Motown Records R&B group the Miracles, issued on that label's Tamla subsidiary label. It was taken from their album The Fabulous Miracles, and was the follow-up to the group's million-selling Grammy Hall of Fame inducted tune, "You've Really Got A Hold On Me". The first of three singles released by The Miracles that year, this song was a Billboard Top 40 Pop Hit, peaking at number 31, and missed the Top 20 of its R&B chart by only one position, peaking at number 21.
Motown: The Musical is a jukebox musical that premiered on Broadway in April 2013. The musical is based on Berry Gordy's autobiography To Be Loved: The Music, the Magic, the Memories of Motown (1994), and on the history of his founding and running of the Motown record label, and his personal and professional relationships with Motown artists such as Diana Ross, Smokey Robinson, Marvin Gaye, and Michael Jackson. The production's music and lyrics are taken from selections from the Motown catalog. It received four nominations at the 67th Tony Awards.
