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"Bye Bye Baby" | ||||
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Single by Mary Wells | ||||
from the album Bye Bye Baby I Don't Want to Take a Chance | ||||
B-side | "Please Forgive Me" | |||
Released | September 1960 | |||
Recorded | Hitsville U.S.A., Detroit, Michigan, 1960 | |||
Genre | Soul | |||
Length | 3:00 | |||
Label | Motown | |||
Songwriter(s) | Mary Wells | |||
Producer(s) | Berry Gordy | |||
Mary Wells singles chronology | ||||
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"Bye Bye Baby" is the first single by R&B singer Mary Wells, released in September 1960 on the Motown label. The song was one of Motown's earliest hit singles and showcased a much rougher vocal than the singer had during her later years.
In 1960, Wells, then just 17 years of age, was a nightclub singer who was struggling to make ends meet in Detroit. She aspired to be a songwriter as well, so she wrote a song for fellow Detroiter and R&B singer Jackie Wilson. She saw Berry Gordy while attempting to deliver "Bye Bye, Baby" to Wilson, and asked Gordy to give Wilson her song. But Gordy, having severed ties with Wilson's manager to form Motown, asked Wells to sing it herself for Motown. Mary recorded "Bye Bye Baby" in her version of Jackie Wilson's style. Reports claim that the teen had to record the song 26 times or more, before Gordy had a version he approved for release. According to Detroit music mogul Johnnie Mae Matthews, Wells had come to her with four lines of the song, which Matthews said she finished up. When the song was issued, she didn't get a songwriting credit. [1]
Released in September 1960, the song became an R&B hit reaching number eight on the Billboard R&B singles chart and crossed over to pop stations where it peaked at number forty-five. [2] It was significant as the first single released under one of the Motown subsidiaries nationally after the label's first singles were released through distributing labels such as United Artists.
American all-female rock group Goldie and the Gingerbreads recorded their version in December, 1963 but it was not released until the 1990s.
The song was covered in 1965 by soul singer Betty Everett, in 1966 by Tony Jackson and the Vibrations and in 1979 by rock musician Bonnie Raitt. Wells remade it for her 1968 album, Servin' Up Some Soul . The 1968 re-recording was produced by Bobby Womack. Wells re-recorded it again for her 1983 album I'm a Lady: The Old, New & Best of Mary Wells. Cher performed the song on her "Love Hurts Tour" in 1992. The song was covered in 2001 by The Detroit Cobras.
The song features on the soundtrack for the 1991 film The Commitments, as sung by Maria Doyle Kennedy.
The Supremes were an American female singing group and a premier act of Motown Records during the 1960s. Founded as The Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal group, with 12 number one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. At their peak in the mid-1960s, the Supremes rivaled the Beatles in worldwide popularity, and it is said that their breakthrough made it possible for future African American R&B and soul musicians to find mainstream success. Billboard ranked The Supremes as the 16th greatest Hot 100 artist of all time.
Mary Wilson was an American singer. She gained worldwide recognition as a founding member of The Supremes, the most successful Motown act of the 1960s and the best-charting female group in U.S. chart history, as well as one of the best-selling girl groups of all-time. The trio reached number one on Billboard's Hot 100 with 12 of their singles, ten of which feature Wilson on backing vocals.
Mary Esther Wells was an American singer, who helped to define the emerging sound of Motown in the early 1960s.
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Brenda Holloway is an American singer and songwriter, who was a recording artist for Motown Records during the 1960s. Her best-known recordings are the soul hits, "Every Little Bit Hurts", "When I'm Gone", and "You've Made Me So Very Happy." The latter, which she co-wrote, was later widely popularized when it became a Top Ten hit for Blood, Sweat & Tears. She left Motown after four years, at the age of 22, and largely retired from the music industry until the 1990s, after her recordings had become popular on the British "Northern soul" scene.
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"I Don't Want to Take a Chance" is a single released by Mary Wells in 1961 on the Motown label. It was the second single release from Wells, who hit the charts with her Jackie Wilson-esque "Bye Bye Baby".
"You've Made Me So Very Happy" is a song written by Brenda Holloway, Patrice Holloway, Frank Wilson and Berry Gordy, and was released first as a single in 1967 by Brenda Holloway on the Tamla label. The song was later a huge hit for jazz-rock band Blood, Sweat & Tears in 1969, and became a Gold record.
"When I'm Gone" is a song written by Smokey Robinson and a single he produced twice, one for early Motown star Mary Wells and the other for fellow Motown vocalist Brenda Holloway. Holloway's version became a hit while Wells' was aborted after the singer left the label in 1964.
Bye Bye Baby I Don't Want to Take a Chance is the debut album by Motown recording artist Mary Wells, released on Motown in 1961. The album didn't chart but yielded two hit singles for the teenaged Wells including "Bye Bye Baby", issued in late 1960, and "I Don't Want to Take a Chance", a song written for her by Berry Gordy and Mickey Stevenson. Wells' follow-up album, The One Who Really Loves You, was released in 1962.
"Buttered Popcorn" is a 1961 song written by Motown president Berry Gordy and songwriter Barney Ales, produced by Gordy, and released as a Tamla label single by Motown singing group The Supremes. It was the group's second single after signing with Motown Records as well as their second, and last, single for the Tamla label, before moving to the Motown label.
"Bad Girl" is a 1959 doo-wop single by The Miracles. Issued locally on the Motown Records label, it was licensed to and issued nationally by Chess Records because the fledgling Motown Record Corporation did not, at that time, have national distribution. It was the first single released on the Motown label – all previous singles from the company were released on Motown's Tamla label. Although The Miracles had charted regionally and on the R&B charts with several earlier songs, including "Got a Job", "I Cry", "I Need a Change", and "(You Can) Depend on Me", "Bad Girl" was their first national chart hit, reaching #93 on the Billboard Hot 100. Written by Miracles lead singer Smokey Robinson and Motown Records' President and Founder Berry Gordy, "Bad Girl" is a sad, remorseful ballad about a young woman, whom Robinson, as the narrator, says "was so good at the start", but who later in the song "is breaking my heart". It is in the popular doo-wop style, as several of The Miracles' songs were during the late 1950s. The record's success, coupled with the distributor's failure to pay Gordy and The Miracles properly for its sales, prompted Robinson to urge Gordy to "go national" with it, meaning that Motown should do its own national distribution of its songs, and eliminate the middleman, to ensure that all money from sales of its records would go directly to the label.
"Let Your Conscience Be Your Guide" is the debuting single for singer Marvin Gaye, released as Tamla 54041, in May 1961. It was also the first release off Gaye's debut album, The Soulful Moods of Marvin Gaye, in which most of the material was the singer's failed attempt at making an 'adult' record compared to Motown's younger R&B sound.
Gwen Fuqua was an American businesswoman, songwriter and composer, most notably writing hit songs such as "Lonely Teardrops", "All I Could Do Was Cry" and "Distant Lover". She acquired her full name after marrying Harvey Fuqua and kept the name after their divorce.
The Gordys are an African-American family of businesspeople and music industry executives. They were born to Georgia-reared parents Berry "Pops" Gordy Sr. and Bertha Fuller Gordy and raised in Detroit, where most of the siblings played a pivotal role in the international acceptance of rhythm and blues music as a crossover phenomenon in the 1960s. The accomplishment is attributable to the creation of Motown, a company founded by the seventh-oldest sibling, Berry Gordy Jr.
Johnnie Mae Matthews was an American blues and R&B singer, songwriter, and record producer from Bessemer, Alabama. Known as the "Godmother of Detroit Soul" and as the first African American female to own and operate her own record label she was an early influence on the careers of many of the now-famous recording stars who began their careers in Detroit, Michigan such as Otis Williams, David Ruffin, and Richard Street of the Temptations, Jimmy Ruffin, Joe Hunter of the Funk Brothers Band, Richard Wylie, Norman Whitfield, Berry Gordy, founder of Motown Records, Timmy Shaw, Barbara Lewis, Bettye LaVette and many more.