Martha and the Vandellas were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown.
Mary Wilson was an American singer. She gained worldwide recognition as a founding member of The Supremes, the most successful Motown act of the 1960s and the best-charting female group in U.S. chart history, as well as one of the best-selling girl groups of all-time. The trio reached number one on Billboard's Hot 100 with 12 of their singles, ten of which feature Wilson on backing vocals.
Mary Esther Wells was an American singer, who helped to define the emerging sound of Motown in the early 1960s.
The Andantes were an American female session group for the Motown record label during the 1960s. Composed of Jackie Hicks, Marlene Barrow, and Louvain Demps, the group sang background vocals on numerous Motown recordings, including songs by Martha Reeves & the Vandellas, the Temptations, Stevie Wonder, the Four Tops, Jimmy Ruffin, Edwin Starr, the Supremes, the Marvelettes, Marvin Gaye and the Isley Brothers, among others. It is estimated they appeared on 20,000 recordings.
Together is the first and only studio album released by the duo team of American Motown artists Marvin Gaye and Mary Wells. It was released on the Motown label on April 15, 1964. The album brought together the rising star Gaye with Wells, an established star with a number-one pop hit to her name, singing mostly standards and show tunes, in the hopes that Gaye would benefit from the exposure.
Where Did Our Love Go is the second studio album by Motown singing group the Supremes, released in 1964. The album includes several of the group's singles and B-sides from 1963 and 1964. Included are the group's first Billboard Pop Singles number-one hits, "Where Did Our Love Go", "Baby Love", and "Come See About Me", as well as their first Top 40 hit, "When the Lovelight Starts Shining Through His Eyes", and the singles "A Breathtaking Guy" and "Run, Run, Run".
More Hits by The Supremes is the sixth studio album by Motown singing group the Supremes, released in 1965. The album includes two number-one hits: "Stop! In the Name of Love" and "Back in My Arms Again", as well as the Top 20 single "Nothing but Heartaches".
Diana Ross & the Supremes: Greatest Hits is a two-LP collection of singles and b-sides recorded by The Supremes, released by Motown in August 1967. The collection was the first LP to credit the group under the new billing Diana Ross & the Supremes. Although founding member Florence Ballard is pictured on all album artwork and sings on all the tracks, by the time the set was released, she had been fired from the group and replaced by Cindy Birdsong.
Away We a Go-Go is a 1966 album by Smokey Robinson & the Miracles. The album features the singles "(Come 'Round Here) I'm the One You Need", a Billboard top 20 Pop hit, written and produced by Holland-Dozier-Holland; and "Whole Lot of Shakin' in My Heart ", written and produced by Frank Wilson. The album uses a different take of "I'm the One You Need" than what was issued on the single. A third single was planned for release from this album, the tune "More, More, More ", cataloged as Tamla T-54005, but the single was never released. It was later covered by the regional group Bob Brady and The Con Chords. Another single from this album, the Stevie Wonder/Ivy Jo Hunter composition of "Can You Love a Poor Boy", was released to radio stations as a special Disc Jockey Advanced Single, Tamla T-540, but was never given an official catalog number for general release. It too, inspired cover versions by Gil Bernal and Ronnie Walker.
Greatest Hits from the Beginning is a compilation double LP by The Miracles released in 1965. This was the first double album ever released by the Motown Record Corporation. It covers most of the group's hits from their pre-1965 albums, such as "Shop Around", "Who's Lovin’ You", "You've Really Got A Hold On Me" and "Mickey's Monkey", as well as the non-album singles from 1964: "I Like It Like That" and "That's What Love Is Made Of". The album was a success, reaching #21 on the Billboard Pop Album Chart. It was also the first Miracles album to chart on the Billboard R&B Album chart, where it was an even bigger success, peaking at #2.
"Your Heart Belongs to Me" is a 1962 song written and composed by The Miracles' William "Smokey" Robinson and released as a single by Motown singing group The Supremes during their early years with the label. The song is about a woman whose lover is in the armed forces and has "Gone to a far-away land"; its narration has her tell him to always remember their love for each other if he ever gets lonely.
"A Breathtaking Guy" is a 1963 song written and produced by Smokey Robinson and released first by Motown singing group The Supremes (1963) and later by The Marvelettes (1972). The single was originally released under the title "A Breath Taking, First Sight Soul Shaking, One Night Love Making, Next Day Heartbreaking Guy" by The Supremes, but was shortened after its official release. All three Supremes members - Diana Ross, Florence Ballard and Mary Wilson - sang the chorus with the original title together.
Bye Bye Baby I Don't Want to Take a Chance is the debut album by Motown recording artist Mary Wells, released on Motown in 1961. The album didn't chart but yielded two hit singles for the teenaged Wells including "Bye Bye Baby", issued in late 1960, and "I Don't Want to Take a Chance", a song written for her by Berry Gordy and Mickey Stevenson. Wells' follow-up album, The One Who Really Loves You, was released in 1962.
Mary Wells Sings My Guy is the fourth studio album and fifth overall album released by Motown vocalist Mary Wells. The album features her signature hit of the same name and the proposed singles "Whisper You Love Me Boy" and "He's the One I Love", the latter later re-recorded by Tammi Terrell during her own brief Motown tenure. It turned out to be the last studio effort Wells released for Motown as she left the label that year for 20th Century Fox Records.
Vintage Stock is a compilation album consisting of hit singles, b-sides and unreleased material recorded by Mary Wells during the R&B singer's tenure at Motown. It was released two years after she departed from the label.
The Old, The New & The Best of Mary Wells is a 1983 album released by Motown singer Mary Wells on the independent label Allegiance Records. Tapping in on her stature as a sixties legend, Wells decided to re-record several of her classic Motown songs, adding in a new wavish sound. The album was produced by Wayne Henderson who would go on to produce Rebbie Jackson's 1984 album Centipede. Only one single was released in the UK, the rerecording of "My Guy", as an extended 12" version that failed to chart. The album was rereleased on CD in 1987 featuring 5 unreleased tracks recorded during the same sessions.
"Mickey's Monkey" is a 1963 song recorded by the R&B group the Miracles on Motown Records' Tamla label. It was written and produced by Motown's main songwriting team of Brian Holland, Lamont Dozier, and Eddie Holland, who later went on to write two more Miracles hit singles, the Top 40 "I Gotta Dance to Keep From Crying", and the Top 20 "(Come 'Round Here) I'm The One You Need". This was an unusual writing situation for the Miracles, as most of their songs were composed by the group members themselves.
"Whisper You Love Me Boy" is a song written and composed by Holland–Dozier–Holland and recorded by at least three Motown female acts: early Motown star Mary Wells, popular Motown singing group The Supremes and blue-eyed soul Motown label mate Chris Clark in 1964, 1965 and 1967 respectively.
"I Like It Like That" was a 1964 hit song by Motown group The Miracles on its Tamla label subsidiary. This is not the Chris Kenner hit song of the same name but a Miracles original, written by Miracles members Smokey Robinson and Marv Tarplin, and is included on the group's first greatest hits album, Greatest Hits from the Beginning. It was also the title song from their deleted 1964 album of the same name.
I Like It Like That is an album by Motown group the Miracles, compiled for the UK market and released on the UK Tamla-Motown label as one of its initial group of six albums in March 1965. There was no equivalent album to this in the USA. It is known as the Miracles' "forgotten album".
