| Relativity Suite | ||||
|---|---|---|---|---|
 | ||||
| Studio album by Don Cherry and the Jazz Composer's Orchestra | ||||
| Released | 1973 | |||
| Recorded | February 14, 1973 | |||
| Studio | Blue Rock Studio, New York | |||
| Genre | Jazz | |||
| Length | 33:22 | |||
| Label | JCOA | |||
| Producer | Don Cherry, Jazz Composer's Orchestra | |||
| Jazz Composer's Orchestra chronology | ||||
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| Don Cherry chronology | ||||
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Relativity Suite is a free-jazz LP by Don Cherry on Jazz Composer's Orchestra Records which was released in 1973.
Having appeared on the first two JCOA records by Michael Mantler and Carla Bley, Cherry was commissioned to write the third one in 1970. He used many of the same musicians who contributed to the first two records and molded into a suite a string of the pieces he'd been composing and performing in the previous few years. Studying with Pandit Pran Nath, Cherry was increasingly using Indian karnatic singing in his recordings and concerts and he starts the album with a similarly derived chant." [1]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| The Rolling Stone Jazz Record Guide | [3] |
| Tom Hull – on the Web | B+ [4] |
Jazz critic Scott Yanow wrote: "Highlights include Selene Fung's lovely work on the guzheng, a Chinese koto-like instrument, and Ed Blackwell's exuberant New Orleans marching patterns on the concluding number. While not as breathtaking or cohesive as his Eternal Rhythm , Relativity Suite almost matches that release in its first half and contains many a worthwhile joy." [5]
In a New York Times review of a live performance preceding the recording session, John S. Wilson described the music as "a mixture of charming, folklike melodies with a distinctly African tinge, of strong, compelling rhythms and, as occasional counter point, excursions into the clamorous, shrieking fury characteristic of avant-garde jazz." He stated: "The work itself and Mr. Cherry's conception of its presentation are so kaleidoscopic that a single hearing is simply an introduction to the materials used. It is music that can, and should, be heard repeatedly, not only for the variations that Mr. Cherry develops from performance to performance, but also for the rich lode of lyrical beauty and rhythmic stimulation with which he has filled it." [6]
Writing for The Free Jazz Collective, Stef Gijssels noted that, with Relativity Suite, "Instrumental perfection and precision were not [Cherry's] primary focus, but rather the creation of a sonic universe that was new, global, inclusive with the ambition to create something universal and spiritual, not imposed out of some cerebral and abstract concept, but grown organically from the already existing sounds of many cultures." [7]
Donald Eugene Cherry was an American jazz trumpeter. Beginning in the late 1950s, he had a long tenure performing in the bands of saxophonist Ornette Coleman, as on the pioneering free jazz albums The Shape of Jazz to Come (1959) and Free Jazz: A Collective Improvisation (1960). Cherry also collaborated separately with musicians such as John Coltrane, Charlie Haden, Sun Ra, Ed Blackwell, the New York Contemporary Five, and Albert Ayler.
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in the key of E♭, smaller than the B♭ tenor but larger than the B♭ soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz.
Time/Life (subtitled (Song for the Whales and Other Beings)) is an album by Charlie Haden's Liberation Music Orchestra arranged by composer and pianist Carla Bley and released on the Impulse! label in 2016. It features two tracks from Haden's final live performance with the Orchestra along with additional studio recordings completed after his death.
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Escalator over the Hill is mostly referred to as a jazz opera, but it was released as a "chronotransduction", with "words by Paul Haines, adaptation and music by Carla Bley, production and coordination by Michael Mantler", performed by the Jazz Composer's Orchestra.
Liberation Music Orchestra is a band and jazz album by Charlie Haden released in 1970, Haden's first as a band leader.
The Ballad of the Fallen is a jazz album by bassist Charlie Haden, with arrangements by Carla Bley, that was recorded in 1982 and released in 1983. The album was voted jazz album of the year in Down Beat magazine's 1984 critic's poll. Haden and Carla Bley placed first in that 1984 poll's “Acoustic Bass” and “Composer” categories, respectively.
Andy Sheppard is a British jazz saxophonist and composer. He has been awarded several prizes at the British Jazz Awards, and has worked with some notable figures in contemporary jazz, including Gil Evans, Carla Bley, George Russell and Steve Swallow. In 2019 he was presented the degree of Doctor of Music honoris causa by the University of Bristol.
Carlos Ward is a funk and jazz alto saxophonist and flautist. He is best known as a member of the Funk and disco band BT Express as well as a jazz sideman.
The Jazz Composer's Orchestra was an American jazz group, founded by Carla Bley and Michael Mantler in 1965, to perform orchestral avant-garde jazz.
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The Jazz Composer's Orchestra is a 1968 album by the Jazz Composer's Orchestra recorded over a period of six months with Michael Mantler as composer, leader and producer. Many of the key figures in avant-garde jazz from the time contributed on the album including Don Cherry, Pharoah Sanders, Gato Barbieri, Larry Coryell, Roswell Rudd, and Carla Bley. The album's finale features a two-part concerto for Cecil Taylor and orchestra.
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City of Glass, an album originally issued as a 10" LP by Stan Kenton, consists entirely of the music of Bob Graettinger. The original album has been reconstituted in different LP re-issues, and the entire set of Kenton/Graettinger Capitol Records sessions is on the digital CD City of Glass.
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Actions is a live album featuring debut performances of works by composer Krzysztof Penderecki and trumpeter and composer Don Cherry. It was recorded on October 17, 1971, at the Donaueschingen Festival in Donaueschingen, Germany, and was released on LP later that year by Philips. The music was performed by an ensemble called The New Eternal Rhythm Orchestra, composed of top European improvisors. In 1998, the album was reissued on CD by Transparency Records. It was remastered and reissued again in 2001 by Intuition Records.
The Summer House Sessions is a live album by trumpeter Don Cherry. It was recorded in July 1968 at the summer home of musician and recording engineer Göran Frees in Kummelnäs, Nacka, Sweden, after Frees invited Cherry to visit for a series of jam sessions and rehearsals.
Om Shanti Om is a live album by multi-instrumentalist Don Cherry. It was recorded in 1976 at RAI Studios in Rome, Italy, for television broadcast, and was released in 2020 by Black Sweat Records. On the album, Cherry is heard on pocket trumpet, ngoni, kora, and flute, and is joined by Naná Vasconcelos on berimbau, Gian Piero Pramaggiore on guitar, and his wife Moki Cherry on tambura.
