| Art Deco | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1989 | |||
| Recorded | August 27, 28, and 30, 1988 | |||
| Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
| Genre | Jazz | |||
| Length | 55:44 | |||
| Label | A&M | |||
| Producer | John Snyder | |||
| Don Cherry chronology | ||||
| ||||
Art Deco is an album by jazz trumpeter Don Cherry recorded in 1988 and released on the A&M label. [1] His quartet played at the Village Vanguard before recording the album. [2]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [3] |
| Tom Hull – on the Web | A− [4] |
The AllMusic review by Scott Yanow awarded the album 4 stars stating "this set is quite accessible and finds all of the musicians in top form". [3]
Writer Michael Stephans called the album "surprisingly traditional-sounding," and commented: "The session is quite relaxed, and... all four musicians are at the top of their game." [5]
All compositions by Don Cherry except where noted
Randolph Denard Ornette Coleman was an American jazz saxophonist, trumpeter, violinist, and composer. He was best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering works often abandoned the harmony-based composition, tonality, chord changes, and fixed rhythm found in earlier jazz idioms. Instead, Coleman emphasized an experimental approach to improvisation, rooted in ensemble playing and blues phrasing. AllMusic called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud."
The Shape of Jazz to Come is the third album by jazz musician Ornette Coleman. Released on Atlantic Records in 1959, it was his debut on the label and his first album featuring the working quartet including himself, trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins. The recording session for the album took place on May 22, 1959, at Radio Recorders in Hollywood, California. Although Coleman initially wished for the album to be titled Focus on Sanity after the LP's fourth track, Atlantic producer Nesuhi Ertegun suggested the final title, feeling that it would give consumers "an idea about the uniqueness of the LP."
Old and New Dreams was an American jazz group that was active from 1976 to 1987. The group was composed of tenor saxophone player Dewey Redman, bassist Charlie Haden, trumpeter Don Cherry and drummer Ed Blackwell. All of the members were former sidemen of free jazz progenitor and alto saxophonist Ornette Coleman, and the group played a mix of Coleman's compositions and originals by the band members.
In All Languages is a 1987 double album by Ornette Coleman. Coleman and the other members of his 1950s quartet, trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins, performed on one of the two records, while his electrified ensemble, Prime Time, performed on the other. Many of the songs on In All Languages had two renditions, one by each group.
Free Jazz: A Collective Improvisation is the sixth album by jazz saxophonist and composer Ornette Coleman, released on Atlantic Records in September 1961: the fourth of Coleman's six albums for the label. Its title named the then-nascent free jazz movement. The recording session took place on December 21, 1960, at A&R Studios in New York City. The sole outtake from the album session, "First Take," was later released on the 1971 compilation Twins and subsequent CD reissues of Free Jazz.
Something Else!!!! is the debut album by jazz saxophonist Ornette Coleman. It was released by Contemporary Records in September 1958. According to AllMusic, the album "shook up the jazz world", revitalizing the union of blues and jazz and restoring "blues to their 'classic' beginnings in African music". It is unusual in Coleman's output in that it features a conventional bebop quintet instrumentation ; after this album, Coleman would omit the piano, creating a starker and more fluid sound.
Tribute is an album by American jazz drummer Paul Motian recorded in May 1974 and released on ECM later that year—Motian's second for the label. The quintet features alto saxophonist Carlos Ward, guitarists Paul Metzke and Sam Brown, and bassist Charlie Haden.
Soapsuds, Soapsuds is an album of duets by saxophonist/trumpeter Ornette Coleman and bassist Charlie Haden recorded in 1977 and released on the Artists House label.
Archie Shepp & the New York Contemporary Five is a live album by the New York Contemporary Five recorded at the Jazzhus Montmartre in Copenhagen, Denmark, on November 15, 1963, and featuring saxophonists Archie Shepp and John Tchicai, trumpeter Don Cherry, bassist Don Moore and drummer J. C. Moses. The album was originally released on the Sonet label in 1964 as New York Contemporary 5 in two separate volumes on LP and later as an edited concert on a single CD, removing the track "Cisum."
Ornette! is the seventh album by alto saxophonist and composer Ornette Coleman, released in February 1962 on Atlantic Records. The album features Scott LaFaro in place of Charlie Haden, who had left the Quartet but would work again with Coleman in the future.
Old and New Dreams is the self-titled second album by jazz quartet Old and New Dreams, recorded in 1979 and released on ECM later that year. The quintet features trumpeter Don Cherry, saxophonist Dewey Redman, and rhythms section Charlie Haden and Ed Blackwell—their debut, released on Black Saint, was also self titled.
Playing is a live album by American jazz quartet Old and New Dreams recorded at the Cornmarket Theater in Austria and released on ECM the following year. The quartet consists brass section Don Cherry and Dewey Redman and rhythm section Charlie Haden and Ed Blackwell.
A Tribute to Blackwell is a live album by jazz quartet Old and New Dreams. Recorded in 1987, it features trumpeter Don Cherry, saxophonist Dewey Redman, bassist Charlie Haden and drummer Ed Blackwell. It was released on the Italian Black Saint label.
Broken Shadows is an album by the American jazz saxophonist and composer Ornette Coleman recorded in 1971, at the same sessions that produced Science Fiction, but not released on the Columbia label until 1982.
The Golden Number is an album of four duets by bassist Charlie Haden recorded in 1976 and released on the Horizon label in 1977. Haden’s duet partners are trumpeter Don Cherry, tenor saxophonist Archie Shepp, pianist Hampton Hawes and alto saxophonist Ornette Coleman. Hawes died shortly before the album’s release, and Haden dedicated the work to him in the liner notes.
The Montreal Tapes: with Don Cherry and Ed Blackwell is a live album by the American jazz bassist Charlie Haden with trumpeter Don Cherry and drummer Ed Blackwell recorded at the Montreal International Jazz Festival in 1989 and released on the Verve label.
Friends and Neighbors: Live at Prince Street is a live album by the American jazz saxophonist and composer Ornette Coleman recorded in 1970 and released on the Flying Dutchman label.
Live at the Hilcrest Club 1958 is a live album by pianist Paul Bley, saxophonist Ornette Coleman, trumpeter Don Cherry, drummer Billy Higgins and bassist Charlie Haden recorded in California in 1958 and released on the Inner City label in 1976. The album was the first live recording of Ornette Coleman, made shortly after he recorded his first album, Something Else!!!! and featuring the group that would soon record the Atlantic albums The Shape of Jazz to Come (1959) and Change of the Century (1960).
Coleman Classics Volume 1 is a live album by pianist Paul Bley, saxophonist Ornette Coleman, trumpeter Don Cherry, drummer Billy Higgins and bassist Charlie Haden recorded in California in 1958 and released Bley's on the Improvising Artists label in 1977. The album is an early live recording of Ornette Coleman, made shortly after his first album, Something Else!!!! and featuring the group that would soon record the Atlantic albums The Shape of Jazz to Come (1959) and Change of the Century (1960).
The Complete Science Fiction Sessions is a two-CD compilation album by Ornette Coleman. Released by Columbia Records in 2000, it brings together tracks recorded during September and October 1971 and September 1972 sessions at Columbia Studios in New York City. The album includes all of the music that was originally issued on Science Fiction and Broken Shadows, along with previously unreleased material. On the album, Coleman is joined by a core group of long-time associates consisting of trumpeters Don Cherry and Bobby Bradford, saxophonist Dewey Redman, double bassist Charlie Haden, and drummers Billy Higgins and Ed Blackwell. Guest artists include guitarist Jim Hall, pianist Cedar Walton, trumpeters Carmine Fornarotto and Gerard Schwarz, and vocalists David Henderson, Asha Puthli, and Webster Armstrong.
