This is the complete discography of Rephlex Records.
Intelligent dance music (IDM) is a style of electronic music originating in the early 1990s, defined by idiosyncratic experimentation rather than specific genre constraints. The music often described with the term originally emerged in the early 1990s from the culture and sound palette of styles of electronic dance music such as acid house, ambient techno, Detroit techno and breakbeat; it has been regarded as better suited to home listening than dancing. Prominent artists in the style include Aphex Twin, Autechre, Squarepusher, μ-Ziq, the Black Dog and the later duo Plaid, as well as earlier acts such as the Future Sound of London and Orbital.
Rephlex Records was a record label launched in 1991 in Cornwall by electronic musician Richard D. James and Grant Wilson-Claridge. The label coined the term braindance to describe the output of Aphex Twin and fellow artists.
Luke Vibert is a British electronic musician and producer, also known for his work under several aliases such as Plug and Wagon Christ. Raised in Cornwall, Vibert began releasing projects in the 1990s across varied genres, including techno, drum and bass, and trip hop. He has recorded on labels such as Rephlex, Ninja Tune, Planet Mu, and Warp.
808 State are an English electronic music group formed in 1987 in Manchester by Graham Massey, Martin Price and Gerald Simpson. Taking their name from the Roland TR-808 drum machine and the "state of mind" the members shared, they released their debut album Newbuild in September 1988 and secured commercial success in 1989, when their song "Pacific State" was picked up by BBC Radio 1 DJ Gary Davies and charted for 11 weeks in the UK.
Leila Arab, professionally known as Leila, is an Iranian-born record producer and DJ based in London, England. She has released music on the labels Rephlex, XL and Warp. She has also worked extensively with Icelandic singer Björk.
Feed Me Weird Things is the debut studio album by English electronic musician Tom Jenkinson under the alias Squarepusher. It was released on 3 June 1996 through Rephlex Records.
Analord is a series of eleven 12" vinyl records by the electronic music artist Richard D. James, most of which are released under the alias AFX. The series, released in 2005, marked James's return to primarily analogue equipment following his computer-oriented programming work in the late 1990s. After their release, James "distilled" the 3½-hour, 42-track series into the 10-track compilation album Chosen Lords (2006), effectively his first full-length release since the 2001 album Drukqs.
Chris Jeffs, known by the stage name Cylob, is a British electronic musician and producer. He has produced seven albums, three compilations and a number of remixes. Previously signed to Rephlex records, Jeffs started his own digital label Cylob Industries in 2007.
Michael Cullen, aka Mike Dred, is a British experimental techno DJ, producer, and sound engineer, best known for his work in acid techno, and his use of the Roland TB-303.
Black Devil, or Black Devil Disco Club, is an electronic disco music project by Bernard Fevre, a French musician who also released synthesizer compositions on library music albums under his own name and under the alias Milpatte.
Kevin Richard Martin, often known under his recording alias The Bug, is an English musician and music producer. Martin moved from Weymouth to London around 1990 and is now currently based in mainland Europe. He has been active for over three decades in the genres of dub, jazzcore, industrial hip hop, dancehall, and dubstep.
Brian Robert Dougans is a Scottish musician and composer who is a member of the British electronic duo the Future Sound of London (FSOL).
Bradley's Beat is an EP by Richard D. James, under the alias Bradley Strider, released by Rephlex Records in 1995.
Steve Goodman, known as Kode9 is a Scottish electronic music artist, DJ, and founder of the Hyperdub record label. He was one of the founding members of the early dubstep scene with his late collaborator The Spaceape. He has released four full-length albums: 2006's Memories of the Future and 2011's Black Sun, Nothing (2015), Escapology and Astro-Darien (2022).
Eurotechno refers to the musical soundtrack by English group Stakker for their 1989 experimental short film of the same name. The original film was an avant-garde experiment and features rapidly shifting colourful computer graphics, reflecting the influence of rave culture. Although the visuals of the film were primarily the work of Stakker members Marek Pytel, Mark McClean and Colin Scott, the musical soundtrack was largely the work of Brian Dougans, later of The Future Sound of London. The 25-minute soundtrack was recorded using a Roland TB-303, and reflects the fast-shifting momentum of the film by incorporating fragmented elements of acid house, Chicago house and Detroit techno that shift after their brief appearances, thus contributing to an intricately layered style.
Sessions 84–88 is a compilation album released in 2003 alongside Eurotechno on the Rephlex label. Brian Dougans, under the alias Humanoid; it is mostly experimental in nature and similar to the Stakker Humanoid release from Dougans also; Sessions also includes a remix of that track.
Richard David James, known professionally as Aphex Twin, is a British musician, record producer, composer and DJ. He is known for his idiosyncratic work in electronic styles such as techno, ambient and jungle. Journalists from publications including Mixmag, The New York Times, NME, Fact,Clash and The Guardian have called James one of the most influential and important artists in contemporary electronic music.
Bogdan W. Raczynski is a Polish-American electronic musician. Associated with the intelligent dance music (IDM) movement, Raczynski counts jungle, hardcore and traditional Polish music among his inspirations.
Analogue Bubblebath 5 is an unreleased EP by the British electronic music artist and producer Richard D. James, under the alias of AFX. The record was recorded in 1995 consisting of nine tracks, and had been intended for release on James' own label, Rephlex Records, as the fifth installment in his Analogue Bubblebath series. However, James decided that it was not up to par with the others in the series, so it never made it past the test pressing stage. Only 20 copies of the record were produced.