Feed Me Weird Things

Last updated

Feed Me Weird Things
Squarepusher.feedmeweirdthings.jpg
Studio album by
Released3 June 1996 (1996-06-03)
RecordedDecember 1994 – February 1996
Genre
Length66:27
Label Rephlex
Producer Tom Jenkinson
Squarepusher chronology
Bubble and Squeak
(1996)
Feed Me Weird Things
(1996)
Squarepusher Plays...
(1996)

Feed Me Weird Things is the debut studio album by English electronic musician Tom Jenkinson under the alias Squarepusher. It was released on 3 June 1996 through Rephlex Records. It entered the dance albums chart at No. 10 on 15 June. [1]

Contents

The album received positive reviews from critics and has been retrospectively cited as a landmark release in the drill 'n' bass subgenre. A 25th anniversary remastered edition was released on 4 June 2021 by Warp.

Background and production

Around late 1994, Tom Jenkinson started experimenting with breakbeats and implementing them with the electronic music he produced. The earliest of his songs to use this style of music was released on the Spymania label. [2] Tom Jenkinson produced the tracks on Feed Me Weird Things from December 1994 to February 1996, while he was a student at Chelsea College of Art and Design. [3] He used his student loans to purchase much of the equipment that he utilised in recording the album. [3]

Richard D. James (also known as Aphex Twin), who co-founded Rephlex Records (where the album was originally released), selected the tracks that appeared on the final album. [3] The tracks were mastered by Paul Solomons at the studio Porky's. [3]

Title and packaging

According to Jenkinson, the title Feed Me Weird Things was inspired by a conversation with Steve Beckett, a co-founder of the label Warp, "in which he told me about his girlfriend who would ask him to 'feed me drum & bass'." [3] Jenkinson collaborated on the artwork for Feed Me Weird Things with Johnny Clayton. [4]

The packaging for the album features various photographs taken by Jenkinson at different London locations in February 1996, [3] which were subsequently edited by Clayton. [4] The front cover photograph was taken inside a job centre in Palmers Green. [3] The album's liner notes were penned by Richard D. James. [5]

Release

Feed Me Weird Things was released on 3 June 1996 by Rephlex Records. [6] It entered the dance albums chart at No.10 on 15 June. [1] On 4 June 2021, Warp released a remastered edition of Feed Me Weird Things for the album's 25th anniversary. [7] [8]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [9]
Mojo Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [10]
Muzik 5/5 [11]
NME 8/10 [12]
Pitchfork 8.0/10 [13]
PopMatters 8/10 [14]
Record Collector Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [15]
The Rolling Stone Album Guide Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [16]
Uncut 8/10 [17]

Muzik 's Calvin Bush praised Feed Me Weird Things as "the kind of album Miles Davis might have made if he had been wired into breakbeats, Aphex Twin and Ninja Tune." [11] Ben Willmott of NME deemed it Jenkinson's "most consistently varied, bedazzling and rounded deposit to date." [12] New York Times critic Neil Strauss said that Jenkinson "deftly combines the laid-back cool of fusion jazz with the frenetic intensity of drum-and-bass" and "makes one realize just how wide a window of opportunity for musicians drum-and-bass has opened." [18] At the end of 1996, The Wire named Feed Me Weird Things one of the year's 50 best records. [19]

Writing for Spin , Ken Micallef said that with Feed Me Weird Things and its follow-up Hard Normal Daddy (1997), Jenkinson "did to jungle what Frank Zappa did to rock—satirized its excesses with a maze of neurotic, scurrying notes, while adding a nerdy musicality that practically invented a new genre." [20] AllMusic credited the 1996 releases of Feed Me Weird Things and Plug's Drum 'n' Bass for Papa as catalysts for the popularisation of the drill 'n' bass subgenre. [21] Ben Cardew of Pitchfork called Feed Me Weird Things "a time capsule of the era's drill'n'bass and jazzy jungle" that demonstrated Jenkinson's innovative fusion of "the maximal drum programming of drum'n'bass" with live fretless bass guitar playing. [13] AllMusic's Paul Simpson wrote that the album showed that Jenkinson "was capable of doing things nobody else had dreamt of before, and it still holds some of his all-time best material." [9] San Diego Union-Tribune journalist AnnaMaria Stephens cited Feed Me Weird Things as one of the most important IDM albums. [22] In 2007, The Guardian listed it as one of "1000 Albums to Hear Before You Die". [23]

Track listing

All tracks are written by Tom Jenkinson

No.TitleLength
1."Squarepusher Theme"6:20
2."Tundra"7:53
3."The Swifty"5:18
4."Dimotane Co"4:53
5."Smedleys Melody"2:32
6."Windscale 2"6:35
7."North Circular"6:07
8."Goodnight Jade"2:45
9."Theme from Ernest Borgnine"7:55
10."U.F.O.'s over Leytonstone"6:37
11."Kodack"7:13
12."Future Gibbon"2:19
Total length:66:27
Japanese [24] and 25th anniversary [7] edition bonus tracks
No.TitleLength
13."Theme from Goodbye Renaldo"6:01
14."Deep Fried Pizza"3:49
Total length:76:17

Charts

Chart (1996)Peak
position
UK Dance Albums (OCC) [25] 10
Chart (2021)Peak
position
Dutch Vinyl Albums (Dutch Charts) [26] 14
Japanese Albums (Oricon) [27] 87
Japanese Top Albums Sales ( Billboard Japan ) [28] 78
Scottish Albums (OCC) [29] 16
UK Albums Sales (OCC) [30] 12
UK Dance Albums (OCC) [31] 2
UK Independent Albums (OCC) [32] 4

Related Research Articles

Intelligent dance music (IDM) is a style of electronic music originating in the early 1990s, defined by idiosyncratic experimentation rather than specific genre constraints. It emerged from the culture and sound palette of electronic styles such as ambient techno, acid house, Detroit techno and breakbeat; it has been regarded as better suited to home listening than dancing. Prominent artists associated with it include Aphex Twin, Autechre, Squarepusher, Boards of Canada, Amon Tobin, Higher Intelligence Agency, Telefon Tel Aviv, μ-Ziq, The Black Dog, The Future Sound of London, Mouse on Mars, Biosphere, Orbital and Luke Vibert.

<span class="mw-page-title-main">Rephlex Records</span> English record label

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<span class="mw-page-title-main">Squarepusher</span> British musician

Thomas Russell Jenkinson, known professionally as Squarepusher, is an English electronic musician, record producer, bassist, multi-instrumentalist and DJ. His music spans several genres including drum and bass, IDM, acid techno, jazz fusion, and electroacoustic music. His recordings are often typified by a combination of complex drum programming, live instrumental playing, and digital signal processing. Since 1995, he has recorded for Warp Records as well as smaller labels, including Rephlex Records. He is the older brother of Ceephax Acid Crew.

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Luke Vibert is a British electronic musician and producer, also known for his work under several aliases such as Plug and Wagon Christ. Raised in Cornwall, Vibert began releasing projects in the 1990s across varied genres, including techno, drum and bass, and trip hop. He has recorded on labels such as Rephlex, Ninja Tune, Planet Mu, and Warp.

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Michael Robert Paradinas, better known by his stage name μ-Ziq, is an English electronic musician from Wimbledon, London. He was associated with the electronic style intelligent dance music (IDM) during the 1990s, and recorded on Rephlex Records and Reflective Records. His critically acclaimed 1997 album, Lunatic Harness, helped define the drill 'n' bass subgenre and was also his most successful release, selling over 100,000 copies. Paradinas founded the record label Planet Mu, begun in 1995, where he has championed genres such as juke, IDM and footwork.

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