Feed Me Weird Things | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 3 June 1996 | |||
Recorded | December 1994 – February 1996 | |||
Genre | ||||
Length | 66:27 | |||
Label | Rephlex | |||
Producer | Tom Jenkinson | |||
Squarepusher chronology | ||||
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Feed Me Weird Things is the debut studio album by English electronic musician Tom Jenkinson under the alias Squarepusher. It was released on 3 June 1996 through Rephlex Records. It entered the dance albums chart at No. 10 on 15 June. [1]
The album received positive reviews from critics and has been retrospectively cited as a landmark release in the drill 'n' bass subgenre. A 25th anniversary remastered edition was released on 4 June 2021 by Warp.
Around late 1994, Tom Jenkinson started experimenting with breakbeats and implementing them with the electronic music he produced. The earliest of his songs to use this style of music was released on the Spymania label. [2] Tom Jenkinson produced the tracks on Feed Me Weird Things from December 1994 to February 1996, while he was a student at Chelsea College of Art and Design. [3] He used his student loans to purchase much of the equipment that he utilised in recording the album. [3]
Richard D. James (also known as Aphex Twin), who co-founded Rephlex Records (where the album was originally released), selected the tracks that appeared on the final album. [3] The tracks were mastered by Paul Solomons at the studio Porky's. [3]
According to Jenkinson, the title Feed Me Weird Things was inspired by a conversation with Steve Beckett, a co-founder of the label Warp, "in which he told me about his girlfriend who would ask him to 'feed me drum & bass'." [3] Jenkinson collaborated on the artwork for Feed Me Weird Things with Johnny Clayton. [4]
The packaging for the album features various photographs taken by Jenkinson at different London locations in February 1996, [3] which were subsequently edited by Clayton. [4] The front cover photograph was taken inside a job centre in Palmers Green. [3] The album's liner notes were penned by Richard D. James. [5]
Feed Me Weird Things was released on 3 June 1996 by Rephlex Records. [6] It entered the dance albums chart at No.10 on 15 June. [1] On 4 June 2021, Warp released a remastered edition of Feed Me Weird Things for the album's 25th anniversary. [7] [8]
Review scores | |
---|---|
Source | Rating |
AllMusic | [9] |
Mojo | [10] |
Muzik | 5/5 [11] |
NME | 8/10 [12] |
Pitchfork | 8.0/10 [13] |
PopMatters | 8/10 [14] |
Record Collector | [15] |
The Rolling Stone Album Guide | [16] |
Uncut | 8/10 [17] |
Muzik 's Calvin Bush praised Feed Me Weird Things as "the kind of album Miles Davis might have made if he had been wired into breakbeats, Aphex Twin and Ninja Tune." [11] Ben Willmott of NME deemed it Jenkinson's "most consistently varied, bedazzling and rounded deposit to date." [12] New York Times critic Neil Strauss said that Jenkinson "deftly combines the laid-back cool of fusion jazz with the frenetic intensity of drum-and-bass" and "makes one realize just how wide a window of opportunity for musicians drum-and-bass has opened." [18] At the end of 1996, The Wire named Feed Me Weird Things one of the year's 50 best records. [19]
Writing for Spin , Ken Micallef said that with Feed Me Weird Things and its follow-up Hard Normal Daddy (1997), Jenkinson "did to jungle what Frank Zappa did to rock—satirized its excesses with a maze of neurotic, scurrying notes, while adding a nerdy musicality that practically invented a new genre." [20] AllMusic credited the 1996 releases of Feed Me Weird Things and Plug's Drum 'n' Bass for Papa as catalysts for the popularisation of the drill 'n' bass subgenre. [21] Ben Cardew of Pitchfork called Feed Me Weird Things "a time capsule of the era's drill'n'bass and jazzy jungle" that demonstrated Jenkinson's innovative fusion of "the maximal drum programming of drum'n'bass" with live fretless bass guitar playing. [13] AllMusic's Paul Simpson wrote that the album showed that Jenkinson "was capable of doing things nobody else had dreamt of before, and it still holds some of his all-time best material." [9] San Diego Union-Tribune journalist AnnaMaria Stephens cited Feed Me Weird Things as one of the most important IDM albums. [22] In 2007, The Guardian listed it as one of "1000 Albums to Hear Before You Die". [23]
All tracks are written by Tom Jenkinson
No. | Title | Length |
---|---|---|
1. | "Squarepusher Theme" | 6:20 |
2. | "Tundra" | 7:53 |
3. | "The Swifty" | 5:18 |
4. | "Dimotane Co" | 4:53 |
5. | "Smedleys Melody" | 2:32 |
6. | "Windscale 2" | 6:35 |
7. | "North Circular" | 6:07 |
8. | "Goodnight Jade" | 2:45 |
9. | "Theme from Ernest Borgnine" | 7:55 |
10. | "U.F.O.'s over Leytonstone" | 6:37 |
11. | "Kodack" | 7:13 |
12. | "Future Gibbon" | 2:19 |
Total length: | 66:27 |
Chart (1996) | Peak position |
---|---|
UK Dance Albums (OCC) [25] | 10 |
Chart (2021) | Peak position |
---|---|
Dutch Vinyl Albums (Dutch Charts) [26] | 14 |
Japanese Albums (Oricon) [27] | 87 |
Japanese Top Albums Sales ( Billboard Japan ) [28] | 78 |
Scottish Albums (OCC) [29] | 16 |
UK Albums Sales (OCC) [30] | 12 |
UK Dance Albums (OCC) [31] | 2 |
UK Independent Albums (OCC) [32] | 4 |
Intelligent dance music (IDM) is a style of electronic music originating in the early 1990s, defined by idiosyncratic experimentation rather than specific genre constraints. It emerged from the culture and sound palette of electronic styles such as ambient techno, acid house, Detroit techno and breakbeat; it has been regarded as better suited to home listening than dancing. Prominent artists associated with it include Aphex Twin, Autechre, Squarepusher, Boards of Canada, Amon Tobin, Higher Intelligence Agency, Telefon Tel Aviv, μ-Ziq, The Black Dog, The Future Sound of London, Mouse on Mars, Biosphere, Orbital and Luke Vibert.
Rephlex Records was a record label launched in 1991 in Cornwall by electronic musician Richard D. James and Grant Wilson-Claridge. The label coined the term braindance to describe the output of Aphex Twin and fellow artists.
Thomas Russell Jenkinson, known professionally as Squarepusher, is an English electronic musician, record producer, bassist, multi-instrumentalist and DJ. His music spans several genres including drum and bass, IDM, acid techno, jazz fusion, and electroacoustic music. His recordings are often typified by a combination of complex drum programming, live instrumental playing, and digital signal processing. Since 1995, he has recorded for Warp Records as well as smaller labels, including Rephlex Records. He is the older brother of Ceephax Acid Crew.
Luke Vibert is a British electronic musician and producer, also known for his work under several aliases such as Plug and Wagon Christ. Raised in Cornwall, Vibert began releasing projects in the 1990s across varied genres, including techno, drum and bass, and trip hop. He has recorded on labels such as Rephlex, Ninja Tune, Planet Mu, and Warp.
Richard D. James Album is the eponymous fourth studio album by Irish-British electronic musician Richard D. James, under his pseudonym Aphex Twin. In the United Kingdom, the album was released on 4 November 1996 through Warp Records. In the United States, it was released on 28 January 1997 by Sire Records, with the Girl/Boy EP included as bonus tracks. A reissue on vinyl was released on 18 September 2012.
Michael Robert Paradinas, better known by his stage name μ-Ziq, is an English electronic musician from Wimbledon, London. He was associated with the electronic style intelligent dance music (IDM) during the 1990s, and recorded on Rephlex Records and Reflective Records. His critically acclaimed 1997 album, Lunatic Harness, helped define the drill 'n' bass subgenre and was also his most successful release, selling over 100,000 copies. Paradinas founded the record label Planet Mu, begun in 1995, where he has championed genres such as juke, IDM and footwork.
Drukqs is the fifth studio album by Aphex Twin, the alias of British electronic musician Richard D. James, released in 2001 on Warp. It is a double album alternating primarily between tracks of meticulously programmed drum and bass-inspired beats and computer-controlled classical piano pieces. It features the piano composition "Avril 14th," one of James's best-known recordings.
Andrew David Jenkinson, known professionally as Ceephax Acid Crew, is a British electronic musician and record producer who works primarily in the acid house and drum and bass subgenres. Jenkinson is also known simply by the pseudonym Ceephax, which is a reference to the BBC teletext service Ceefax. He is the younger brother of Squarepusher.
Hard Normal Daddy is the second studio album by English electronic musician Tom Jenkinson under the alias Squarepusher, released on 28 April 1997. The album was Jenkinson's first studio album as Squarepusher for Warp. A single for the track "Vic Acid" was released in 1997 prior to the album's release.
Ultravisitor is the seventh album by English electronic musician Squarepusher, released on 8 March 2004 by Warp Records. The album incorporates many of the various musical styles exhibited by Jenkinson on his previous albums, including drum and bass, acid techno, jazz fusion, and electronic noise. A few of the tracks feature layered, modulated, or filtered bass guitar. Several of the instrumental parts were recorded live and include applause, blurring the lines between live and studio performances.
"Vic Acid" is a single by the electronic artist Squarepusher, released on April 1, 1997 on Warp Records.
Music Is Rotted One Note is the third studio album by English electronic musician Squarepusher, released on 12 October 1998 by Warp. The album is a departure for Squarepusher, with only elements of the familiar drum and bass style appearing in a largely jazz fusion production.
Expert Knob Twiddlers is a 1996 studio album by Mike Paradinas and Richard D. James. It was released in 1996 on Rephlex Records and is the only release credited to the two as Mike & Rich.
Seefeel are a British electronic and post-rock band formed in the early 1990s by Mark Clifford, Daren Seymour (bass), Justin Fletcher, and Sarah Peacock. Their work became known for fusing guitar-based shoegaze with the production techniques of ambient techno and electronica.
Eurotechno refers to the musical soundtrack by English group Stakker for their 1989 experimental short film of the same name. The original film was an avant-garde experiment and features rapidly shifting colourful computer graphics, reflecting the influence of rave culture. Although the visuals of the film were primarily the work of Stakker members Marek Pytel, Mark McClean and Colin Scott, the musical soundtrack was largely the work of Brian Dougans, later of The Future Sound of London. The 25-minute soundtrack was recorded using a Roland TB-303, and reflects the fast-shifting momentum of the film by incorporating fragmented elements of acid house, Chicago house and Detroit techno that shift after their brief appearances, thus contributing to an intricately layered style.
Richard David James, known professionally as Aphex Twin, is an Irish-born British musician, composer and DJ. He is known for his idiosyncratic work in electronic styles such as techno, ambient, and jungle. Journalists from publications including Mixmag, The New York Times, NME, Fact,Clash and The Guardian have called James one of the most influential and important artists in contemporary electronic music.
Selected Ambient Works 85–92 is the debut studio album by Aphex Twin, the pseudonym of the British electronic music producer and DJ Richard David James. It was released on 9 November 1992 through Apollo Records, a subsidiary of the Belgian label R&S Records. The album consists of ambient techno tracks recorded onto cassette reputedly dating as far back as 1985, when James was fourteen years old. On release it received widespread acclaim and entered the UK Dance Albums Chart at No. 6 in December 1992.
Drill 'n' bass is a subgenre of drum and bass which developed in the mid-1990s as IDM artists began experimenting with elements of breakbeat, jungle, and drum and bass music. Artists utilized powerful audio software programs and deployed frenzied, irregular beats that often discouraged dancing. The style was often interpreted as having a lightly parodic relationship with the dance styles that inspired it.
Syro is the sixth studio album by Aphex Twin, the alias of British electronic musician Richard D. James, released on 19 September 2014 on Warp. It was James's first album under the Aphex Twin name since Drukqs (2001).
Damogen Furies is the fourteenth studio album by British electronic musician Squarepusher. It was announced on 18 February 2015 and released on 20 April 2015. Along with the announcement of the album, the third track, "Rayc Fire 2", was released for free on Squarepusher's site, on which a series of live dates in support of the album were also announced.
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