| Big Loada | ||||
|---|---|---|---|---|
 | ||||
| EP by | ||||
| Released | 21 July 1997 | |||
| Recorded | 1996–1997 | |||
| Genre | ||||
| Length | 28:47 | |||
| Label | Warp | |||
| Producer | Tom Jenkinson | |||
| Squarepusher chronology | ||||
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Big Loada is an EP by English electronic musician Squarepusher. It was released on 21 July 1997 by Warp in the United Kingdom. It was later released, with an expanded track listing, on 13 October 1998 by Nothing Records in the United States.
Big Loada served as Squarepusher's fourth release on Warp in the United Kingdom, following the Port Rhombus EP, the "Vic Acid" single, and the album Hard Normal Daddy .
The Nothing Records issue of Big Loada has a rearranged track listing with additional tracks unavailable in the United States at the time. Warp had not opened their American division yet, and arranged to release some of their material through Nothing. The rearrangement of the tracks is to highlight the "Come On My Selector" video, directed by Chris Cunningham, and which was included on the re-release. Tracks 8, 9 and 10 make up the full Port Rhombus EP, Jenkinson's first release on Warp. Tracks 11 and 12 are two B-sides to the "Vic Acid" single (although the G7000 mix of "Fat Controller" was not included on this release). This edition has modified cover artwork, as the prominent Warp Records logo had to be removed.
Some Nothing Records versions of Big Loada are actually copies of Budakhan Mindphone that have been incorrectly packaged and labelled.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| NME | 7/10 [3] |
| The Rolling Stone Album Guide | [4] |
| Select | 3/5 [5] |
| Uncut | [6] |
In 2017, Pitchfork placed Big Loada at number 9 on its list of "The 50 Best IDM Albums of All Time". [2]
| No. | Title | Length |
|---|---|---|
| 1. | "A Journey to Reedham (7.AM Mix)" | 6:35 |
| 2. | "Full Rinse (Featuring MC Twin Tub)" | 2:23 |
| 3. | "Massif (Stay Strong)" | 6:26 |
| 4. | "Come On My Selector" | 3:24 |
| 5. | "The Body Builder (Dressing Gown Mix)" | 3:02 |
| 6. | "Tequila Fish" | 6:09 |
| 7. | "Jacques Mal Chance (Il N'a Pas De Chance)" | 0:48 |
| Total length: | 28:47 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Come On My Selector" | 3:24 |
| 2. | "A Journey to Reedham (7.AM Mix)" | 6:35 |
| 3. | "Full Rinse (Featuring MC Twin Tub)" | 2:23 |
| 4. | "Massif (Stay Strong)" | 6:26 |
| 5. | "The Body Builder (Dressing Gown Mix)" | 3:02 |
| 6. | "Tequila Fish" | 6:09 |
| 7. | "Jacques Mal Chance (Il N'a Pas De Chance)" | 0:48 |
| 8. | "Port Rhombus" | 6:41 |
| 9. | "Problem Child" | 5:43 |
| 10. | "Significant Others" | 3:28 |
| 11. | "Lone Ravers (Live in Chelmsford Mix)" | 5:01 |
| 12. | "The Barn (303 Kebab Mix)" | 2:11 |
| Total length: | 51:51 | |
| No. | Title | Length |
|---|---|---|
| 13. | "Come On My Selector" (music video) | 7:24 |
| Total length: | 59:15 | |
| Chart (1997) | Peak position |
|---|---|
| UK Singles (Official Charts Company) [7] | 134 |
Nothing Records was an American record label specializing in industrial rock and electronic music, founded by John Malm Jr. and Trent Reznor in 1992. It is considered an example of a vanity label, where an artist is able to run a label with some small degree of independence within a larger parent company, in this case the larger company being Interscope Records.
Warp Records is a British independent record label founded in Sheffield in 1989 by record store employees Steve Beckett and Rob Mitchell and record producer Robert Gordon. It is currently based in London.
Thomas Russell Jenkinson, known professionally as Squarepusher, is an English electronic musician, record producer, bassist, multi-instrumentalist and DJ. His music spans several genres including drum and bass, IDM, acid techno, jazz fusion, and electroacoustic music. His recordings are often typified by a combination of complex drum programming, live instrumental playing, and digital signal processing. Since 1995, he has recorded for Warp Records as well as smaller labels, including Rephlex Records. He is the older brother of Ceephax Acid Crew.
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Music Has the Right to Children is the debut studio album by Scottish electronic music duo Boards of Canada, released on 20 April 1998 in the United Kingdom by Warp and Skam Records and in the United States by Matador. The album was produced at Hexagon Sun, the duo's personal recording studio in Pentland Hills, and continued their distinctive style of electronica, featuring vintage synthesisers, degraded analogue production, found sounds and samples, and hip hop-inspired rhythms that had been featured on their first two EPs Twoism (1995) and Hi Scores (1996).
Andrew David Jenkinson, known professionally as Ceephax Acid Crew, is a British electronic musician and record producer who works primarily in the acid house and drum and bass subgenres. Jenkinson is also known simply by the pseudonym Ceephax, which is a reference to the BBC teletext service Ceefax. He is the younger brother of Squarepusher.
Feed Me Weird Things is the debut studio album by English electronic musician Tom Jenkinson under the alias Squarepusher. It was released on 3 June 1996 through Rephlex Records.
Hard Normal Daddy is the second studio album by English electronic musician Tom Jenkinson under the alias Squarepusher, released on 28 April 1997. The album was Jenkinson's first studio album as Squarepusher for Warp. A single for the track "Vic Acid" was released in 1997 prior to the album's release.
Lunatic Harness is the fourth studio album by English electronic music producer Mike Paradinas under the stage name μ-Ziq. It was released on 30 June 1997 in the United Kingdom on the Planet Mu label, and on 29 July 1997 in the United States on the Astralwerks label. It was rereleased with bonus tracks from the My Little Beautiful and Brace Yourself singles in 2022 for its 25th anniversary.
Tri Repetae is the third studio album by English electronic music duo Autechre, released on 6 November 1995 by Warp in the United Kingdom. In contrast to the duo's previous albums, Incunabula (1993) and Amber (1994), Tri Repetae features a distinct style that incorporates more minimal rhythms and spacious melodies.
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Ultravisitor is the seventh album by English electronic musician Squarepusher, released on 8 March 2004 by Warp Records. The album incorporates many of the various musical styles exhibited by Jenkinson on his previous albums, including drum and bass, acid techno, jazz fusion, and electronic noise. A few of the tracks feature layered, modulated, or filtered bass guitar. Several of the instrumental parts were recorded live and include applause, blurring the lines between live and studio performances.
Surfing on Sine Waves is a studio album by the musician and producer Richard D. James under the alias Polygon Window. It is the only album released under this name; James is better known as Aphex Twin. The record was released on 11 January 1993 through Warp Records. It entered the Dance Albums Chart at No. 2 on 23 January 1993. James' previous album, Selected Ambient Works 85–92, was then at No. 9 on the chart, and James briefly had two records in the Dance Albums Top 10 under different pseudonyms. The 2001 reissue edition includes the previously unreleased tracks "Portreath Harbour" and "Redruth School".
Port Rhombus EP is a 1996 EP by Squarepusher. It was the first Squarepusher release on Warp Records. There is also a promo version, with identical tracks, but dated 1994. Also compiled in the US version of Big Loada on Nothing Records.
Not for Threes is the second studio album by English electronic music duo Plaid. It was released on 27 October 1997 by Warp. The album was released in the United States on 28 April 1998 by Nothing Records.
Frequencies is the debut studio album by British electronic music duo LFO, released on 22 July 1991 by Warp. It peaked at No. 42 on the UK Albums Chart and was released to universal acclaim.
Richard David James, known professionally as Aphex Twin, is a British musician, record producer, composer and DJ. He is known for his idiosyncratic work in electronic styles such as techno, ambient and jungle. Journalists from publications including Mixmag, The New York Times, NME, Fact,Clash and The Guardian have called James one of the most influential and important artists in contemporary electronic music.
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