Revolutionary Tea Party | ||||
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Studio album by | ||||
Released | 1986 | |||
Genre | Dub poetry [1] | |||
Label | Verse to Vinyl [2] | |||
Producer | Billy Bryans | |||
Lillian Allen chronology | ||||
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Revolutionary Tea Party is an album by the Canadian musician Lillian Allen, released in 1986. [3] [4] It won a Juno Award for Best Reggae/Calypso Recording at the Juno Awards of 1986. [5] [6] The album sold around 5,000 copies in its first year of release. [7] Allen subsequently named her band the Revolutionary Tea Party Band. [8] The album was distributed in the U.S. by Holly Near's Redwood Records. [9]
Allen was backed on the album by the Canadian band the Parachute Club; the band's Billy Bryans produced the album. [10] [11] Lorraine Segato sang on "The Subversives". [12] Allen asked her fans to help fund the album's production, which cost around $25,000. [13]
Review scores | |
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Source | Rating |
AllMusic | [14] |
The Encyclopedia of Popular Music | [15] |
MusicHound World: The Essential Album Guide | [16] |
The Toronto Star called Allen's voice "a keening, irresistible instrument," writing that the tracks "deal with frighteningly recognizable contemporary issues, with Canadians' offensive condescension towards Jamaican immigrants, with rape, the pain of birth and the myriad small, shattering injustices perpetrated against blacks, the underprivileged and women both in this country and in Jamaica." [2] The Kingston Whig-Standard declared that "Allen's poetry is a bracing jolt against complacency." [17]
AllMusic called the album "a masterpiece of conscious female passion." [14] Ms. included Revolutionary Tea Party on its 1991 list of landmark albums of the past 20 years. [16]
No. | Title | Length |
---|---|---|
1. | "I Fight Back" | |
2. | "Nellie Belly Swelly" | |
3. | "Riddim an' Hardtimes" | |
4. | "Revolutionary Tea Party" | |
5. | "The Subversives" | |
6. | "Rub a Dub Style inna Regent Park" | |
7. | "Birth Poem" | |
8. | "Birth Version" |
Dub poetry is a form of performance poetry of Jamaican origin, which evolved out of dub music in Kingston, Jamaica, in the 1970s, as well as in London, England, and Toronto, Canada, cities which have large populations of Caribbean immigrants. The term "Dub Poetry" was coined by Dub artist Linton Kwesi Johnson in 1976, and further popularized by artist Oku Onoura, which consists of spoken word over reggae rhythms, originally found on the backing or "version" side of a 12 or 7 inch vinyl record.
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