Richard Hollis Hon. FRSL | |
---|---|
Born | 1934 (age 89–90) London, England |
Nationality | British |
Education | |
Known for | Graphic design |
Spouse(s) | Posy Simmonds, m. 1974 [1] |
Children | Stephen Hollis, Edward Hollis |
Elected | Royal Designer for Industry, 2005 |
Website | www |
Richard Hollis Hon. FRSL (born 1934) is a British graphic designer. He has taught at various art schools, written books, and worked as a printer, as a magazine editor and as a print-production manager. Hollis was elected as an Honorary Fellow of the Royal Society of Literature in 2019.
Hollis was born in London and studied art and typography at Chelsea School of Art, Wimbledon School of Art and Central School of Art and Crafts in London, before moving to Paris in the early 1960s. [2]
Back in the UK, he designed the quarterly journal Modern Poetry in Translation , became the art editor of the weekly magazine New Society and later created John Berger's Ways of Seeing . [3] He designed the visual identity and marketing material for the Whitechapel Art Gallery in London. [4] He also co-founded the School of Design at West of England College of Art. [5]
His About Graphic Design was published in 2017, [6] Graphic Design. A Concise History in 2001, [7] and Swiss Graphic Design: The Origins and Growth of an International Style, 1920–1965 in 2006. [8] Hollis's body of work consistently suggests a strong connection between graphic design and the cultural and social conditions that inspire it. [5]
In 2005, he was made one of the two hundred Royal Designers for Industry of the Royal Society for the Encouragement of Arts, Manufactures and Commerce. [9]
Hollis's About Graphic Design was published in 2012 by Occasional Papers. [10] The book, which was also designed by Hollis, is a comprehensive selection of writings covering over 40 years of reflection on graphic design history, including interviews, essays, letters, articles, lectures and course outlines.[ citation needed ]
Hollis's book Henry van de Velde: The Artist as Designer (2019) was the first major study of van de Velde's work in English in 30 years; it was supported by the Flemish government and published by Occasional Papers. [11]
In 2019, Hollis was elected as an Honorary Fellow of the Royal Society of Literature. [12] He was also made an Honorary Fellow of the University of the Arts London in 2019. [13] [14]
In 1974, Hollis married illustrator and writer Posy Simmonds. [1]
Jugendstil was an artistic movement, particularly in the decorative arts, that was influential primarily in Germany and elsewhere in Europe to a lesser extent from about 1895 until about 1910. It was the German counterpart of Art Nouveau. The members of the movement were reacting against the historicism and neo-classicism of the official art and architecture academies. It took its name from the art journal Jugend, founded by the German artist Georg Hirth. It was especially active in the graphic arts and interior decoration.
Jan Tschichold, also known as Iwan Tschichold or Ivan Tschichold, was a German calligrapher, typographer and book designer. He played a significant role in the development of graphic design in the 20th century – first, by developing and promoting principles of typographic modernism, and subsequently idealizing conservative typographic structures. His direction of the visual identity of Penguin Books in the decade following World War II served as a model for the burgeoning design practice of planning corporate identity programs. He also designed the typeface Sabon.
Henry Clemens van de Velde was a Belgian painter, architect, interior designer, and art theorist. Together with Victor Horta and Paul Hankar, he is considered one of the founders of Art Nouveau in Belgium. He worked in Paris with Siegfried Bing, the founder of the first gallery of Art Nouveau in Paris. Van de Velde spent the most important part of his career in Germany and became a major figure in the German Jugendstil. He had a decisive influence on German architecture and design at the beginning of the 20th century.
Josef Müller-Brockmann was a Swiss graphic designer, author, and educator, he was a Principal at Muller-Brockmann & Co. design firm. He was a pioneer of the International Typographic Style. One of the main masters of Swiss design. Müller-Brockmann is recognized for his simple designs and his clean use of typography, shapes and colors which inspire many graphic designers in the 21st century.
Robert Charles Gill was an American illustrator and graphic designer.
Roger Fawcett-Tang is a British graphic designer with a special interest in book design and calendars. He has written several books about design.
Alice Rawsthorn OBE is a British design critic and author. Her books include Design as an Attitude (2018) and Hello World: Where Design Meets Life (2013). She is chair of the board of trustees at the Chisenhale Gallery in London and at The Hepworth Wakefield gallery in Yorkshire. Rawsthorn is a founding member of Writers at Liberty, a group of writers who are committed to supporting the work of the human rights charity Liberty. She was appointed Officer of the Order of the British Empire (OBE) in the 2014 Birthday Honours for services to design and the arts.
The International Typographic Style is a systemic approach to graphic design that emerged during the 1930s – 1950s but continued to develop internationally. It is considered the basis of the Swiss style. It expanded on and formalized the modernist typographic innovations of the 1920s that emerged in part out of art movements such as Constructivism (Russia), De Stijl and at the Bauhaus (Germany). The International Typographic Style has had profound influence on graphic design as a part of the modernist movement, impacting many design-related fields including architecture and art. It emphasizes simplicity, clarity, readability, and objectivity. Hallmarks of the style are asymmetric layouts, use of a grid, sans-serif typefaces like Akzidenz Grotesk and Helvetica, and flush left, ragged right text. The style is also associated with a preference for photography in place of illustrations or drawings. Many of the early International Typographic Style works featured typography as a primary design element in addition to its use in text, and it is for this that the style is named. The influences of this graphic movement can still be seen in design strategy and theory to this day.
Nick Shinn is a typeface designer. He attended Bedford School then Leeds Polytechnic, where he earned a Dip. AD in Fine Art.
Philip Baxter Meggs was an American graphic designer, professor, historian and author of books on graphic design. His book History of Graphic Design is a definitive, standard read for the study of graphic design.
Rick Poynor is an English writer on design, graphic design, typography, and visual culture.
Dame Magdalene Anyango Namakhiya Odundo is a Kenyan-born British studio potter, who now lives in Farnham, Surrey. Her work is in the collections of notable museums including the Art Institute of Chicago, The British Museum, The Metropolitan Museum of Art, and the National Museum of African Art.
Alan Pipes is a British writer on art, product design and graphic design.
An exhibition curated by Rick Poynor at the Barbican Art Gallery (2004) charting over 40 years of graphic design in the United Kingdom.
Alan Aboud is an Irish graphic designer and creative director, from Dublin, Ireland. He was educated at Belvedere College, Dublin from 1974 to 1984 and the National College of Art & Design (NCAD), Dublin where he completed his foundation year and began his degree in graphic design before transferring to Saint Martin's School of Art in London in 1986. He graduated from there in 1989, with a first class honours degree.
Angus Hyland is a British graphic designer and visual artist.
John David Lloyd is a British graphic designer who in 1975 co-founded the international design consultancy Lloyd Northover. He has worked in all fields of graphic design but has specialised in corporate identity.
Setsu and Shinobu Ito are Japanese designers. Their work is stored as permanent collections in the Modern Art Museums in Munich, Germany and Milan, Italy.
Alan Kitching RDI AGI Hon FRCA is a practitioner of letterpress typographic design and printmaking. Kitching exhibits and lectures across the globe, and is known for his expressive use of wood and metal letterforms in commissions and limited-edition prints.
Adrian Shaughnessy is a British graphic designer, writer and publisher.