Artur Schnabel was an Austrian-American classical pianist, composer and pedagogue. Schnabel was known for his intellectual seriousness as a musician, avoiding pure technical bravura. Among the 20th century's most respected and important pianists, his playing displayed marked vitality, profundity and spirituality in the Austro-German classics, particularly the works of Beethoven and Schubert.
Gustav Heinrich Ernst Martin Wilhelm Furtwängler was a German conductor and composer. He is widely regarded as one of the greatest symphonic and operatic conductors of the 20th century. He was a major influence for many later conductors, and his name is often mentioned when discussing their interpretative styles.
Erich Kleiber was an Austrian, later Argentine, conductor, known for his interpretations of the classics and as an advocate of new music.
Edwin Fischer was a Swiss classical pianist and conductor. He is regarded as one of the great interpreters of J.S. Bach and (particularly) Mozart of the twentieth century.
Eugen Jochum was a German conductor, best known for his interpretations of the music of Anton Bruckner, Carl Orff, and Johannes Brahms, among others.
Karl Klindworth was a German composer, virtuoso pianist, conductor, violinist and music publisher. He was one of Franz Liszt's pupils and later one of his closest disciples and friends, being also on friendly terms with composer Richard Wagner, of whom he was an admirer. He was highly praised by fellow musicians, including Wagner himself and Edward Dannreuther. Among his pupils were Hans von Bülow, Georgy Catoire, and Ethelbert Nevin.
Hans Guido Freiherr von Bülow was a German conductor, virtuoso pianist, and composer of the Romantic era. As one of the most distinguished conductors of the 19th century, his activity was critical for establishing the successes of several major composers of the time, especially Richard Wagner and Johannes Brahms. Alongside Carl Tausig, Bülow was perhaps the most prominent of the early students of the Hungarian composer, virtuoso pianist and conductor Franz Liszt; he gave the first public performance of Liszt's Sonata in B minor in 1857. He became acquainted with, fell in love with and eventually married Liszt's daughter Cosima, who later left him for Wagner. Noted for his interpretation of the works of Ludwig van Beethoven, he was one of the earliest European musicians to tour the United States.
Paul Felix Weingartner, Edler von Münzberg was an Austrian conductor, composer and pianist.
Arthur Nikisch was a Hungarian conductor who performed internationally, holding posts in Boston, London, Leipzig and—most importantly—Berlin. He was considered an outstanding interpreter of the music of Bruckner, Tchaikovsky, Beethoven and Liszt. Johannes Brahms praised Nikisch's performance of his Fourth Symphony as "quite exemplary, it's impossible to hear it any better."
The Mannheim National Theatre is a theatre and opera company in Mannheim, Germany, with a variety of performance spaces. It was founded in 1779 and is one of the oldest theatres in Germany.
Walter Hilgers is a German tuba player and conductor. He performs worldwide as orchestral musician, soloist, academic music teacher, arranger and conductor.
Margarete Klose,, was a German operatic mezzo-soprano. Her "official" year of birth was 1902.
Richard Sahla was a concert violinist, conductor and composer.
Hans Wallat was a German conductor, GMD in Bremen, at the Nationaltheater Mannheim, Theater Dortmund and Deutsche Oper am Rhein. A specialist for the stage works of Richard Wagner, he appeared at the Bayreuth Festival and internationally.
Lioba Braun is a German opera singer and academic teacher at the Hochschule für Musik und Tanz Köln and the Hochschule für Musik und Theater München. Based at the Nationaltheater Mannheim, she has appeared mostly in mezzo-soprano parts at major opera houses and festivals. She became internationally known appearing as Brangäne at the Bayreuth Festival in 1994, and performed the soprano part of Isolde on stage first in 2012.
Erna Schlüter was a German operatic dramatic soprano and voice teacher. Beginning as a contralto at the Oldenburgisches Staatstheater in 1922, she moved to the Nationaltheater Mannheim in 1925 where her voice developed to dramatic soprano, to the Stadttheater Düsseldorf in 1930 where she appeared in 1933 in the world premiere of Winfried Zillig's Der Rossknecht and was awarded the title Kammersängerin. Her last station, from 1940, was the Hamburg State Opera.
Andreas Moser was a German musician, music pedagogue and musicologist.
Werner Gustav Rudolf Gößling was a German conductor, Choir director, composer and university lecturer. He was chief conductor of the Philharmonisches Staatsorchester Halle and the Robert Franz Singakademie in Halle. In 1951, he was appointed General Music Director. From 1956 to 1958, he built up the first Chinese symphony orchestra in the European style.
Paul Hager was a German theatre and opera director.
Alexander Soddy is a British conductor and pianist.
