Rise (Eddie Turner album)

Last updated
Rise
Rise (Eddie Turner album).jpg
Studio album by
Released2005
StudioStepbridge
Genre Blues
Label NorthernBlues
Producer Kenny Passarelli
Eddie Turner chronology
Rise
(2005)
The Turner Diaries
(2006)

Rise is the debut album by the American musician Eddie Turner, released in 2005. [1] [2] It was nominated for a Blues Music Award for best new artist debut. [3] Turner supported the album with a North American tour. [4]

Contents

Production

Produced by Kenny Passarelli, the album was recorded at Stepbridge Studios, in Santa Fe. [5] [6] Born in Cuba, Turner incorporated Afro-Cuban influences on several tracks. [7] "Gangster of Love" is a cover of the Johnny "Guitar" Watson song. [8] "The Wind Cries Mary" was written by Jimi Hendrix. [9] "Resurrection" and "The River" are instrumentals; the latter combined hip hop beats with a National guitar. [10] [11] "Play It Cool" is a cover of the Freddie King song; Turner included it as his "standard" blues tune. [5]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [12]
The Penguin Guide to Blues Recordings Star full.svgStar full.svgStar full.svgStar empty.svg [13]

The Courier & Press wrote that "Turner's spacey, jazz-informed solos and crunchy blues-rock foundations evoke guitarists as diverse as Jeff Beck, James Blood Ulmer, Vernon Reid and Tommy Bolin." [14] The Record deemed the album "blues psychedelia for the new millennium." [15] The Times Herald stated that "Turner has placed each note with purpose, not to create wonder at his speed." [16]

The Toronto Star determined that "few electric guitarists since Hendrix have dared push the blues envelope so far, and while most of this is big, brave band music ... the songs eschew conventional structures and allow the guitarist's astonishing freeform instrumental work all the territory it needs." [17] The Missoula Independent noted that "Turner falls into a trap common with records of this sort: He dedicates multiple tracks to showcasing all the different styles and vibes he can groove with." [18]

AllMusic wrote that, "on 'Sin', he simply turns in one of the most stunning pieces of gospel heard in years—stripped-down, but with touches of hip-hop that offers a real way forward into the 21st century for the genre." [12]

Track listing

No.TitleLength
1."Rise" 
2."Ask Myself Why" 
3."The River" 
4."The Wind Cries Mary" 
5."Resurrection" 
6."It's Me" 
7."Gangster of Love" 
8."Sin" 
9."Play It Cool" 
10."Privileged Life" 
11."Confusion Illusion" 
12."Secret" 

Related Research Articles

<span class="mw-page-title-main">Funk</span> 1960s music genre

Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths.

<span class="mw-page-title-main">Jimi Hendrix</span> American guitarist (1942–1970)

James Marshall "Jimi" Hendrix was an American guitarist, songwriter and singer. Although his mainstream career spanned only four years, he is widely regarded as one of the greatest and most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century. The Rock and Roll Hall of Fame describes him as "arguably the greatest instrumentalist in the history of rock music."

<span class="mw-page-title-main">Rhythm and blues</span> Music genre originated in the 1940s

Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations.

<span class="mw-page-title-main">Slide guitar</span> Guitar technique

Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object against the strings, creating the opportunity for glissando effects and deep vibratos that reflect characteristics of the human singing voice. It typically involves playing the guitar in the traditional position with the use of a slide fitted on one of the guitarist's fingers. The slide may be a metal or glass tube, such as the neck of a bottle. The term bottleneck was historically used to describe this type of playing. The strings are typically plucked while the slide is moved over the strings to change the pitch. The guitar may also be placed on the player's lap and played with a hand-held bar.

Instrumental rock is rock music that emphasizes instrumental performance and features very little or no singing. Examples of instrumental music in rock can be found in practically every subgenre of the style. Instrumental rock was most popular from the mid-1950s to mid-1960s, with artists such as Bill Doggett Combo, The Fireballs, The Shadows, The Ventures, Johnny and the Hurricanes and The Spotnicks. Surf music had many instrumental songs. Many instrumental hits had roots from the R&B genre. The Allman Brothers Band feature several instrumentals. Jeff Beck also recorded two instrumental albums in the 1970s. Progressive rock and art rock performers of the late 1960s and early 1970s did many virtuosic instrumental performances.

Blues rock is a fusion genre and form of rock music that relies on the chords/scales and instrumental improvisation of blues. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock. From its beginnings in the early to mid-1960s, blues rock has gone through several stylistic shifts and along the way it inspired and influenced hard rock, Southern rock, and early heavy metal.

"Little Wing" is a song written by Jimi Hendrix and recorded by the Jimi Hendrix Experience in 1967. It is a slower tempo, rhythm and blues-inspired ballad featuring Hendrix's vocal and guitar with recording studio effects accompanied by bass, drums, and glockenspiel. Lyrically, it is one of several of his songs that reference an idealized feminine or guardian angel-like figure. At about two and a half minutes in length, it is one of his most concise and melodically focused pieces.

<span class="mw-page-title-main">Aynsley Dunbar</span> British drummer (born 1946)

Aynsley Thomas Dunbar is an English drummer. He has worked with John Mayall, Frank Zappa, Jeff Beck, Journey, Jefferson Starship, Nils Lofgren, Eric Burdon, Shuggie Otis, Ian Hunter, Lou Reed, David Bowie, Mick Ronson, Whitesnake, Pat Travers, Sammy Hagar, Michael Schenker, UFO, Michael Chapman, Jake E. Lee, Leslie West, Kathi McDonald, Keith Emerson, Mike Onesko, Herbie Mann and Flo & Eddie. Dunbar was inducted into the Rock and Roll Hall of Fame as a member of Journey in 2017.

<i>Band of Gypsys</i> 1970 live album by Jimi Hendrix

Band of Gypsys is a live album by Jimi Hendrix and the first without his original group, the Jimi Hendrix Experience. It was recorded on January 1, 1970, at the Fillmore East in New York City with Billy Cox on bass and Buddy Miles on drums, frequently referred to as the Band of Gypsys. The album mixes funk and rhythm and blues elements with hard rock and jamming, an approach which later became the basis of funk rock. It contains previously unreleased songs and was the last full-length Hendrix album released before his death.

<i>First Rays of the New Rising Sun</i> 1997 album by Jimi Hendrix

First Rays of the New Rising Sun is a compilation album credited to American rock musician Jimi Hendrix, issued in April 1997 on MCA Records. Featuring songs mostly intended for his planned fourth studio album, it was one of the first releases overseen by Experience Hendrix, the family company that took over management of his recording legacy. It reached the album charts in the United States, United Kingdom, and four other countries.

<i>Born Under a Bad Sign</i> 1967 compilation album by Albert King

Born Under a Bad Sign is the second compilation album by American blues musician Albert King, released in August 1967 by Stax Records. It features eleven electric blues songs that were recorded from March 1966 to June 1967, throughout five different sessions. King played with two in-house bands: Booker T. & the M.G.'s and the Memphis Horns. Although the album failed to reach any music chart, it did receive positive reviews from music critics and is often cited as one of the greatest blues albums ever made. Born Under a Bad Sign influenced many guitarists, including Eric Clapton, Mike Bloomfield, Jimi Hendrix, and Stevie Ray Vaughan. Born Under a Bad Sign has been recognized by several music institutions, and has been inducted into the Blues Foundation Hall of Fame, the Grammy Hall of Fame, and the National Recording Registry.

<i>Blues</i> (Jimi Hendrix album) 1994 compilation album by Jimi Hendrix

Blues is a compilation album of blues songs recorded by American singer/songwriter/musician Jimi Hendrix. Compiled by interim Hendrix producer Alan Douglas, it was released April 26, 1994, by MCA Records. The album contains eleven songs recorded by Hendrix between 1966 and 1970, six of which were previously unreleased. Hendrix wrote seven of the pieces; other writers include Muddy Waters, Booker T. Jones, and Elmore James. Most are demos, jams, and live recordings, which Hendrix may or may not have completed for release.

<span class="mw-page-title-main">The Things That I Used to Do</span> 1953 blues standard by Guitar Slim

"The Things That I Used to Do" is a blues standard written by Guitar Slim. He recorded it in New Orleans, where the young Ray Charles arranged and produced the session. Specialty Records released the song as a single in 1953 and it became a bestseller the following year. Specialty founder Art Rupe believed that the appeal would be limited to the Southern U.S. rural audience. However, urban rhythm and blues radio stations in the North began airing the song and built it into a national hit. As a result, Guitar Slim became in great demand as a performer and played at venues such as the Apollo Theater in New York City.

"Third Stone from the Sun" is a mostly instrumental composition by American musician Jimi Hendrix. It incorporates several musical approaches, including jazz and psychedelic rock, with brief spoken passages. The title reflects Hendrix's interest in science fiction and is a reference to Earth in its position as the third planet away from the sun in the solar system.

"Come On" is a song written by New Orleans rhythm and blues artist Earl King. He first recorded the song as "Darling Honey Angel Child" in 1960 for the Ace Records subsidiary Rex. Later that year, he recorded it as a two-part song for Imperial Records using some new lyrics. Retitled "Come On", it was released in 1960 with "Come On – Part I” as the A-side backed with “Come On – Part II”.

"Bold as Love" is the title track of Axis: Bold as Love, the second album by the Jimi Hendrix Experience. The song, which closes the album, was written by Jimi Hendrix and produced by band manager Chas Chandler.

<i>Rainbow Bridge</i> (album) 1971 compilation album by Jimi Hendrix

Rainbow Bridge is a compilation album by American rock musician Jimi Hendrix. It was the second posthumous album release by his official record company and is mostly composed of recordings Hendrix made in 1969 and 1970 after the breakup of the Jimi Hendrix Experience. Despite the cover photo and subtitle Original Motion Picture Sound Track, it does not contain any songs recorded during his concert appearance for the 1971 film Rainbow Bridge.

Eddie "Devil Boy" Turner is a blues guitarist born in Cuba and raised in Chicago. A former member of the Otis Taylor band, he is currently signed to Toronto's NorthernBlues Music.

<span class="mw-page-title-main">Alastair Riddell</span> New Zealand singer

Alastair Riddell is a New Zealand singer-songwriter.

<i>Return of a Legend</i> 2002 studio album by Jody Williams

Return of a Legend is an album by the American musician Jody Williams, released in 2002. Williams had not recorded music in around 30 years; he was inspired in part to return to the studio after listening to his playing on a 1964 tape he found at his house. He supported the album with a North American tour.

References

  1. Mullins, Terry (April 28, 2011). "Tradition with a Twist: Eddie Turner". Blues Blast Magazine. No. 5–17.
  2. Lipton, Michael (24 Feb 2005). "CD Reviews". Charleston Daily Mail. p. 2D.
  3. Blankenship, Bill (11 May 2007). "Varied musical fare on tap". Weekend. The Topeka Capital-Journal. p. 1.
  4. "Guitarist Eddie Turner to play in Orillia on April 30". Packet and Times. 8 Apr 2005. p. A10.
  5. 1 2 Prasad, Anil (Jun 2005). "Eddie Turner's Psychedelic Urban Blues". Guitar Player. Vol. 39, no. 6. p. 30.
  6. Koster, Michael (25 Feb 2005). "Eddie Turner, Rise". The Santa Fe New Mexican. p. PA16.
  7. "Saturday Blues season starts at Liquid Lounge". Brantford Expositor. 13 Sep 2007. p. D8.
  8. Weinberg, Bob (22 May 2005). "Blues". AE&TV. South Florida Sun-Sentinel. p. 3.
  9. Matys, Frank (29 Apr 2005). "Agent by day, 'devil' by night". Barrie Advance. p. 39.
  10. Hogan, Ray (10 Feb 2005). "Album Review". Weekend. Stamford Advocate. p. 20.
  11. Provencher, Norman (26 Feb 2005). "Blues". Ottawa Citizen. p. L4.
  12. 1 2 "Rise Review by Chris Nickson". AllMusic. Retrieved 14 January 2024.
  13. The Penguin Guide to Blues Recordings. Penguin. 2006. p. 659.
  14. Wilson, Mark (27 Jan 2005). "CD Reviews". Courier & Press. p. B13.
  15. Reid, Robert (29 Jan 2005). "Eddie Turner Rise". The Record. p. C2.
  16. Carracher, Jamie (18 Feb 2005). "Eddie Turner". The Times Herald. p. E8.
  17. Quill, Greg (24 Mar 2005). "Eddie Turner Rise". Toronto Star. p. G11.
  18. La Tray, Chris (18 Jun 2009). "Eddie Turner Rise". Missoula Independent. p. 31.