Rita Mae Brown | |
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Born | Hanover, Pennsylvania, U.S. | November 28, 1944
Occupation |
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Education | University of Florida Broward College New York University (BA) School of Visual Arts Union Institute and University (MA, PhD) |
Literary movement | LGBT rights, lesbian movement, feminism |
Website | |
ritamaebrownbooks |
Rita Mae Brown (born November 28, 1944) is an American feminist writer, best known for her coming-of-age autobiographical novel, Rubyfruit Jungle . Brown was active in a number of civil rights campaigns and criticized the marginalization of lesbians within feminist groups. Brown received the Pioneer Award for lifetime achievement at the Lambda Literary Awards in 2015.
Brown was born in 1944 in Hanover, Pennsylvania, to an unmarried teenage mother and her mother's married boyfriend. Brown's birth mother left her at an orphanage. Her mother's cousin, Julia Brown, and her husband, Ralph, retrieved the newborn Brown from the orphanage, [1] and raised her as their own in York, Pennsylvania, and later in Ft. Lauderdale, Florida. [2] Julia and Ralph Brown were active Republicans in their local party. [3]
Starting in late 1962, Brown attended the University of Florida on a scholarship. [4] In the spring of 1964, the administrators of the racially segregated university expelled her for participating in the civil rights movement. [4] She subsequently enrolled at Broward Community College [5] with the hope of transferring eventually to a more tolerant four-year institution. [6]
Brown hitchhiked to New York City and lived there between 1964 and 1969, sometimes homeless, [7] while attending New York University, [8] where she received a degree in classics and English. In 1968, she received a certificate in cinematography from the New York School of Visual Arts. [9]
Brown received a Ph.D. in literature from Union Institute & University in 1976 and holds a doctorate in political science. [10]
Brown wrote for Rat , an alternative bi-weekly that eventually became New York City's first women's liberation newspaper. [11] She also contributed to Come Out! , the gay liberation newspaper in NYC, published by the Gay Liberation Front. [12]
In 1982, Brown wrote a screenplay parodying the slasher genre titled Sleepless Nights; retitled The Slumber Party Massacre , the producers decided to play it seriously, and it was given a limited release theatrically. [13] Brown is featured in the feminist history film She's Beautiful When She's Angry . [14] [15]
In the spring of 1964, during her study at the University of Florida in Gainesville, she became active in the American Civil Rights Movement. Later in the 1960s, she participated in the anti-war movement, the feminist movement and the Lesbian Liberation movement. [16] She was involved with the Student Homophile League at Columbia University in 1967 but left it because the men in the league were not interested in women's rights. [17]
She was involved in the Redstockings, but also left the group because of its lack of involvement in lesbian rights. [17] She then went on to join the Gay Liberation Front, where she suggested the formation of an all-lesbian group, since many of the women felt excluded from the feminist movement and the male-led gay liberation movement. [17]
Brown took an administrative position with the fledgling National Organization for Women, but resigned in January 1970 over comments by Betty Friedan seen by some as anti-lesbian and by the NOW's attempts to distance itself from lesbian organizations. [18] Brown claimed that lesbian was "the one word that can cause the Executive Committee [of NOW] a collective heart attack." [19]
Brown played a leading role in the "Lavender Menace" zap of the Second Congress to Unite Women on May 1, 1970, which protested Friedan's remarks and the exclusion of lesbians from the women's movement. [20] [21] Brown and other lesbians from the Gay Liberation Front created The Woman-Identified Woman, which was distributed at the zap. The group that wrote the manifesto then went on to become the "Radicalesbians". [17]
While doing work for the American Civil Rights Movement, Brown was introduced to consciousness-raising groups, which she incorporated into the organizations she created and the ones she worked in. [22] [19]
In the early 1970s, she became a founding member of The Furies Collective, a separatist lesbian feminist collective in Washington, DC that held that heterosexuality was the root of all oppression. [20] The women wanted to create a communal living situation for radical feminists. The group purchased two houses, where they lived together and used consciousness raising techniques to talk about things like homophobia, feminism, and child rearing. [19] They believed that being a lesbian was a political act, not just a personal one. Brown was exiled from The Furies after a few months [17] and the group dismantled in 1972, a year after its inception. [19]
When asked if she had ever really come out, she told Time in 2008,
I don't believe in straight or gay. I really don't. I think we're all degrees of bisexual. There may be a few people on the extreme if it's a bell curve who really truly are gay or really truly are straight. Because nobody had ever said these things and used their real name, I suddenly became the only lesbian in America. It was hysterical. It was a misnomer, but it's okay. It was a fight worth fighting. [23]
Brown also does not consider herself a "lesbian writer" because she believes art is about connection and not about divisive labels. [19] In a 2015 interview for The Washington Post, Brown was asked if she thought awards in gay and lesbian literature were important; she replied:
I love language, I love literature, I love history, and I'm not even remotely interested in being gay. I find that one of those completely useless and confining categories. Those are definitions from our oppressors, if you will. I would use them warily. I would certainly not define myself — ever — in the terms of my oppressor. If you accept these terms, you're now lumped in a group. Now, you may need to be lumped in a group politically in order to fight that oppression; I understand that, but I don't accept it. [24]
Brown received grants from the National Endowment for the Arts and the Massachusetts Arts Council to publish her novel Six of One. [25]
In 1982, Brown was nominated for an Emmy for Outstanding Writing in a Variety or Music Program for I Love Liberty , [26] and again for the ABC mini-series The Long Hot Summer in 1985. [27]
She was co-winner of the 1982 Writers Guild of America Award for I Love Liberty, [27] [28] and the recipient of the New York Public Library's Literary Lion award of 1987. [28]
In 2015, Brown was presented the Pioneer Award for lifetime achievement at the 27th Lambda Literary Awards. [29]
In addition, Brown was nominated for an Audie award, and won both AudioFile Earphones and Publishers Weekly Listen-Up awards. [30]
Brown received an honorary doctorate from Wilson College in 1992. [28]
Starting in 1973, Brown lived in the Hollywood Hills in Los Angeles. [31] In 1978, she moved to Charlottesville, Virginia, where she lived briefly with American actress, author, and screenwriter Fannie Flagg, whom she had met at a Los Angeles party hosted by Marlo Thomas. They later broke up due to, according to Brown, "generational differences", although Flagg and Brown are the same age. [32] [33] [34]
In 1979, Brown met and fell in love with tennis champion Martina Navratilova. [32] In 1980, they bought a horse farm in Charlottesville where they lived together until their breakup, over Navratilova's then concern that coming out would hurt her application for U.S. citizenship. [32] Brown still lives on the estate in Charlottesville. [35] [36]
The Mrs. Murphy Mysteries include "Sneaky Pie Brown" as a co-author. [38]
"Sister" Jane Mysteries
Mags Rogers Mysteries
Rubyfruit Jungle is the first novel by Rita Mae Brown. Published in 1973, it was remarkable in its day for its explicit portrayal of lesbianism. The novel is a coming-of-age autobiographical account of Brown's youth and emergence as a lesbian author. The term "rubyfruit jungle" is a term used in the novel for the female genitals.
Lesbian feminism is a cultural movement and critical perspective that encourages women to focus their efforts, attentions, relationships, and activities towards their fellow women rather than men, and often advocates lesbianism as the logical result of feminism. Lesbian feminism was most influential in the 1970s and early 1980s, primarily in North America and Western Europe, but began in the late 1960s and arose out of dissatisfaction with the New Left, the Campaign for Homosexual Equality, sexism within the gay liberation movement, and homophobia within popular women's movements at the time. Many of the supporters of Lesbianism were actually women involved in gay liberation who were tired of the sexism and centering of gay men within the community and lesbian women in the mainstream women's movement who were tired of the homophobia involved in it.
Fannie Flagg is an American actress, comedian, and author. She is best known as a semi-regular panelist on the 1973–1982 versions of the game show Match Game and for the 1987 novel Fried Green Tomatoes at the Whistle Stop Cafe, which she adapted into the script for the 1991 motion picture Fried Green Tomatoes. She was nominated for an Academy Award for the screenplay adaptation. Flagg lives in California and Alabama.
Karla Jay is a distinguished professor emerita at Pace University, where she taught English and directed the women's and gender studies program between 1974 and 2009. A pioneer in the field of lesbian and gay studies, she is widely published.
Lavender Menace was an informal group of lesbian radical feminists formed to protest the exclusion of lesbians and their issues from the feminist movement at the Second Congress to Unite Women in New York City on May 1, 1970. Members included Karla Jay, Martha Shelley, Rita Mae Brown, Lois Hart, Barbara Love, Ellen Shumsky, Artemis March, Cynthia Funk, Linda Rhodes, Arlene Kushner, Ellen Broidy, and Michela Griffo, and were mostly members of the Gay Liberation Front (GLF) and the National Organization for Women (NOW). They later became the Radicalesbians.
Jean O'Leary was an American lesbian and gay rights activist. She was the founder of Lesbian Feminist Liberation, one of the first lesbian activist groups in the women's movement, and an early member and co-director of the National Gay and Lesbian Task Force. She co-founded National Coming Out Day.
Jill Johnston was a British-born American feminist author and cultural critic. She is most famous for her radical lesbian feminism book, Lesbian Nation and was a longtime writer for The Village Voice. She was also a leader of the lesbian separatist movement of the 1970s. Johnston also wrote under the pen name F. J. Crowe.
"The Woman-Identified Woman" was a ten-paragraph manifesto, written by the Radicalesbians in 1970. It was first distributed during the Lavender Menace protest at the Second Congress to Unite Women, hosted by the National Organization for Women (NOW) on May 1, 1970, in New York City in response to the lack of lesbian representation at the congress. It is now considered a turning point in the history of radical feminism and one of the founding documents of lesbian feminism redefining the term "lesbian" as a political identity as well as a sexual one.
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Lesbian literature is a subgenre of literature addressing lesbian themes. It includes poetry, plays, fiction addressing lesbian characters, and non-fiction about lesbian-interest topics. A similar term is sapphic literature, encompassing works that feature love between women that are not necessarily lesbian.
The Furies Collective was a short-lived commune of twelve young lesbian separatists in Washington, D.C., in 1971 and 1972. They viewed lesbianism as more political than sexual, and declared heterosexual women to be an obstacle to the world revolution they sought. Their theories are still acknowledged among feminist groups.
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While I was enchanted by the animals, mother was often more taken with the people. She was active in the local Republican party and knew everyone. Of course, it's easy to know a lot of people in a small place. Dad was also involved in politics. Cigar in hand, a big smile on his handsome face, he would chat up the town's men as he walked me down to the horse car.
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