Sergei Sergeyevich Prokofiev was a Russian composer, pianist, and conductor who later worked in the Soviet Union. As the creator of acknowledged masterpieces across numerous music genres, he is regarded as one of the major composers of the 20th century. His works include such widely heard pieces as the March from The Love for Three Oranges, the suite Lieutenant Kijé, the ballet Romeo and Juliet—from which "Dance of the Knights" is taken—and Peter and the Wolf. Of the established forms and genres in which he worked, he created—excluding juvenilia—seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, a symphony-concerto for cello and orchestra, and nine completed piano sonatas.
Susan Milan is an English professor of flute of the Royal College of Music, classical performer, recording artiste, composer, author and entrepreneur.
Tania León is a Cuban-born American composer of both large scale and chamber works. She is also renowned as a conductor, educator, and advisor to arts organizations.
Sir James Loy MacMillan, is a Catholic Scottish classical composer and conductor.
The Fiery Angel, Op. 37, is an opera by Russian composer Sergei Prokofiev. The opera was composed between 1919 -and 1927. It was premiered posthumously in 1955 in Venice, in Italian. The work was not presented to Russian audiences until the 1990s, most notably by the Mariinsky Theatre, after the dissolution of the Soviet Union.
War and Peace is a 1946 230-minute opera in 13 scenes, plus an overture and an epigraph, by Sergei Prokofiev. Based on the 1869 novel War and Peace by Leo Tolstoy, its Russian libretto was prepared by the composer and Mira Mendelson. The first seven scenes are devoted to peace, the latter six, after the epigraph, to war.
Classical music of the United Kingdom is taken in this article to mean classical music in the sense elsewhere defined, of formally composed and written music of chamber, concert and church type as distinct from popular, traditional, or folk music. The term in this sense emerged in the early 19th century, not long after the United Kingdom of Great Britain and Ireland came into existence in 1801. Composed music in these islands can be traced in musical notation back to the 13th century, with earlier origins. It has never existed in isolation from European music, but has often developed in distinctively insular ways within an international framework. Inheriting the European classical forms of the 18th century, patronage and the academy and university establishment of musical performance and training in the United Kingdom during the 19th century saw a great expansion. Similar developments occurred in the other expanding states of Europe and their empires. Within this international growth the traditions of composition and performance centred in the United Kingdom, including the various cultural strands drawn from its different provinces, have continued to evolve in distinctive ways through the work of many famous composers.
The Symphony No. 6 in E-flat minor, Op. 111, by Sergei Prokofiev was completed and premiered in 1947. Sketches for the symphony exist as early as from June 1945; Prokofiev had reportedly begun work on it prior to composing his Fifth Symphony. He later remarked that the Sixth memorialized the victims of the Great Patriotic War.
Sergei Prokofiev's Violin Sonata No. 1 in F minor, Op 80, written between 1938 and 1946, is one of the darkest and most brooding of the composer's works. Prokofiev was awarded the 1947 Stalin prize for this composition.
The last complete piano concerto by Sergei Prokofiev, Piano Concerto No. 5 in G major, Op. 55, dates from 1932.
Sergei Prokofiev did not manage to compose more than a few bars of his Piano Concerto No. 6 before his death in 1953, so it is impossible to reconstruct the underlying musical ideas and complete it.
Erik William Chisholm was a Scottish composer, pianist, organist and conductor sometimes known as "Scotland's forgotten composer". According to his biographer, Chisholm "was the first composer to absorb Celtic idioms into his music in form as well as content, his achievement paralleling that of Bartók in its depth of understanding and its daring", which led some to give him the nickname "MacBartók". As composer, performer and impresario, he played an important role in the musical life of Glasgow between the two World Wars and was a founder of the Celtic Ballet and, together with Margaret Morris, created the first full-length Scottish ballet, The Forsaken Mermaid. After World War II he was Professor and Head of the South African College of Music at the University of Cape Town for 19 years until his death. Chisholm founded the South African College of Music opera company in Cape Town and was a vital force in bringing new operas to Scotland, England and South Africa. By the time of his death in 1965, he had composed over a hundred works.
Mary Ann Kennedy, is a Scottish musician, singer, choral director, composer, radio and television presenter, and music producer.
Maddalena is an opera in one act by the Russian composer Sergei Prokofiev, who also wrote the libretto based on a play of the same name by Magda Gustavovna Lieven-Orlov. That play was in turn based on Oscar Wilde's play A Florentine Tragedy.
Vanessa Benelli Mosell is an Italian pianist and conductor.
Elizabeth MacNicol (1869–1904) was a Scottish painter and member of the Glasgow Girls group of artists affiliated with the Glasgow School of artists.
Barbara Nissman is an American pianist. She is especially known for her interpretations and performances of the works of Alberto Ginastera and Sergei Prokofiev which feature prominently in her repertoire. She is also a writer and a producer of a new DVD series, and a guest clinician presenting concerts, master classes and lectures world-wide.
Anne Hutchison McAllister was a leading Scottish speech therapist and teacher.
Geoffrey Norris is an English musicologist and music critic. His scholarship focuses on Russian composers; in particularly, Norris is a leading scholar on the life and music of Sergei Rachmaninoff, about whom he has written in numerous articles and a 1976 book-length study. He was chief classical music critic of The Daily Telegraph from 1995 to 2009.
On Guard for Peace, also translated as On Guard of Peace, Op. 124 is an oratorio by Sergei Prokofiev scored for narrators, mezzo-soprano, boy soprano, boys choir, mixed choir, and symphony orchestra. Each of its ten movements sets texts by Samuil Marshak, who had collaborated previously with the composer in the work Winter Bonfire, Op. 122.
Cohen, Aaron I. International encyclopedia of women composers : classical and serious music New York: R. R. Bowker, 1981.
