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Robert Chevara is a British director and writer. He was born in London to a single parent Mother.
An original member of The Old Vic Youth Theatre with Sophie Thompson, Oliver Parker, Linda Henry, April De Angelis and Rikki Beadle-Blair. He met Rikki there when he was fifteen years old and they became lifelong friends. He started an a cappella singing group with Michelle Baughan and Rikki called Three People when he was seventeen. The group sang at the opening of Gay's the Word bookshop. He headlined singing before 40,000 people at Gay Pride on a bill which included Sandie Shaw and Andy Bell.
He wrote several articles about Teenagers' problems for Gay Times, book and Ballet reviews for various magazines and assisted Derek Jarman on his film of The Tempest.
At nineteen years old he started his first theatre company (Rollercoaster) and directed "Mary Rose" by J.M. Barrie, "Hamlet" and his own play "Larks" to huge critical and commercial success. Rikki Beadle-Blair was Hamlet in the groundbreaking production.
He then assisted Richard Jones on a production of "Rigoletto" for Opera 80 and also assisted David Freeman on several productions. David became his mentor and offered him his London opera debut directing Bruno Maderna's Satyricon for David's company Opera Factory. It was the opera's UK premiere, controversial, highly successful and Chevara received further offers to direct Worldwide.
ROBERT CHEVARA is a freelance theatre and opera director who divides his time between London and Berlin. He is currently an Associate Director at the King's Head Theatre in London, and was previously the Director of Productions at English Touring Opera for four years. He is the recipient of a cultural study award from the Japanese Government, as well as a Churchill Fellowship award. His production of Tennessee Williams's Vieux Carré won Best Revival of a Play Award 2013 from Front Row Dress. His production of William's In the Bar of a Tokyo Hotel starring Linda Marlowe was cited in The Times as one of the great productions of 2016. He's fluent in French, German and Italian.
His numerous theatre productions include the world premiere of Lionel Bart's musical Quasimodo (Kings Head Theatre, 2013); Tennessee Williams's Vieux Carré (Charing Cross Theatre transfer from King's Head Theatre) and The Glass Menagerie (TheatreSpace, London); As You Like It (English Theatre Berlin); Fair!, devised play with music (NYT at Bullwood Hall Prison, Essex); Caryl Churchill's Top Girls (Hau Theatre, Berlin); Cake/Hotter than Rochester by Paul Doust (Paines Plough / Théâtre du Neslé. Paris); Strindberg's Easter (TheatreSpace, London); Mary and Frank by Robert Chevara (Bush Theatre); Eva Perón/The Four Twins, a double-bill by Copi and The Magic Box by Bertie Marshall Battersea Arts Centre; the Danish premiere of Mike Bartlett's Cock and Bull (Aalborg Teater); the German Premiere of Gail Louw's Blonde Poison (Brotfabrik Berlin); plays at Theatre Royal Stratford East, Soho Theatre, Arcola Theatre and Unity 1918 by John Kerr (Old Vic Theatre).
For Opera, his productions include West End Girl (a new version of Puccini's La Fanciulla del West, King's Head Theatre); Albert Herring (Britten, Copenhagen Opera House); La Voix Humaine (Cocteau/Poulenc, Stockholm Opera House, awarded Best Contemporary Opera production in Sweden); Powder Her Face (Thomas Adès, Ystad Opera, awarded Best Contemporary Opera Production in Sweden); Potent Shakespeare (Andrew Toovey, Festival Hall, London); Pascal Dusapin's To Be Sung (world premiere, Banff Centre); Puccini's Madama Butterfly (New Zealand Opera); Stravinsky's The Rake's Progress, Bizet's Carmen, Verdi's Macbeth, Beethoven's Fidelio, Massenet's Werther (all English Touring Opera); Barber's A Hand of Bridge; Gershwin's Blue Monday; and Bernstein's Trouble in Tahiti (all Barbican Centre, designed by Chevara); Mozart's Magic Flute (Holland Park Opera, London); Dvořák's The Cunning Peasant; Poulenc's Les Dialogue des Carmélites; and Britten's Albert Herring (all Guildhall School of Music and Drama; Mozart's Idomeneo, Rossini's La Cenerentola and Britten's A Midsummer Night's Dream (all Copenhagen Opera Academy); Prokofiev's The Fiery Angel (Royal Opera House, Associate Director with David Freeman); Rossini's The Barber of Seville (Dublin Grand Opera); Maderna's Satyricon (Opera Factory/The Drill Hall, London); as well as numerous operas by Rameau, Haydn, Verdi, Bizet, Rossini, Handel, Donizetti (all Royal Academy of Music and Royal College of Music)
He has also directed large casts of adults and young people including the world premiere of Luciano Berio's Twice Upon (180 children and 3 soloists), Royal Festival Hall, the first ever Southbank Centre Summer School and work in prisons for the National Youth Theatre.
THE VAMPIRE (Der Vampyr), a BBC TV mini-series which was a Bafta and Prix Italia winner.
Shot and directed two recent films: "Sandra" and "Who's Afraid of Woof Woof Woof?". "Woof" was screened to great acclaim at the London Lesbian and Gay Film Festival.
He wrote a book, West End Girl, (Oberon Books), several successful plays and numerous published poems. He's also written several opera libretti. His first poetry collection, 'Perfect. Scar', edited by Rikki Beadle-Blair and John R Gordon was published by Team Angelica Publishing 22 April 2022. [1]
2016 "In the bar of a Tokyo Hotel" selected as one of the 10 best productions of the year. The Times.
2013 Best Revival of a Play for Vieux Carré from Front Row Dress
2009 Best Contemporary Opera Production Award (La Voix Humaine) Sweden
1999 Best Contemporary Opera Production Award (Powder Her Face) Sweden
1997 Japanese Government Cultural Study Award
1995 Churchill Fellowship Award for Opera
The English Opera Group was a small company of British musicians formed in 1947 by the composer Benjamin Britten for the purpose of presenting his and other, primarily British, composers' operatic works. The group later expanded to present larger-scale works, and was renamed the English Music Theatre Company. The organisation produced its last opera and ceased to run in 1980.
The King's Head Theatre, founded in 1970 by Dan Crawford, is an off-West End venue in London. It is the oldest operating pub theatre in the UK. In 2021, Mark Ravenhill became Artistic Director and the theatre focusses on producing LGBTQ+ work, work that is joyful, irreverent, colourful and queer.
Jennifer Brigit Vyvyan was a British classical soprano who had an active international career in operas, concerts, and recitals from 1948 up until her death in 1974. She possessed a beautifully clear, steady voice with considerable flexibility in florid music. She was praised for her subtle phrasing and her dramatic gifts enabled her to create vivid individual portrayals. Although she sang a broad repertoire, she is particularly remembered for her association with the works of Benjamin Britten; notably singing roles created for her in the world premieres of several of his operas with the English Opera Group.
Richard Barrington "Rikki" Beadle-Blair MBE is a British actor, director, and playwright. He is the artistic director of multi-media production company Team Angelica.
Peter Quilter is a West End and Broadway playwright whose plays have been translated into 30 languages and performed in over 40 countries. He is best known for his Broadway play End of the Rainbow, which was adapted for the Oscar-winning film Judy (2019), starring Renée Zellweger. He is also author of the West End comedy "Glorious!" about the amateur opera singer Florence Foster Jenkins. Peter has twice been nominated for the Olivier Award and his Broadway debut was nominated for 3 Tony Awards.
Satyricon is a chamber opera by Bruno Maderna with a libretto adapted by Ian Strasfogel and the composer from Petronius's Satyricon. It was written during Maderna's last illness in 1973 and premièred as part of the Holland Festival on 16 March 1973, in Scheveningen, Netherlands.
John R. Gordon is a British writer. His work – novels, plays, screenplays and biography - deals with the intersections of race, sexuality and class. With Rikki Beadle-Blair he founded and runs queer-of-colour-centric indie press Team Angelica. Although he was a "white person from a white suburb", according to Gordon, in the 1980s he became deeply interested in black cultural figures such as James Baldwin, Malcolm X and Frantz Fanon, and they have influenced his work ever since.
(Albert) Meredith Davies CBE was a British conductor, renowned for his advocacy of English music by composers such as Benjamin Britten, Frederick Delius and Ralph Vaughan Williams.
Barrie Kosky is an Australian theatre and opera director. Based at the Komische Oper Berlin, he has worked internationally.
Paul Keating is an English actor. He has been nominated twice for an Olivier Award for his performances on the West End stage. He began acting at the age of 12, appearing as Gavroche in Les Misérables at The Palace Theatre for 10 months.
Madeleine Boyd is a British set and costume designer who trained in Theatre Design at Central St. Martins College of Art and Design and graduated in 2001.
David Parry is an English conductor who is particularly known for his work in opera. Described as "a man of the theatre with whom directors love to work; he is good with singers; he knows the British opera world like the back of his hand. He is a controversial and outspoken defender of the operatic form, and a passionate advocate of opera in English", his work includes a large discography of complete opera recordings of rarely performed works made on the Opera Rara and Chandos record labels, as well as works recorded with well-known British and European orchestras. Parry is also a member of the support staff of the Cardiff International Academy of Voice. David Parry can sing an F below the stave on a good day.
Adam Spreadbury-Maher is an Australian/Irish theatre artistic director, producer and writer. He is the founding artistic director of the Cock Tavern Theatre, OperaUpClose and The Hope Theatre, and was artistic director of the Kings Hesd until 2021 King's Head Theatre. Spreadbury-Maher introduced the first unionised pay agreement for actors in a pub-theatre in 2011, and in 2017 introduced the first fringe creative pay agreement and gender policy.
Tobias Hoheisel is a German-born stage designer and director.
Laurence Dale is an English tenor, artistic director and conductor.
Fit is a 2010 film written and directed by Rikki Beadle-Blair, and commissioned by the Gay Rights Charity Stonewall. It is adapted from the 2008 play of the same name about the everyday lives of a group of both gay and straight millennial students taking drama and dance class. The original play had been developed in 2008 to address the growing problem of homophobic bullying in British schools, and was especially created for KS3 students, with a specific focus on learning objectives from the National Curriculum including PHSE and Citizenship. The film itself was opened in the form of an introductory chapter, with six interlinking chapters of fifteen minutes, each focusing on one of the main characters in a first-person perspective of their life, views and problems. The DVD release of Fit also contained five video diaries for each of the characters, giving students and other viewers the opportunity to listen to the characters talking more in-depth about their feelings and the situation they are facing.
Damiano Michieletto is an Italian stage director especially known for opera. He has staged productions at leading opera houses and festivals worldwide. His awards include the 2015 Laurence Olivier Award for the production of Mascagni's Cavalleria rusticana and Leoncavallo's Pagliacci at the Royal Opera House in London.
Christof Loy is a German stage director especially for opera, whose work received several awards. A freelance director, he has staged operas from Baroque to premieres of new works at major European opera houses and festivals. He is known for directing works by Mozart.
Mark Milhofer is an English operatic tenor, who has performed at major international opera houses, beginning his career in Italy. Besides the standard repertoire, the singer has appeared in historically informed performances such as Monterverdi's L'incoronazione di Poppea, in 20th-century operas by Benjamin Britten and Gian Carlo Menotti, and in premieres of new operas.
Floris Visser is a Dutch opera director and arts administrator. As an internationally acclaimed and award-winning director, he is considered one of the leading talents of his generation. Visser works in renowned opera houses such as Glyndebourne Festival Opera, Zürich Opera House, the Bolshoi Theatre Moscow, the Royal Danish Opera, Dutch National Opera & the Internationale Händelfestspiele. He holds professorships at several prominent institutes for the arts.