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Mamani Mamani | |
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Born | Roberto Aguilar Quisbert 6 December 1962 |
Known for | Painting, Drawing, Photography, Sculpture |
Roberto Aguilar Quisbert (born 6 December 1962), better known as Roberto Mamani Mamani, is a Bolivian artist. Roberto Mamani Mamani is a self-taught, first-generation indigenous artist from Bolivia. who also goes by the name Roberto Aguilar Quisbert. The media Mamani Mamani works with are drawing and painting. Robert's art is driven by the inspiration of his culture and traditions, resulting in his work to become very colorful in order to mimic traditional colorful clothing that is worn in his culture.
He is part of a two Indigenous groups located Southern America called Quechua and Aymara. It was forbidden for Roberto's parents to marry due to the tribe they belonged to, therefore they runway from Tiahuanacu to Cochapampa-land is where Robert and his sister grow up. Due to relocation and different customs it was hard for Robert not to notice that they were different from the community they lived in. Our to the different tribal backgrounds his work is significant in its use of Aymara indigenous tradition and symbols.
Roberto was the first in his family to graduate from high school, later he enrolled in to Universidad Mayor de San Andrés de La Paz. to study law. However his love for art and wanting to understand his self identity push him to create artwork. With his art work on the rise Roberto took inspiration from traditional indigenous clothing his mother would wear. [1]
It is important to note that Mamani Mamani began to create art, without "proper./ formal training". Roberto experimented with paintings with ashes, clay, stones and other inexpensive materials from his surroundings. Roberto art takes more inspiration from Aymara tribe. Also known as Andean. Merging heavily Aymara believes, culture and Mamani Mamani worlds and experiences together, he created his own "world"/ style of the combination. Naming it Andean Universe
His art work mostly consisted of painting, Mamani Mamani's paintings draw upon his Aymara heritage, and include colorfully stylized images of indigenous mothers, condors, suns, and moons, among other themes. Mamani Mamani uses strong vibrant colors similar to the colors featured in the traditional handmade weavings that are widely used by the indigenous people of the Bolivian Altiplano. His use of indigenous symbols is especially significant in the South American context where indigenous cultures have been viewed as inferior to European culture.
In 2016, he made murals at the walls of the Wiphala social housing complex, located in El Alto. [2]
This is mural project that consists of seven blocks and 12 story high making it the second largest mural in this country. This project is also important because it is the first time in history that the government's state has interfered with their peoples living conditions. These apartments were created to help peoples living conditions in this city. therefore these apartments are exclusively for low income families, freshly married couples, and students. These renovated apartments are sold at half market prices value when compared to near by housing. This project took proximally 5 moths to complete.
Mamani Mamani has also partnered up with the Embassy of the PlurinationalState of Bolivia to make more substantial trade. Involving the global fashion exchange and the Vouge magazine in April 2019. This resulted in recruitment of Bolivia designers to collaborate with the fashion industry to promote this fair trade.
Georgina Javor partnered with Roberto and others. To create art programs through D.C., this program include workshops for young children to creating works inspired by Ecuador, Bolivia and Peru art. The goal of this program was to teach young artists and musicians about the Aymara, Quechuan, and other indigenous culture. The craftsmanship shown to these children holds a lot of symbolism, color and tradition from these communities. This project has resulted in leading to 60 exhibitions throughout the state.
Thought this program 25 of Roberto work has been curated and Mamani is seen as a cultural value to this community.Since this project Roberto has also showcased in exhibitions with smaller artist.
Roberto has also collaborated with University of Philadelphia in 2021. Under the Latin American Center and Latin studies. He creating a mural featuring indigenous people, animals and landscape of the area. The university collaborated with near by programs, resulting in Roberto attend a few events based around the artist.
His art has been exhibited around the world, including shows in Washington, D.C., Tokyo, Munich, China, Singapore, and London. [3]
Mural Arts Philadelphia Welcome Event, September 1, 202, Mural Arts Philadelphia
Community Paint Day, September 2,202, Philadelphia Animal Specialty and Emergency
Artist Talk,September 8, 2021, Center for Latin American and Latinx Studies
Mural Dedication,September 28, 2012, Philadelphia Animal Specialty and Emergency
Let's Make Art Like Roberto Mamani Mamani, September 27,2023 , Santa Clara City Library
Artist Talk, September 29,2023, Bryn Mawr college
Arts Enrichment-Arte Y Cultura: Contemporary explorations, January 22, 2021 - May 21, 2021, Kala Art Institute
Mother Earth "Pachamama" Colors and the Andean Cosmovision' October 25 - November 9, 2017, Korea Foundation Gallery
Permeant collection, Cornell Art Museum
The demographic characteristics of the population of Bolivia are known from censuses, with the first census undertaken in 1826 and the most recent in 2012. The National Institute of Statistics of Bolivia (INE) has performed this task since 1950. The population of Bolivia in 2012 reached 10 million for the first time in history. The population density is 9.13 inhabitants per square kilometer, and the overall life expectancy in Bolivia at birth is 68.2 years. The population has steadily risen from the late 1800s to the present time. The natural growth rate of the population is positive, which has been a continuing trend since the 1950s; in 2012, Bolivia's birth rate continued to be higher than the death rate. Bolivia is in the third stage of demographic transition. In terms of age structure, the population is dominated by the 15–64 segment. The median age of the population is 23.1, and the gender ratio of the total population is 0.99 males per female.
The Aymara or Aimara, people are an indigenous people in the Andes and Altiplano regions of South America. Approximately 2.3 million Aymara live in northwest Argentina, Bolivia, Chile, and Peru. The ancestors of the Aymara lived in the region for many centuries before becoming a subject people of the Inca Empire in the late 15th or early 16th century, and later of the Spanish in the 16th century. With the Spanish American wars of independence (1810–1825), the Aymaras became subjects of the new nations of Bolivia and Peru. After the War of the Pacific (1879–1883), Chile annexed territory with the Aymara population.
Gonzalo Daniel Sánchez de Lozada Sánchez Bustamante, often referred to as Goni, is a Bolivian-American businessman and politician who served as the 61st president of Bolivia from 1993 to 1997 and from 2002 to 2003. A member of the Revolutionary Nationalist Movement (MNR), he previously served as minister of planning and coordination under Víctor Paz Estenssoro and succeeded him as the MNR's national chief in 1990.
Túpac Katari or Catari, born Julián Apasa Nina, was the indigenous Aymara leader of a major insurrection in colonial-era Upper Peru, laying siege to La Paz for six months. His wife Bartolina Sisa and his sister Gregoria Apaza participated in the rebellion by his side. The rebellion was ultimately put down by Spanish loyalists and Katari was executed by quartering.
Roberto Guardia Berdecio was a Bolivian-born artist and a significant contributor to the important political and cultural art movement in Mexico during the 1950s and 1960s.
The Wiphala is a square emblem commonly used as a flag to represent some native peoples of the Andes that include today's Bolivia, Peru, Chile, Ecuador, northwestern Argentina and southern Colombia. The 2009 Constitution of Bolivia established the southern Qullasuyu Wiphala as another national symbol of Bolivia, along with the red-yellow-green tricolor.
Apu Mallku is an Aymara title meaning "supreme leader" or "king" conferred on a Mallku or "prince". The Apu Mallku's mandate is to oversee the vast network of Ayllus, an ancient Andean system of governing councils that predates even the Inca empire. It appears that the mandate of the Apu Mallku was initially restricted to the Collasuyu but it could now be interpreted to extend to the bounds of the much larger former Inca realm of the Tawantinsuyu which stretched throughout the Andes incorporating the modern states of Bolivia, Peru, Ecuador, Chile and Argentina. The self-appellation for the people of this combined territory is Qullana.
The Morenada is an Andean folk dance whose origins are still under debate. This dance is practiced mainly in Bolivia as well as in Peru and in recent years with Bolivian immigration in Chile, Argentina and other countries.
Conscience of the Fatherland was a populist political party in Bolivia in the late 20th and early 21st centuries. The party was led by Carlos Palenque.
Katarism is a political movement in Bolivia, named after the 18th-century indigenous leader Túpac Katari.
The National Council of Ayllus and Markas of Qullasuyu is a confederation of traditional governing bodies of Quechua-, Aymara- and Uru-speaking highland indigenous communities in the departments of La Paz, Oruro, Potosí, Cochabamba, Chuquisaca and Tarija, Bolivia. Specifically, it represents the following 16 suyus: Jacha Carangas, Jatun Quillacas, Asamajaquis, Charcas Qara Qara, Council of Ayllus of Potosí, Qara Qara Suyu, Sora, Kallawaya, Leco, Larecaja, Colla, Chui, Paca Jake, Ayllus of Cochabamba, Kapaj Omasuyus and Yapacaní. CONAMAQ was founded on March 22, 1997, with the purpose of restoring the self-governance of "original nations" including "collective rights to land and natural resources, re-definition of administrative units and self-determination exercised through indigenous autonomies and direct representation in state institutions." CONAMAQ is a member of the National Coordination for Change, and of the Andean Coordination of Indigenous Organizations. It was a member of the Pact of Unity in Bolivia from its founding until December 2011.
Bolivians are people identified with the country of Bolivia. This connection may be residential, legal, historical or cultural. For most Bolivians, several of these connections exist and are collectively the source of their being Bolivian.
Indigenous peoples in Bolivia, or Native Bolivians, are Bolivian people who are of indigenous ancestry. They constitute anywhere from 20 to 60% of Bolivia's population of 11,306,341, depending on different estimates, and depending notably on the choice Mestizo being available as an answer in a given census, in which case the majority of the population identify as mestizo, and they belong to 36 recognized ethnic groups. Aymara and Quechua are the largest groups. The geography of Bolivia includes the Andes, the Gran Chaco, and the Amazon Rainforest.
Mamani is a surname, and may refer to;
Fernando Huanacuni Mamani is a Bolivian politician, lawyer and researcher. He served as the Foreign Minister of Bolivia from 2017 to 2018.
Inés Córdova Suárez was a Bolivian artist.
The architecture of Bolivia is closely related to its history, culture and religion. Bolivian architecture has been constantly changing and progressing over time. Subject to terrain and high altitudes, most of Bolivia's Pre-Columbian buildings were built for housing, mainly influenced by Bolivian indigenous culture. The arrival of Spanish settlers brought many European-style buildings, and the Spaniards began planning to build big cities. After Independence, the architectural style became Neoclassical and many churches and government buildings were built. In modern Bolivia, like many countries, skyscrapers and post-modern buildings dominate, and of course there are special styles of architecture to attract tourists and build.
Freddy Mamani Silvestre is a Bolivian self-taught architect noted for his development of the Neo-Andean architectural style. His work is most associated with the city of El Alto and with the new social class of upwardly mobile indigenous Bolivians.
Neo-Andean is a contemporary architectural movement primarily situated in El Alto, Bolivia, expressed in the city's many cholets, or mini-mansions, and dancehalls. Bolivian architect Freddy Mamani has been described as "the best-known architect" of neo-Andean architecture. Mamani is "a civil engineer who began as a simple laborer two decades ago" and has built over 60 neo-Andean structures in El Alto since 2005.
The flag of the patujú flower is a flag used at official events of the Bolivia government, which shows Bolivia's national flower. The latter represents the indigenous peoples of Eastern Bolivia and has been used as a symbol of protest against the construction of a highway in TIPNIS by the opponents of Evo Morales in that area of the country.
Mamani Mamani Gallery | La Paz, Bolivia | Attractions - Lonely Planet. (n.d.). Lonely Planet. [4]
A New Mural by Bolivian Artist Roberto Mamani Mamani Brings the Vibrant and Powerful Energy of the Andes to Philadelphia | Center for Latin American and Latinx Studies. [5] Roberto Mamani Mamani [1]
Roberto Mamani Mamani – South American Street Art Fund. (n.d.). [6]
"Presidente Morales Inaugura Condominio 'Wiphala' En El Alto, La Obra De Vivienda Social Más Grande Del País." Viceministerio De Comunicación - Bolivia [7]
Rule, Doug. "Bright Bolivian Art." Metro Weekly, 12 Feb. 2014, [8]
La Paz, U. S. Embassy. "Sustainable Fashion and Fair Trade - U.S. Embassy in Bolivia." U.S. Embassy in Bolivia, 18 Oct. 2021, bo.usembassy.gov/sustainable-fashion-and-fair-trade.
Eric Mohl, CPO (Chief Photography Officer). "Roberto Mamani Mamani Murals in El Alto, Bolivia." Trans, 1 Apr. 2021, trans-americas.com/mamani-mamani-murals-bolivia/.
Johnson, Jenny Donnelly. "Bolivia's Roberto Mamani Mamani in Residence." Mural Arts Philadelphia, 1 Sept. 2023, [9]
Santa Clara Public Library | Home Library, www.sclibrary.org/.
Department of Spanish Presents A Conversation with Roberto Mamani Mamani. (n.d.). Bryn Mawr College. [10]
Arts Enrichment- Arte y Cultura: Contemporary Explorations (Grades K-5) - Kala Art Institute. (2021, September 5). Kala Art Institute. [11]
한국국제교류재단 KF. (n.d.). [12]
Paper, P. B. A. (2017, October 14). Delray's Cornell Museum gets ready for its new look, reopening. [13]