Roberto Ransom | |
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Born | Roberto Ransom Carty 1960 (age 63–64) Mexico City |
Education |
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Occupation | Academic writer |
Notable work | Missing Persons, Animals, and Artists A Tale of Two Lions Te guardaré la espalda La Casa Desertada: Graham Greene En Mexico Carlos y los objetos |
Honours |
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Roberto Ransom Carty (born 1960) is a Mexican writer. [1] Regarded as one of Mexico's most original authors, [2] his published work includes novels, collections of short stories, poetry, an essay on Graham Greene and work on Mexico, [3] as well as several award-winning children's books. [4] He is a member of the Sistema Nacional de Creadores de Arte. [5]
Roberto Ransom was born in Mexico City to a second-generation Irish American family that emigrated to Mexico. For his undergraduate education, Ransom applied to the National Autonomous University of Mexico where he studied dramatic literature and theater at the School of Philosophy and Letters. His time there introduced him to the artistic world of Mexico during the La Decada Perdida of the 1980s.
After nearly a decade of working as a journalist and writer, [6] Ransom received a Fulbright-Garcia Robles Scholarship and studied for a M.A. and a PhD degree in theology, ethics, and culture at the University of Virginia in the late 1990s. [7] Afterwards, he returned to Mexico to write and teach at the Autonomous University of Chihuahua.
At the School of Philosophy and Letters, and during his early career, Roberto Ransom formed close friendships with other young writers such as Ana García Bergua, [8] Tedi López Mills, Ignacio Padilla, [9] and Jennifer Clement .This generation of writers discovered beyond magic realism through work that was only implicitly related to Mexico or Latin America. Instead, it placed emphasis on experimentation and structure by using polyphonic and nonlinear narratives, as well as unreliable narrators, and usage of Mexican Spanish. Ransom's work is unique in that it can also be read as simultaneously relating to the foreign experience in Mexico, and to foreign realities experienced through a subtle but uniquely Mexican sensibility.
Ransom's work is also influenced by English and American Gothic writing traditions. His writing has been described as "clear, pellucid writing for dark and tortuous stories" by American translator Edith Grossman, [10] who went on to describe this tension as "a devastating contrast between substance and style". His writing has also been regarded as charming, [11] subtle and refined, with emotionally deep characters and insights. [12] Ransom's writing is known for focusing on building atmosphere and ideas,seldom relying on sharp twists or outsized action. [13]
Both his novel Tale of Two Lions (Norton 2007), [14] and the collection of short stories Missing Persons, Animals, and Artists (Swan Isle Press/University of Chicago 2018), [15] have been translated and published in English. [16] Missing Persons, Animals, and Artists has enjoyed critical acclaim for its translation by Daniel Shapiro, [17] who was awarded grants by PEN America, [18] and the National Endowment for the Arts for its completion.
Roberto Ransom is married and has three children. He currently lives in Chihuahua, Mexico, where he is a tenured professor at the Autonomous University of Chihuahua. [19]
Carmen Boullosa is a Mexican poet, novelist and playwright. Her work focuses on the issues of feminism and gender roles within a Latin American context. It has been praised by a number of writers, including Carlos Fuentes, Alma Guillermoprieto, Roberto Bolaño and Elena Poniatowska, as well as publications such as Publishers Weekly.
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Estrella del Valle is a Mexican poet. She was born in Córdoba, Veracruz, in 1971 and studied creative writing at the Writer's General Society of Mexico.
Margo Glantz Shapiro is a Mexican writer, essayist, critic and academic. She has been a member of the Academia Mexicana de la Lengua since 1995. She is a recipient of the FIL Award.
Ignacio Solares Bernal was a Mexican novelist, editor and playwright, whose novel La invasión was a bestseller in Mexico and Spain. Until 2005 he served as the Coordinator of Cultural Activities for Literature and Arts at the National Autonomous University of Mexico (UNAM); he was a faculty member there and directed the cultural magazine Revista de la Universidad de México. He formerly served as director of the Department of Theater and Dance and the Division of Literature at UNAM. He also edited the cultural supplement to the weekly magazine Siempre!.
The Alfonso Reyes International Prize is a Mexican award given for meritorious lifetime contributions to literary research and criticism. It was founded in 1972 by the economist turned author/critic, Francisco Zendejas and was named in honor of Alfonso Reyes, a well-known Mexican literary critic, author and poet.
Sebastián is a Mexican sculptor best known for his monumental works of steel and/or concrete in both Mexico and abroad. These include a number of “gate” sculptures such as the Gran Puerta a México in Matamoros, Tamaulipas but his most famous sculpture is the “Caballito” located in downtown Mexico City. His works are found in various countries outside Mexico, such as Japan where two are now used as city symbols.
The Instituto Nacional de Bellas Artes y Literatura, located in the Palacio de Bellas Artes in Mexico City, is the Mexican institution in charge of coordinating artistic and cultural activities in the country.
Daniel Sada Villarreal was a Mexican poet, journalist, and writer, whose work has been hailed as one of the most important contributions to the Spanish language.
The history of opera in Latin America dates back to at least the early 18th century. Newspaper articles suggest that, around the time that Italian opera was introduced to Latin America, it was received with some disdain due to the language barrier. However, translations in the librettos of certain operas suggest that there was greater interest from Latin Americans than the news had credited. Opera arrived in Latin America as a consequence of European colonization. On October 19, 1701, La púrpura de la rosa premiered in Lima in the Viceroyalty of Peru, the first opera known to be composed and performed in the Americas. It is an opera in one act by Spanish composer Tomás de Torrejón y Velasco with a libretto by Pedro Calderón de la Barca, and is the only surviving opera by Torrejón y Velasco. It tells the myth of the love of Venus and Adonis, which provoked Mars's jealousy and his desire for vengeance. Although the libretto follows the Greek myth, the tragic love story is seen as a resemblance of the alliance that was formed from a political marriage between the Spanish and French monarchies. Opera performances were performed also in the country of Mexico. It is within that nation that the first indigenous opera composers of Latin America emerged, with Manuel de Zumaya being considered the first and most important early opera composer. Outside of Perú and Mexico, opera was slower to gain a foothold, and it wasn't until the early to mid-19th century that other nations in Latin America began producing their own opera composers. Many of these 19th-century operas focus on the historical conflict between Europeans and indigenous peoples and were influenced by zarzuela, a form of Spanish opera. Mexican zarzuelas, as well as revistas, soon arose from Spanish influence and gained popularity.
Luis Y. Aragón is a Mexican painter and sculptor, best known for his sculpted mural work, as well as the design of the Gawi Tonara award which is given by the state of Chihuahua. His mural work can be found in various parts of Mexico, especially his home state of Chihuahua and Mexico City. His work has been exhibited in Mexico and abroad, generally in the Americas and Europe. He is a member of the Salón de la Plástica Mexicana and works in Mexico City.
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The following is a timeline of the history of the city of Chihuahua, Mexico.
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Angelica Carrasco is a Mexican graphic artist who is a pioneer of large scale printmaking in the country. Her work often is related to violence and classified as “abstract neo-expressionism.” Much of her career has been dedicated to teaching and the promotion of the arts, especially the graphic arts and has been recognized with membership in the Salón de la Plástica Mexicana and the Sistema Nacional de Creadores de Arte.
Rosa María Beltrán Álvarez is a Mexican novelist, short story writer, essayist, and translator. She was the deputy director of La Jornada Semanal from 1999 to 2002 and has been a member of the Sistema Nacional de Creadores from 1997 to 2000. She was the director of the Literature department at the UNAM and is actually the chair in Coordinación de Difusión Cultural at UNAM. On June 12, 2014, she was appointed as a member by the Academia Mexicana de la Lengua as the 36th Chair, becoming the tenth woman to hold this position.
María Luisa Mendoza, also known as La China Mendoza, was a Mexican journalist, novelist and politician. She served as a federal delegate from the state of Guanajuato to the 53rd Mexican legislature.
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