Camelot is a legendary castle and court associated with King Arthur. Absent in the early Arthurian material, Camelot first appeared in 12th-century French romances and, since the Lancelot-Grail cycle, eventually came to be described as the fantastic capital of Arthur's realm and a symbol of the Arthurian world.
Guinevere, also often written in Modern English as Guenevere or Guenever, was, according to Arthurian legend, an early-medieval queen of Great Britain and the wife of King Arthur. First mentioned in popular literature in the early 12th century, nearly 700 years after the purported times of Arthur, Guinevere has since been portrayed as everything from a fatally flawed, villainous, and opportunistic traitor to a noble and virtuous lady. Many records of the legend also feature the variably recounted story of her abduction and rescue as a major part of the tale.
Gawain, also known in many other forms and spellings, is a character in Arthurian legend, in which he is King Arthur's nephew and one of the premier Knights of the Round Table. The prototype of Gawain is mentioned under the name Gwalchmei in the earliest Welsh sources. He has subsequently appeared in many Arthurian tales in Welsh, Latin, French, English, Scottish, Dutch, German, Spanish, and Italian, notably as the protagonist of the Middle English poem Sir Gawain and the Green Knight. Other works featuring Gawain as their central character include De Ortu Waluuanii, Diu Crône, Ywain and Gawain, Golagros and Gawane, Sir Gawain and the Carle of Carlisle, L'âtre périlleux, La Mule sans frein, La Vengeance Raguidel, Le Chevalier à l'épée, Le Livre d'Artus, The Awntyrs off Arthure, The Greene Knight, and The Weddynge of Syr Gawen and Dame Ragnell.
Lancelot du Lac, alternatively written as Launcelot and other variants, is a popular character in Arthurian legend's chivalric romance tradition. He is typically depicted as King Arthur's close companion and one of the greatest Knights of the Round Table, as well as a secret lover of Arthur's wife, Guinevere.
The Knights of the Round Table are the legendary knights of the fellowship of King Arthur that first appeared in the Matter of Britain literature in the mid-12th century. The Knights are an order dedicated to ensuring the peace of Arthur's kingdom following an early warring period, entrusted in later years to undergo a mystical quest for the Holy Grail. The Round Table at which they meet is a symbol of the equality of its members, who range from sovereign royals to minor nobles.
Morgan le Fay, alternatively known as Morgan[n]a, Morgain[a/e], Morgant[e], Morg[a]ne, Morgayn[e], Morgein[e], and Morgue[in] among other names and spellings, is a powerful and ambiguous enchantress from the legend of King Arthur, in which most often she and he are siblings. Early appearances of Morgan in Arthurian literature do not elaborate her character beyond her role as a goddess, a fay, a witch, or a sorceress, generally benevolent and connected to Arthur as his magical saviour and protector. Her prominence increased as the legend of Arthur developed over time, as did her moral ambivalence, and in some texts there is an evolutionary transformation of her to an antagonist, particularly as portrayed in cyclical prose such as the Lancelot-Grail and the Post-Vulgate Cycle. A significant aspect in many of Morgan's medieval and later iterations is the unpredictable duality of her nature, with potential for both good and evil.
Morgause is a popular variant of the figure of the Queen of Orkney, an Arthurian legend character also known by various other names and appearing in different forms of her archetype. She is notably the mother of Gawain and often also of Mordred, both key players in the story of her brother King Arthur and his downfall.
King Lot, also spelled Loth or Lott, is a British monarch in Arthurian legend. He was introduced in Geoffrey of Monmouth's pseudohistorical Historia Regum Britanniae as King Arthur's brother-in-law, who serves as regent of Britain between the reigns of Uther Pendragon and Arthur. He has appeared regularly in works of chivalric romance, alternating between the roles of Arthur's enemy and ally, and is often depicted as the ruler of Lothian and either Norway or Orkney. His literary character is probably derived from hagiographical material concerning Saint Kentigern, which features Leudonus as king of Leudonia and father of Saint Teneu.
Pelleas, or Pellias, is an Arthurian Knight of the Round Table whose story first appears in the Post-Vulgate Cycle. He becomes the husband of Nimue, the Lady of the Lake in Le Morte d'Arthur. His character might have been connected to the figure of Pwyll, the fairy Rhiannon's human husband in Welsh mythology.
The Green Knight is a heroic character of the Matter of Britain, originating in the 14th-century poem Sir Gawain and the Green Knight and the related medieval work The Greene Knight. His true name is revealed to be Bertilak de Hautdesert in Sir Gawain, while The Greene Knight names him "Bredbeddle". The Green Knight later features as one of Arthur's greatest champions in the fragmentary ballad King Arthur and King Cornwall, again with the name "Bredbeddle".
Perceval, the Story of the Grail is the unfinished fifth verse romance by Chrétien de Troyes, written by him in Old French in the late 12th century. Later authors added 54,000 more lines to the original 9,000 in what are known collectively as the Four Continuations, as well as other related texts. Perceval is the earliest recorded account of what was to become the Quest for the Holy Grail but describes only a golden grail in the central scene, does not call it "holy" and treats a lance, appearing at the same time, as equally significant. Besides the eponymous tale of the grail and the young knight Perceval, the poem and its continuations also tell of the adventures of Gawain and some other knights of King Arthur.
Lancelot, the Knight of the Cart, is a 12th-century Old French poem by Chrétien de Troyes, although it is believed that Chrétien did not complete the text himself. It is one of the first stories of the Arthurian legend to feature Lancelot as a prominent character. The narrative tells about the abduction of Queen Guinevere, and is the first text to feature the love affair between Lancelot and Guinevere.
The Roman van Ferguut is a 13th-century Arthurian romance written in what is now called Middle Dutch. The first part of the Roman was translated fairly accurately from the Scottish French language work known as the Roman de Fergus, but the second part, possibly the work of another author, was much more loosely derived. The Roman van Ferguut today has wide fame as a Dutch classic, certainly more fame than the Roman de Fergus possesses in either Scotland or France. In 2000, it was translated into English by the American scholar David F Johnson.
"The Marriage of Sir Gawain" is an English Arthurian ballad, collected as Child Ballad 31. Found in the Percy Folio, it is a fragmented account of the story of Sir Gawain and the loathly lady, which has been preserved in fuller form in the medieval poem The Wedding of Sir Gawain and Dame Ragnelle. The loathly lady episode itself dates at least back to Geoffrey Chaucer's "Wife of Bath's Tale" from The Canterbury Tales. Unlike most of the Child Ballads, but like the Arthurian "King Arthur and King Cornwall" and "The Boy and the Mantle", "The Marriage of Sir Gawain" is not a folk ballad but a song for professional minstrels.
Guillaume or William de Malveisin was Chancellor of Scotland, Bishop of Glasgow (1199/1200–1202) and then Bishop of St. Andrews (1202–1238).
The Wedding of Sir Gawain and Dame Ragnelle is a 15th-century English poem, one of several versions of the "loathly lady" story popular during the Middle Ages. An earlier version of the story appears as "The Wyfe of Bayths Tale" in Geoffrey Chaucer's The Canterbury Tales, and the later ballad "The Marriage of Sir Gawain" is essentially a retelling, though its relationship to the medieval poem is uncertain. The author's name is not known, but similarities to Le Morte d'Arthur have led to the suggestion that the poem may have been written by Sir Thomas Malory.
William the Clerk was an Old French poet known only from the self-attribution at the end of the Arthurian Roman de Fergus, a parody of the romances of Chrétien de Troyes, notably the Conte du Graal.
Sir Gawain and the Carle of Carlisle is a Middle English tail-rhyme romance of 660 lines, composed in about 1400. A similar story is told in a 17th-century minstrel piece found in the Percy Folio and known as The Carle of Carlisle. These are two of a number of early English poems that feature the Arthurian hero Sir Gawain, the nephew of King Arthur, in his English role as a knight of the Round Table renowned for his valour and, particularly, for his courtesy.
La Mule sans frein or La Demoiselle à la mule is a short romance dating from the late 12th century or early 13th century. It comprises 1,136 lines in octosyllabic couplets, written in Old French. Its author names himself as Païen de Maisières, but critics disagree as to whether this was his real name or a pseudonym. La Mule is an Arthurian romance relating the adventures, first of Sir Kay, then of Sir Gawain, in attempting to restore to its rightful owner a stolen bridle. It is notable for its early use of the "beheading game" theme, which later reappeared in the Middle English romance Sir Gawain and the Green Knight. It is sometimes seen as a skit or burlesque on earlier romances, especially those of Chrétien de Troyes, but it has also been suggested that it might have been written by Chrétien himself.
