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The Land of Smiles is a 1929 romantic operetta in three acts by Franz Lehár. The German language libretto was by Ludwig Herzer and Fritz Löhner-Beda. The performance duration is about 100 minutes.
Penthesilea is a one-act opera by Othmar Schoeck, to a German-language libretto by the composer, after the work of the same name by Heinrich von Kleist. It was first performed at the Staatsoper in Dresden on 8 January 1927.
Heinrich Sutermeister was a Swiss composer, most famous for his opera Romeo und Julia.
A Village Romeo and Juliet is an opera by Frederick Delius, the fourth of his six operas. The composer himself, with his wife Jelka, wrote the English-language libretto based on the short story "Romeo und Julia auf dem Dorfe" by the Swiss author Gottfried Keller. The first performance was at the Komische Oper Berlin on 21 February 1907, as Romeo und Julia auf dem Dorfe. Thomas Beecham conducted the British premiere at the Royal Opera House, Covent Garden in London on 22 February 1910. The US premiere was on 26 April 1972 in Washington, D.C.
Il prigioniero is an opera in a prologue and one act, with music and libretto by Luigi Dallapiccola. The opera was first broadcast by the Italian radio station RAI on 1 December 1949. The work is based on the short story La torture par l'espérance from the collection Nouveaux contes cruels by the French writer Auguste Villiers de l'Isle-Adam and from La Légende d'Ulenspiegel et de Lamme Goedzak by Charles De Coster. Some of the musical material is based on Dallapiccola's earlier choral work on a similar theme, Canti di prigionia (1938). Dallapiccola composed Il prigioniero in the period of 1944–1948. The work contains seven parts and lasts about 50 minutes. The musical idiom is serialism, and it is one of the first completed operas using that compositional method.
Cardillac, Op. 39, is an opera by Paul Hindemith in three acts and four scenes. Ferdinand Lion wrote the libretto based on characters from the short story Das Fräulein von Scuderi by E. T. A. Hoffmann.
Lear is an opera in two parts with music by the German composer Aribert Reimann, and a libretto by Claus H. Henneberg, based on Shakespeare's tragedy King Lear.
Romeo and Juliet is a tragedy by William Shakespeare.
L'anima del filosofo, ossia Orfeo ed Euridice, Hob. 28/13, is an opera in Italian in four acts by Joseph Haydn and is one of the last two operas written during his life, the other being Armida (1783).The libretto, by Carlo Francesco Badini, is based on the myth of Orpheus and Euridice as told in Ovid's Metamorphoses. Composed in 1791 for His Majesty's Theatre during his first visit to England, the opera was never performed during Haydn's lifetime and only given its formal premiere in 1951.
Zar und Zimmermann is a comic opera in three acts, music by Albert Lortzing, libretto by the composer after Georg Christian Römer's Der Bürgermeister von Saardam, oder Die zwei Peter, itself based on the French play Le Bourgmestre de Saardam, ou Les deux Pierre by Mélésville, Jean-Toussaint Merle, and Eugène Centiran de Boirie. Ultimately, it goes back to the historical Grand Embassy of Peter the Great. Gaetano Donizetti had set the same story in his 1827 opera Il borgomastro di Saardam.
Der Widerspänstigen Zähmung is a German-language comic opera in four acts by the German composer Hermann Goetz. It was written between 1868 and 1872 and first performed at the National Theatre Mannheim on 11 October 1874 under the conductor Ernst Frank. The libretto, by Joseph Victor Widmann and the composer, is based on Shakespeare's The Taming of the Shrew. The style of the opera shows Goetz turning away from the musical ideas of Richard Wagner towards the classicism of Mozart. Der Widerspänstigen Zähmung was a huge success, not only in Germany but in the United States and in Great Britain, where it received high praise from George Bernard Shaw.
Romeo und Julie is a singspiel in three acts by composer Georg Benda. The opera has a German libretto by Friedrich Wilhelm Gotter that is based upon Christian Felix Weiße's translation of Shakespeare's Romeo and Juliet.
Le roi Arthus is an opera in three acts by the French composer Ernest Chausson to his own libretto. It was composed between 1886 and 1895, and first performed 30 November 1903 at the Théâtre de la Monnaie, Brussels, after long delays. The musical style is heavily influenced by the works of Richard Wagner, particularly Tristan und Isolde and Parsifal, as well as César Franck. The scenery at the premiere was designed by Albert Dubosq and the symbolist painter Fernand Khnopff; it was executed by Dubosq's atelier together with Chausson's brother-in-law Henry Lerolle and under the supervision of Chausson's widow.
Giulietta e Romeo is a dramma per musica by composer Niccolò Antonio Zingarelli with an Italian libretto by Giuseppe Maria Foppa after the 1530 novella of the same name by Luigi Da Porto and Shakespeare's Romeo and Juliet. The opera premiered at the Teatro alla Scala in Milan on 30 January 1796.
Fennimore und Gerda is a German-language opera with four interludes, by the English composer Frederick Delius. It is usually performed and recorded in English, as Fennimore and Gerda in a translation by Philip Heseltine. The German libretto, by the composer himself, is based on the novel Niels Lyhne by the Danish writer Jens Peter Jacobsen. In neither German nor English is the libretto highly regarded; rather, the work is considered an "orchestral opera", limited in its dramatic appeal but voluptuous and engaging in its instrumental texture.
Antigone is an opera in three acts by Arthur Honegger to a French libretto by Jean Cocteau based on the tragedy Antigone by Sophocles. Honegger composed the opera between 1924 and 1927. It premiered on 28 December 1927 at the Théâtre Royal de la Monnaie with sets designed by Pablo Picasso and costumes by Coco Chanel.
Oedipus rex is an opera-oratorio by Igor Stravinsky, scored for orchestra, speaker, soloists, and male chorus. The libretto, based on Sophocles's tragedy, was written by Jean Cocteau in French and then translated by Abbé Jean Daniélou into Latin; the narration, however, is performed in the language of the audience.
Aldo Bertocci was an Italian operatic tenor who sang both comprimario and leading roles in a career spanning the late 1940s to the mid-1970s. He sang in the world premieres of nine 20th century operas, most of them in performances broadcast on the RAI, Italy's national public-service radio. His discography includes live recordings of several rarities such as Mascagni's Silvano and Leoncavallo's Zingari. Bertocci was born in Turin and from 1974 lived in Cassano Valcuvia where he died shortly before his 88th birthday.
Maria Carbone was an Italian operatic soprano. She created the lead female roles in two of Gian Francesco Malipiero's operas: the title role in Ecuba and Cleopatra in Antonio e Cleopatra.
