While posing for a painting by his friend Basil Hallward, handsome young aristocrat Dorian Gray meets Hallward's friend Lord Henry Wotton. Wotton persuades Gray the only worthwhile life is dedicated to pleasure, because "what the gods give they quickly take away." Contemplating this, Gray wishes his portrait could age instead of him. He makes this wish in the presence of an Egyptian cat statue with supposed magical powers.
Hurd Hatfield as Dorian Gray
After callously breaking off his engagement to tavern singer Sibyl Vane, Gray finds the portrait has begun to change and wonders if his wish may have come true. He has the portrait locked away in his old schoolroom and disguises its location by firing servants who moved the painting, while Gray, after Sibyl's suicide, becomes more dedicated to a sinful and heartless life.
Angela Lansbury as Sibyl VanePeter Lawford as David Stone
Years later, Dorian is 40 but still looks 22. London society is awestruck at his unchanging appearance. The portrait has remained locked away, with Gray holding the only key. Over the years, the portrait of the young, handsome, Dorian Gray has warped into a hideous, demon-like creature reflecting his many sins. When Hallward sees his painting, Gray murders his friend and seals his body in the school room next to the portrait, then blackmails his friend, Allen Campbell, to dispose of Hallward's body. Campbell, distraught at his role in destroying Hallward's corpse, commits suicide.
Gray starts a romance with Hallward's niece, Gladys. James Vane, Sibyl's brother, follows Gray to his country estate to achieve revenge for Sibyl's death and is shot by accident during a hunting party.
Gray despairs at his impact on others and realises he can spare Gladys from misfortune by leaving her. After sending Gladys a letter breaking their engagement, Gray confronts his portrait and sees a subtle improvement. He stabs the portrait in the heart, seeking to end the spell, but cries out as if he has also been stabbed. His friends, realizing what has happened, burst into the schoolroom to discover Gray dead next to the portrait, his deformed body now reflecting his sins in physical form. The portrait, by contrast, once more shows Dorian Gray as a young, innocent man.
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Differences between movie and book
Changes to the original include the romance between Gladys and David and “some censorship restrictions that kept Dorian's unspeakable acts offscreen.” [5] In the book, the picture alters in response to Dorian's "good deed", but the alteration is ugly, reflecting his cynicism and self-serving motivation. He stabs the painting to destroy his conscience and eliminate the evidence. In the film, he reads a faint change in the painting as a sign of hope, yet stabs the painting as if he can undo his past. As he is transformed off-screen, he prays for forgiveness.[5] Shortly after the discovery of Dorian's body, Lord Henry begs Heaven for his own forgiveness for leading the young man down the path of evil.
The paintings
Albright's painting of Dorian Gray, from the 1945 film
Two paintings of the character Dorian Gray were used in the film. The painting titled Picture of Dorian Gray used at the end of the film was painted on commission during the making of the film in 1943–1944 by Ivan Le Lorraine Albright, an American artist who was well known as a painter of the macabre. Created specifically for use in the film, it is now part of the collection of the Art Institute of Chicago.[6] Albright painted and altered the picture while the movie was being made to allow it to represent the development of Dorian's character.[citation needed]
The portrait of Dorian Gray seen in the beginning of the film was painted by Henrique Medina, and is titled Portrait of Hurd Hatfield as Dorian Gray. It was originally sold at an MGM auction in 1970 when the contents of the studio were sold at a series of auctions lasting several months. It was then sold in a Butterfield and Butterfield Entertainment Memorabilia auction in 1997 for $17,250,[7] and in 2015 it sold at Christie's, New York, for $149,000 and is believed to be in a private collection.[8][9]
Film critic and author James Agee reviewed it in 1945: "A good movie might have been made from The Picture of Dorian Gray. Albert Lewin's version is respectful, earnest, and I am afraid, dead." [10]Leslie Halliwell gave it three of four stars: "Elegant variation on Dr Jekyll and Mr Hyde, presented in portentous style which suits the subject admirably." [11]Pauline Kael wrote: "It has its ludicrous side...But the Oscar Wilde story has its compelling gimmick and its cheap thrills, and despite the failing of Albert Lewin as writer and director, he has an appetite for decadence and plushy decor. Neither Hatfield, who tries scrupulously hard, nor George Sanders...rises above Lewin's chic gothic conception...But as Dorian's victim, gullible Sibyl Vane, the young Angela Lansbury gives her scenes true depth of feeling." [12]Leonard Maltin gave the film three and a half out of four stars in his Movie Guide: "Haunting Oscar Wilde story...Young Lansbury is poignant...Sanders leaves indelible impression as elegant heavy." [13]
Box office
According to MGM records, the film earned $1,399,000 in the U.S. and Canada and $1,576,000 elsewhere, resulting in a loss of $26,000.[3]
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