Supernatural film is a film genre that encompasses themes related to gods, goddesses, ghosts, apparitions, spirits, miracles, and other extraordinary phenomena. These themes are often blended with other film genres, such as comedy, science fiction, fantasy, and horror. Historically, the primary goal of supernatural films was not to terrify audiences but to offer entertainment, often in whimsical or romantic contexts. [1]
The film genre is part of several hybrid genres, including supernatural comedy films, supernatural horror films, supernatural religious films, and supernatural thriller films. [2]
Ghosts in cinema date back to the era of World War II, with post-war romantic comedies frequently featuring apparitions. Initially, these supernatural entities were portrayed more as entertainers rather than frighteners. [1]
Notable examples include:
By the mid-1940s, the narrative began to shift, portraying ghosts and the supernatural in more sinister contexts. [1]
Some films from this era merged the ideas of religion and the supernatural. [1]
The late 1950s through the 1970s witnessed a surge of low-budget supernatural/horror films. [1]
During the 1980s and beyond, ghost stories continued to evolve and appeal to the masses. [1]
Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes.
Screwball comedy is a film subgenre of the romantic comedy genre that became popular during the Great Depression, beginning in the early 1930s and thriving until the early 1940s, that satirizes the traditional love story. It has secondary characteristics similar to film noir, distinguished by a female character who dominates the relationship with the male central character, whose masculinity is challenged, and the two engage in a humorous battle of the sexes.
Abbott and Costello were an American comedy duo composed of comedians Bud Abbott and Lou Costello, whose work in radio, film, and television made them the most popular comedy team of the 1940s and 1950s, and the highest-paid entertainers in the world during the Second World War. Their patter routine "Who's on First?" is considered one of the greatest comedy routines of all time, a version of which appears in their 1945 film The Naughty Nineties.
Creighton Tull Chaney, known by his stage name Lon Chaney Jr., was an American actor known for playing Larry Talbot in the film The Wolf Man (1941) and its various crossovers, Count Alucard in Son of Dracula, Frankenstein's monster in The Ghost of Frankenstein (1942), the Mummy in three pictures, and various other roles in many Universal horror films, making him a horror icon. He also portrayed Lennie Small in Of Mice and Men (1939) and supporting parts in dozens of mainstream movies, including High Noon (1952), and The Defiant Ones (1958).
A ghost story is any piece of fiction, or drama, that includes a ghost, or simply takes as a premise the possibility of ghosts or characters' belief in them. The "ghost" may appear of its own accord or be summoned by magic. Linked to the ghost is the idea of a "haunting", where a supernatural entity is tied to a place, object or person. Ghost stories are commonly examples of ghostlore.
Supernatural fiction or supernaturalist fiction is a genre of speculative fiction that exploits or is centered on supernatural themes, often contradicting naturalist assumptions of the real world.
Japanese horror is horror fiction derived from popular culture in Japan, generally noted for its unique thematic and conventional treatment of the horror genre differing from the traditional Western representation of horror. Japanese horror tends to focus on psychological horror, tension building (suspense), and supernatural horror, particularly involving ghosts (yūrei) and poltergeists. Other Japanese horror fiction contains themes of folk religion such as possession, exorcism, shamanism, precognition, and yōkai. Media in which the genre of Japanese horror fiction can be found include artwork, theater, literature, film, anime and video games.
Frank Faylen was an American film and television actor. Largely a bit player and character actor, he occasionally played more fleshed-out supporting roles during his forty-two year acting career, during which he appeared in some 223 film and television productions, often without credit.
Anne Gwynne was an American actress who was known as one of the first scream queens because of her numerous appearances in horror films. Gwynne was also one of the most popular pin-ups of World War II. She is the maternal grandmother of actor Chris Pine.
George Zucco was a British character actor who appeared in plays and 96 films, mostly American-made, during a career spanning over two decades, from the 1920s to 1951. In his films, he often played a suave villain, a member of nobility, or a mad doctor.
Supernatural horror film is a film genre that combines aspects of supernatural film and horror film. Supernatural occurrences in such films often include ghosts and demons, and many supernatural horror films have elements of religion. Common themes in the genre are the afterlife, the Devil, and demonic possession. Not all supernatural horror films focus on religion, and they can have "more vivid and gruesome violence".
Horror films in Cambodia, first popular in the 1970s, have received renewed attention in Cambodian film making since the resurgence of the local industry in 2003. Horror is one of three popular genres into which most Cambodian films can be loosely grouped, the other two being period pieces and melodrama/romantic drama. The fledgling Cambodian industry of the mid 2000s looked to capitalize on the world-wide popularity of Japanese horror films which have heavily influenced Cambodian horror films. Common themes are ghost or spirit hauntings, possession, folk mythology and revenge by supernatural means. The storytelling takes a slower pace than Western horror and relies on suspense, a pervasive sense of doom and dread, and psychologically disturbing events and situations. Unlike its Japanese counterparts however, many Cambodian horror films also feature over the top gore as seen in Western horror.
Shock Theater is a package of 52 pre-1948 classic horror films from Universal Studios released for television syndication in October 1957 by Screen Gems, the television subsidiary of Columbia Pictures. The Shock Theater package included Dracula, Frankenstein, The Mummy, The Invisible Man and The Wolf Man as well as a few non-horror spy and mystery films. A second package, Son of Shock, was released for television by Screen Gems in 1958, with 20 horror films from both Universal and Columbia.
There is widespread belief in ghosts in English-speaking cultures, where ghosts are manifestations of the spirits of the dead. The beliefs may date back to animism or ancestor worship before Christianization. The concept is a perennial theme in the literature and arts of English-speaking countries.
Elizabeth Russell was an American actress. Born in Philadelphia, Pennsylvania, she was best known for her roles in several of producer Val Lewton's low-budget horror films produced at RKO Pictures in the mid-1940s. She was the sister-in-law of Rosalind Russell.
Luigi Carpentieri (1920-1987) was an Italian assistant director (1940-1949) and film producer (1947-1968). Together with Ermanno Donati, he founded the production company "Athena Cinematografica", which in 1960 became "Panda Cinematografica". All films produced by [[the company were genre films.
Alphonse Martell was a French actor who wrote and directed Gigolettes of Paris (1933). He portrayed a director in the 1934 film I'll Be Suing You. He often portrayed a waiter as in the 1946 film Falcon's Alibi, in which he is murdered.
The history of horror films was described by author Siegbert Solomon Prawer as difficult to read as a linear historical path, with the genre changing throughout the decades, based on the state of cinema, audience tastes and contemporary world events.