Related Research Articles
Salvador Domingo Felipe Jacinto Dalí i Domènech, Marquess of Dalí of Púbol, known as Salvador Dalí, was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and bizarre images in his work.
Meshes of the Afternoon is a 1943 American experimental silent short film directed by and starring wife-and-husband team, Maya Deren and Alexandr Hackenschmied.
A Movie is a 1958 experimental collage film by American artist Bruce Conner. It combines pieces of found footage taken from various sources such as newsreels, soft-core pornography, and B movies, all set to a score featuring Ottorino Respighi's Pines of Rome.
Rose Hobart was an American actress and a Screen Actors Guild official.
Joseph Cornell was an American visual artist and filmmaker, one of the pioneers and most celebrated exponents of assemblage. Influenced by the Surrealists, he was also an avant-garde experimental filmmaker. He was largely self-taught in his artistic efforts, and improvised his own original style incorporating cast-off and discarded artifacts. He lived most of his life in relative physical isolation, caring for his mother and his disabled brother at home, but remained aware of and in contact with other contemporary artists.
Theodore Joans was an American beatnik, surrealist, painter, filmmaker, collageist, jazz poet and jazz trumpeter who spent long periods of time in Paris while also traveling through Africa. His complex body of work stands at the intersection of several avant-garde artistic streams. He was the author of more than 30 books of poetry, prose, and collage; among them Black Pow-Wow, Beat Funky Jazz Poems, Afrodisia, Jazz is Our Religion, Double Trouble, WOW and Teducation. In 2001 he was the recipient of Before Columbus Foundation's American Book Awards Lifetime Achievement Award.
Conroy Maddox was an English surrealist painter, collagist, writer and lecturer; and a key figure in the Birmingham Surrealist movement.
A Bronx Morning is a 1931 American Pre-Code avant-garde film by American filmmaker Jay Leyda (1910–1988).
The term midnight movie is rooted in the practice that emerged in the 1950s of local television stations around the United States airing low-budget genre films as late-night programming, often with a host delivering ironic asides. As a cinematic phenomenon, the midnight screening of offbeat movies began in the early 1970s in a few urban centers, particularly in New York City with screenings of El Topo at the Elgin Theater, eventually spreading across the country. The screening of non-mainstream pictures at midnight was aimed at building a cult film audience, encouraging repeat viewing and social interaction in what was originally a countercultural setting.
Structural film was an avant-garde experimental film movement prominent in the United States in the 1960s. A related movement developed in the United Kingdom in the 1970s.
David Hare was an American artist, associated with the Surrealist movement. He is primarily known for his sculpture, though he also worked extensively in photography and painting. The VVV Surrealism Magazine was first published and edited by Hare in 1942.
Surrealist cinema is a modernist approach to film theory, criticism, and production, with origins in Paris in the 1920s. The Surrealist movement used shocking, irrational, or absurd imagery and Freudian dream symbolism to challenge the traditional function of art to represent reality. Related to Dada cinema, Surrealist cinema is characterized by juxtapositions, the rejection of dramatic psychology, and a frequent use of shocking imagery. Philippe Soupault and André Breton’s 1920 book collaboration Les Champs magnétiques is often considered to be the first Surrealist work, but it was only once Breton had completed his Surrealist Manifesto in 1924 that ‘Surrealism drafted itself an official birth certificate.’
Shirley Temple, The Youngest, Most Sacred Monster of the Cinema in Her Time, also known as the Barcelona Sphinx, is a artwork in gouache, pastel and collage on cardboard, by surrealist painter Salvador Dalí, from 1939. It measures 75 cm × 100 cm. It is housed at Museum Boijmans Van Beuningen, in Rotterdam.
American artist Joseph Cornell (1903–1972) is justifiably best known for his boxes which constitute a singular contribution to the Surrealist canon and to the art of assemblage. However, he also pursued experimental film-making as an amateur beginning in the 1930s. Cornell was the principal pioneer of collage films in a purely artistic sense and, although the introduction of his films into the public forum was relatively late compared to when they were made, his work as a filmmaker has been widely influential.
East of Borneo is a 1931 American Pre-Code adventure film directed by George Melford, co-written by Edwin H. Knopf and Dale Van Every, starring Rose Hobart, Charles Bickford, Georges Renavent, Lupita Tovar, and Noble Johnson, and released by Universal Studios.
Collage film is a style of film created by juxtaposing found footage from disparate sources. The term has also been applied to the physical collaging of materials onto film stock.
Julien Levy (1906–1981) was an art dealer and owner of Julien Levy Gallery in New York City, important as a venue for Surrealists, avant-garde artists, and American photographers in the 1930s and 1940s.
Eraserhead is a 1977 American independent surrealist body horror film written, directed, produced, and edited by David Lynch. Lynch also created its score and sound design, which included pieces by a variety of other musicians. Shot in black and white, it was Lynch's first feature-length effort following several short films. Starring Jack Nance, Charlotte Stewart, Jeanne Bates, Judith Anna Roberts, Laurel Near, and Jack Fisk, it tells the story of a man (Nance) who is left to care for his grossly deformed child in a desolate industrial landscape.
The Enigma of Hitler is an oil on canvas painting by Salvador Dalí, created in 1939. It was made around the time of his expulsion from the Surrealist movement. The painting is held in the collection of the Museo Nacional Centro de Arte Reina Sofía, in Madrid.
A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano is a 1936 oil painting by artist Salvador Dalí. The painting is an example of Dalí's distinctive, avant-garde brand of surrealism as well as a curious example of Dalí's mysterious relationship with Judaism.
References
- ↑ East of Borneo:Universal Pictures-Internet Archive
- ↑ Program Notes by Andy Ditzler (2005)
- ↑ Catherine Corman. "Surrealist Astronomy in the South Pacific: Joseph Cornell and the Collaged Eclipse". East of Borneo magazine . Retrieved August 5, 2015.
- ↑ "Essential Cinema". Anthology Film Archives . Retrieved September 12, 2022.
- ↑ "Complete National Film Registry Listing". Library of Congress. Retrieved 2020-05-08.
- ↑ "Librarian of Congress Names 25 More Films to National Film Registry". Library of Congress. Retrieved 2020-05-08.
- ↑ "How the directors and critics voted: Jim Hoberman". British Film Institute. Archived from the original on June 25, 2012. Retrieved February 9, 2017.
- ↑ "Jim Hoberman". British Film Institute. Archived from the original on June 30, 2016. Retrieved February 9, 2017.