Ross Bauer (born December 19, 1951, Ithaca, New York) is an American composer, conductor, and music educator. A professor emeritus of the University of California, Davis, he was awarded the Walter Hinrichsen Award from the American Academy of Arts and Letters in 2005.
Born in Ithaca, New York, Bauer graduated from the New England Conservatory in 1975 with a Bachelor of Music degree. [1] At the NEC he was a pupil of John Heiss and Ernst Oster. He studied music composition with Luciano Berio while a fellow at the Tanglewood Music Center in 1982. In 1984 he earned a PhD from Brandeis University where he studied with Arthur Berger, Martin Boykan, and Seymour Shifrin. In 1986 he was awarded a fellowship from the National Endowment for the Arts and in 1988 he was the recipient of a Guggenheim Fellowship. In 1996 he was a fellow at the MacDowell Colony. [2]
As a music educator, Bauer taught on the music faculties of Brandeis University (1981–1985), Stanford University (1986–1988), and the University of California, Davis (1988–2017). [2] [3] Upon his retirement from the latter institution in 2017, he was named a professor emeritus. [3] At Brandeis he was the director of the Brandéis Jazz Ensemble, and at Stanford he directed the Alea II New Music Ensemble. [1] He founded the Empyrean Ensemble at the University of California, Davis; an ensemble he directed during his tenure at that university. [2]
As a composer, Bauer won the ISCM National Composers Competition in 1989 and the Speculum Musicae International Composers’ Competition in 1997. [1] He received commissions from the Fromm Music Foundation in 1991 and the Koussevitzky Music Foundation in 1994. [2] In 2005 he was awarded the Walter Hinrichsen Award from the American Academy of Arts and Letters. [3]
Alfred Whitford (Fred) Lerdahl is the Fritz Reiner Professor Emeritus of Musical Composition at Columbia University, and a composer and music theorist best known for his work on musical grammar and cognition, rhythmic theory, pitch space, and cognitive constraints on compositional systems. He has written many orchestral and chamber works, three of which were finalists for the Pulitzer Prize for Music: Time after Time in 2001, String Quartet No. 3 in 2010, and Arches in 2011.
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