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Grant Park is a large urban park in the Loop community area of Chicago, Illinois. Located within the city's central business district, the 319-acre (1.29 km2) park's features include Millennium Park, Buckingham Fountain, the Art Institute of Chicago, and the Museum Campus.
Site-specific art is artwork created to exist in a certain place. Typically, the artist takes the location into account while planning and creating the artwork. Site-specific art is produced both by commercial artists, and independently, and can include some instances of work such as sculpture, stencil graffiti, rock balancing, and other art forms. Installations can be in urban areas, remote natural settings, or underwater.
Public art is art in any media whose form, function and meaning are created for the general public through a public process. It is a specific art genre with its own professional and critical discourse. Public art is visually and physically accessible to the public; it is installed in public space in both outdoor and indoor settings. Public art seeks to embody public or universal concepts rather than commercial, partisan, or personal concepts or interests. Notably, public art is also the direct or indirect product of a public process of creation, procurement, and/or maintenance.
The Rose Fitzgerald Kennedy Greenway is a linear park located in several Downtown Boston neighborhoods. It consists of landscaped gardens, promenades, plazas, fountains, art, and specialty lighting systems that stretch over one mile through Chinatown, the Financial District, the Waterfront, and North End neighborhoods. Officially opened in October 2008, the 17-acre Greenway sits on land created from demolition of the John F. Fitzgerald Expressway as part of the Big Dig project.
Alan Sonfist is a New York City based American artist best known as a "pioneer" and a "trailblazer" of the Land or Earth Art movement.
Placemaking is a multi-faceted approach to the planning, design and management of public spaces. Placemaking capitalizes on a local community's assets, inspiration, and potential, with the intention of creating public spaces that improve urban vitality and promote people's health, happiness, and well-being. It is political due to the nature of place identity. Placemaking is both a process and a philosophy that makes use of urban design principles. It can be either official and government led, or community driven grassroots tactical urbanism, such as extending sidewalks with chalk, paint, and planters, or open streets events such as Bogotá, Colombia's Ciclovía. Good placemaking makes use of underutilized space to enhance the urban experience at the pedestrian scale to build habits of locals.
Glowlab was an artist-run initiative that produced and presented experimental work related to cities and psychogeography, including interactive artworks and projects, events, exhibitions, and artists' gatherings. Brooklyn artist and curator Christina Ray launched Glowlab in 2002 as an experimental, web-based arts lab to support the visibility and expression of artists within her community. Ray produced exhibitions and projects including street-based performance work and site specific interventions both in her Williamsburg loft and in the greater urban environment. Glowlab moved from Brooklyn to Manhattan in 2008, opening an exhibition space at the edge of SoHo. As an innovative model advancing a niche collective of artists, thinkers and technologists, Glowlab produced over a dozen solo and group exhibitions, artist talks and performances. In early 2010, Ray re-launched Glowlab under her own name, continuing to focus on contemporary art, technology and creative projects examining the nature and psychology of the built environment.
Ancient Fishweir Project is a collaborative group that creates an annual public art installation on Boston Common.
Mags Harries and Lajos Héder are artists working collaboratively to create public art across the United States from their studio.
Arts on the Line was a program devised to bring art into the Massachusetts Bay Transportation Authority (MBTA) subway stations in the late 1970s and early 1980s. Arts on the Line was the first program of its kind in the United States and became the model for similar drives for art across the country. The first twenty artworks were completed in 1985 with a total cost of US$695,000, or one half of one percent of the total construction cost of the Red Line Northwest Extension, of which they were a part.
Millers River was a river in Middlesex County, Massachusetts. It has since mostly been obscured by landfill and "made land". The small remaining estuary is a remnant of wetlands and open water that once divided Cambridge from Charlestown, Massachusetts. The exact historical course of parts the river is somewhat uncertain, and thus parts of the Charlestown-Cambridge and Somerville-Cambridge borders may have changed due to incorrect historical reconstruction.
The Boston Art Commission, established in 1890, exercises legal authority to approve and site new public art on property owned by the City of Boston. Woven through the urban landscape, site-specific artworks identify Boston as a place with long history and a great capacity for innovation. These artworks, both permanent and temporary, range from traditional and new media public art pieces to municipal design elements, such as wayfinding systems and artistic lighting. In addition, the Art Commission has care and custody of all paintings, murals, statues, bas-reliefs, sculptures, monuments, fountains, arches and other permanent structures intended for ornament or commemoration on City property. It is the conviction of the Boston Art Commission that, in order to engender and support a thriving artistic consciousness within the city, community involvement shall extend beyond everyday appreciation to meaningful engagement in the creation, evolving interpretation and ongoing care of artworks throughout Boston's neighborhoods.
Untitled is a 1985 public art installation by American artist Richard Fleischner located in a courtyard adjacent to Alewife station on the Massachusetts Bay Transportation Authority (MBTA) Red Line in northwest Cambridge, Massachusetts. The artwork – an environmental piece consisting of granite block designs among a landscape – cost $40,000 to create as part of the Arts on the Line program.
Bremen Street Park is an 18-acre urban park, located in East Boston, Boston, Massachusetts. The park runs parallel to both Bremen Street and the Mass Pike/Route 1A and acts as a green space buffer between Logan International Airport and the residential neighborhoods of East Boston. The park is owned, operated and patrolled by the Massachusetts Port Authority (MassPort). It is also part of the East Boston Greenway, a linear park and shared use path.
Walking Men Worldwide is a series of public art installations by artist Maya Barkai. The project is a collaboration created by numerous photographers who submit photographs of electronic pedestrian signals - "walking men" - from locations all over the world.
Liz LaManche is an American artist based in Somerville, Massachusetts, known for creating large-scale public installations and street art in the Boston and Washington, DC, areas.
Elyn Zimmerman is an American sculptor known for her emphasis on large scale, site specific projects and environmental art. Along with these works, Zimmerman has exhibited drawings and photographs since graduating with an MFA in painting and photography at University of California, Los Angeles in 1972. Her teachers included Robert Heineken, Robert Irwin, and Richard Diebenkorn.
Harbor Fog, stilled buoys dream of a lost harbor, is a responsive sensor-activated interactive contemporary public sculptural environment located in Boston along the main pedestrian walkway of Wharf District Park Parcel 17, on the Rose Fitzgerald Kennedy Greenway. The first permanent public artwork along the Greenway, the concept was selected through a competition for commission by the Mass Highway Department, and integrated into site construction in collaboration with engineers during building of the Central Artery/Tunnel Project.
A Once and Future Shoreline is a permanent public artwork that graphically marks the edge of Boston Harbor, circa 1630, into the granite paving blocks of the plaza on the West side of the historic Faneuil Hall building. The 850-foot-long artwork depicts the location of a pre-colonial shoreline by graphically etching silhouettes of materials that are found typically along the high tide line. The artwork offers a way to engage the imagination in an exploration of the changes to this now urban site from a salty tidal marsh, to an active pedestrian plaza.
David L. Phillips is an American sculptor best known for his public artwork including large bronze sculptures. Phillips has been described as a "Sculptor to Nature" because his work often combines cut stones with bronze castings in a natural setting. He also made a half dozen sculptures spread over 50 acres of the forest in New Hampshire. They range from "Toothed Stone" to the delicate placing of bronze molded leaves atop a granite fieldstone and a boulder inlaid with a whimsical bronze face.
References
- ↑ "Mission Hill Archway and interactive artwork".
- ↑ "Boston Art Commission: View the Collection".
- ↑ "chair patent" . Retrieved 2012-06-02.
- ↑ "Snapazoo patent" . Retrieved 2012-06-02.
- ↑ "Greenway Public Art, Harbor Fog".
- ↑ "Boston Schoolyard Initiative". Schoolyards.org. Retrieved 2012-06-02.