Johann Nikolaus Harnoncourt was an Austrian conductor, known for his historically informed performances. He specialized in music of the Baroque period, but later extended his repertoire to include Classical and early Romantic works. Among his best known recordings are those of Bach, whose 193 cantatas he recorded with Gustav Leonhardt.
L'Orfeo, or La favola d'Orfeo, is a late Renaissance/early Baroque favola in musica, or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to the living world. It was written in 1607 for a court performance during the annual Carnival at Mantua. While Jacopo Peri's Dafne is generally recognised as the first work in the opera genre, and the earliest surviving opera is Peri's Euridice, L'Orfeo is the earliest that is still regularly performed.
Helen Jeanette Donath is an American soprano with a career spanning fifty years.
Concentus Musicus Wien (CMW) is an Austrian baroque music ensemble based in Vienna. The CMW is recognized as a pioneer of the period-instrument performance movement.
The Arnold Schoenberg Choir is a Viennese/Austrian choir which was founded 1972 by Erwin Ortner, who is still its artistic director. The choir has a high reputation both among conductors and among critics and the musical scene in general. All members of the choir have broad experience and expertise in vocal music; most of them have graduated from or are currently studying at the Vienna University of Music and Performing Arts. The choir is named after Viennese composer Arnold Schoenberg.
Rachel Yakar was a French operatic soprano and academic voice teacher. She was known for Mozart roles such as Elvira in Don Giovanni, Baroque opera and contemporary opera. She was a member of the Deutsche Oper am Rhein from 1964 to 1991, and appeared also in Paris, at the Royal Opera House in London and at festivals including Bayreuth and Glyndebourne. She received international attention as Poppea in the 1977 production of Monteverdi's L'incoronazione di Poppea at the Oper Zürich conducted by Nikolaus Harnoncourt, which was recorded and filmed. She made many more recordings reviving Baroque operas in historically informed performance. Her portrayal of Debussy's Mélisande was described as ideal. She was admired not only for her voice and diction but also for her stage presence. After her retirement from the stage she taught at the Paris Conservatoire. Ivan A. Alexandre from Diapason summarised her performing: "A darling of the Baroque pioneers and a Mozartian at heart and in style, the soprano from Lyon was also the intimate voice of Strauss, Debussy and Messiaen."
Elisabeth von Magnus is an Austrian classical mezzo-soprano. The daughter of conductor Nikolaus Harnoncourt and violinist Alice Harnoncourt, her professional name derives from her first marriage to Ernst-Jürgen von Magnus. She studied recorder in Vienna, theater at the Mozarteum in Salzburg and voice with Hertha Töpper at the Conservatory of Munich. Her other teachers included Paul Schilhawsky. Early in her career, she performed as a recorder soloist with the Concentus Musicus Wien. She has also worked for ORF as a presenter and announcer.
Max van Egmond is a Dutch bass and baritone singer. He has focused on oratorio and Lied and is known for singing works of Johann Sebastian Bach. He was one of the pioneers of historically informed performance of Baroque and Renaissance music.
Kurt Equiluz was an Austrian classical tenor in opera and concert. He was a member of the Vienna State Opera as a tenor buffo from 1957 until 1983, remembered for roles such as Pedrillo in Mozart's Die Entführung aus dem Serail. He appeared regularly at the Salzburg Festival, including world premieres such as Rolf Liebermann's Penelope in 1954. He recorded works by Johann Sebastian Bach with conductors such as Michel Corboz, Helmuth Rilling and Charles de Wolff, and prominently as the Evangelist in the first recording of Bach's St John Passion on period instruments with the Concentus Musicus Wien in 1965, conducted by Nikolaus Harnoncourt.
Maria Grazia Schiavo is an Italian classical soprano who is particularly known for her performances of music from the baroque period. She has performed with major opera houses in Austria, France, Germany, Italy, and Spain, and has appeared in concerts throughout Europe.
Joanne Lunn is an English classical soprano in opera and concert.
The Monteverdi-Chor Hamburg is a mixed choir in Hamburg, the chamber choir of the University of Hamburg since 1961. Founded in 1955 by Jürgen Jürgens and directed by him until 1994, it is one of Germany's most famous concert choirs. The choir is well known for its interpretations of Baroque and Renaissance music, but covers choral music from the Renaissance to contemporary music. Since 1994, the conductor has been Gothart Stier.
Sandra Trattnigg is an Austrian opera and concert soprano.
Jacques Villisech was a French bass-baritone in opera and concert. He was an early specialist singing Baroque music in historically informed performance.
Iris Vermillion is a German operatic mezzo-soprano. A member of the Deutsche Oper Berlin from 1988, she has enjoyed an international career, appearing in Amsterdam with Nikolaus Harnoncourt and at the Salzburg Festival, among others.
Julia Kleiter is a German operatic soprano and a concert singer. After her debut as Mozart's Pamina at the Opéra Bastille in Paris, she has appeared at major international opera houses, especially the Zurich Opera, and festivals, including the Salzburg Festival. She is also active as a concert singer, and has recorded Bach with Nikolaus Harnoncourt, among others.
Maria Weiss is an Austrian mezzo-soprano from Carinthia who sings classical music from the Baroque period as well as more recent compositions, including Spanish and Latin-American works. After completing her studies under Joanna Borowska at the University of Music and Performing Arts in Graz in 2003, she received further training from Angelika Kirchschlager and Teresa Berganza. In 2009, she made her début at the Konzerthaus in Vienna singing Bach cantatas. She released her first solo CD Favola in musica, alte neue musik together with a hardcover book in 2015 as part of her award-winning cultural project Favola in musica. In 2018, she participated in the DonauFestwochen at Schloss Greinburg, playing the role of Irene in Handel's rarely performed opera Atalanta.
Johannes Chum is an Austrian operatic tenor who has made an international career, first in concert, then in opera. Initially known for historically informed performance of Baroque oratorios and Mozart operatic roles, he has developed a large repertoire which also includes Wagner's Lohengrin and contemporary opera.
David Cordier is an English countertenor. He made an international career based in Germany, and appeared both in concert and opera. While focused on roles by Handel such as Radamisto, he has also performed in contemporary opera, including works by Aribert Reimann and Péter Eötvös.
