Mass in B minor discography

The listing shows recordings of the Mass in B minor, BWV 232, by Johann Sebastian Bach. The selection is taken from the 281 recordings listed on the Bach Cantatas Website as of 2018 ^[update] , beginning with the first recording by a symphony orchestra and choir to match, conducted by Albert Coates. Beginning in the late 1960s, historically informed performances paved the way for recordings with smaller groups, boys choirs and ensembles playing period instruments, and eventually to recordings using the one-voice-on-a-vocal-part scoring first argued for by Joshua Rifkin in 1982.

History

The work was first recorded by symphonic choirs and orchestras. From the late 1960s, historically informed performances (HIP) tried to adhere more to the sounds of the composer's lifetime, who typically wrote for boys choirs and for comparatively small orchestras of Baroque instruments, often now called "period instruments". Some scholars believe that Bach used only one singer for a vocal part in the choral movements, termed "one voice per part" (OVPP). On some of these recordings, the solo singer is reinforced in choral movements with a larger orchestra by a ripieno singer (OVPP+R).

The first complete recording of the work was conducted by Albert Coates in 1929. Robert Shaw led the first American recording in 1947. Some recordings are documents of live concerts, such as a 1968 performance conducted by Karl Richter at the Moscow Conservatory Grand Hall. The same year, the first HIP recording appeared, conducted by Nikolaus Harnoncourt, followed by Johan van der Meer's version with the Groningse Bachvereniging in 1975 which was recorded live in Utrecht at the Holland Festival. The first OVPP recording appeared in 1982, conducted by Joshua Rifkin.

Table of selected recordings

The sortable listing is taken from the selection provided by Aryeh Oron on the Bach-Cantatas website.

Soloists Bach composed the work for five soloists: soprano I and II, alto, tenor and bass. The soloists are listed in the table in the order SATB.

Some recordings arranged the music for four soloists, the movements in which soprano II (SII) is requested, are divided, sung by soprano I (SI) and alto (A).

• Christe eleison: A for SII in the duet with SI
• Laudamus te: SI or A in the aria for SII

Some recordings divide the two bass solos on two singers because of their very different tessitura:

• Quoniam tu solus sanctus: the aria requires a bass with a strong low register
• Et in spiritum sanctum: the aria requires a bass with a high range which would today be termed a baritone

The composition has a movement for two choirs SATB, Osanna. In recordings with one voice per part (OVPP), the soloists are normally listed in the order SSAATTBB. For some recordings, only the singers doing solo work are named.

Choir type

1. Large choirs (red background): Large (unspecified), Bach (choir dedicated to Bach's music, founded in the mid-20th century, Boys (choir of all male voices), Radio (choir of a broadcaster), Symphony (choir related to a symphony orchestra)
2. Medium-size choirs, such as Chamber, Chorale (choir dedicated mostly to church music), Motet
3. One voice per part (green background): OVPP or OVPP+R (with ripienists reinforcing the soloists in some chorale movements)

Orchestra type

1. Large orchestras (red background): Bach (orchestra dedicated to Bach's music, founded in the mid-20th century), Radio (symphony orchestra of a broadcaster), Symphony
2. Chamber orchestra
3. Orchestra on period instruments (green background)

Table

Recordings of Bach's Mass in B minor, BWV 232

Conductor / Choir / Orchestra	Soloists	Label	Year	Choir type	Orch. type
Albert Coates [1] The Philharmonic Choir London Symphony Orchestra	Elisabeth Schumann Margaret Balfour Walter Widdop Friedrich Schorr	HMV	1929 (1929)	Large	Symphony
Robert Shaw [1] RCA Victor Chorale RCA Victor Orchestra	Anne McKnight June Gardner Lydia Summers Lucius Metz Paul Matthen	RCA Victor	1947 (1947)	Chorale	Radio
Hermann Scherchen [2] Wiener Akademie-Kammerchor Wiener Symphoniker	Emmy Loose Hilde Ceska Gertrud Burgsthaler-Schuster Anton Dermota Alfred Poell	Westminster	1950 (1950)	Chamber	Symphony
George Enescu [2] BBC Chorus Boyd Neel Orchestra	Suzanne Danco Kathleen Ferrier Peter Pears Bruce Boyce Norman Walker	BBC	1951 (1951)	Radio	Symphony
Herbert von Karajan [2] Singverein der Gesellschaft der Musikfreunde in Wien Orchester der Gesellschaft der Musikfreunde in Wien, Philharmonia Orchestra	Elisabeth Schwarzkopf Marga Höffgen Nicolai Gedda Heinz Rehfuss	EMI	1952 (1952) [a]	Large	Symphony
Fritz Lehmann [2] RIAS Kammerchor Berlin Radio Symphony Orchestra	Gunthild Weber Margherita de Landi Helmut Krebs Karl Wolfram	Urania	1953 (1953)	Radio	Radio
Fritz Werner [2] Heinrich-Schütz-Chor Heilbronn Pforzheim Chamber Orchestra	Ingeborg Reichelt Elisabeth Fellner Helmut Krebs Franz Kelch	Erato	1957 (1957)		Chamber
Hermann Scherchen [2] Wiener Akademie-Kammerchor Vienna State Opera Orchestra	Pierrette Alarie Nan Merriman Léopold Simoneau Gustav Neidlinger	Westminster	1959 (1959)	Chamber	Opera
Robert Shaw [3] Robert Shaw Chorale Robert Shaw Orchestra	Adele Addison Saramae Endich Florence Kopleff Mallory Walker Asa Barberian	RCA Victor Red Seal	1960 (1960)	Chorale	Symphony
Karl Richter [3] Münchener Bach-Chor Münchener Bach-Orchester	Maria Stader Hertha Töpper Ernst Haefliger Kieth Engen Dietrich Fischer-Dieskau	Archiv Produktion	1961 (1961)	Bach	Bach
Otto Klemperer [3] BBC Chorus New Philharmonia Orchestra	Agnes Giebel Janet Baker Nicolai Gedda Hermann Prey Franz Crass	EMI	1967 (1967)	Radio	Symphony
Nikolaus Harnoncourt [3] Chorus Viennensis Concentus Musicus Wien	Rotraud Hansmann Emiko Iiyama Helen Watts Kurt Equiluz Max van Egmond	Teldec	1968 (1968)		Period
Karl Richter [3] Münchener Bach-Chor Münchener Bach-Orchester	Ursula Buckel Hertha Töpper Ernst Haefliger Peter van der Bilt	Melodiya / Ars Nova	1968 (1968)	Bach	Bach
Johan van der Meer [4] Groningse Bachvereniging La Petite Bande	Soloist of the Tölzer Knabenchor Kevin Smith Marius van Altena Max van Egmond	Teldec	1968 (1968)	Bach	Period
Herbert von Karajan [4] Wiener Singverein Berliner Philharmoniker	Gundula Janowitz Christa Ludwig Peter Schreier Robert Kerns Karl Ridderbusch	Deutsche Grammophon	1974 (1974)	Large	Symphony
Helmuth Rilling [4] Gächinger Kantorei Bach-Collegium Stuttgart	Arleen Augér Julia Hamari Adalbert Kraus Wolfgang Schöne Siegmund Nimsgern	Hänssler	1977 (1977)	Chorale	Chamber
Eugen Jochum [5] Bavarian Radio Choir Bavarian Radio Symphony Orchestra	Helen Donath Brigitte Fassbaender Claes-Håkan Ahnsjö Roland Hermann Robert Holl	EMI	1980 (1980)	Radio	Radio
Joshua Rifkin [5] The Bach Ensemble	Judith Nelson Julianne Baird Jeffrey Dooley Drew Minter Frank Hoffmeister Edmund Brownless Jon Opalach Andrew Walker Schultze	Nonesuch	1982 (1982)	OVPP	Period
Andrew Parrott [5] Taverner Consort and Players	Emma Kirkby Emily Van Evera Panito Iconomou (boy alto) Christian Immler (boy alto) Michael Kilian (boy alto) Rogers Covey-Crump David Thomas	EMI	1984 (1984)	OVPP	Period
Gustav Leonhardt [5] Collegium Musicum of De Nederlandse Bachvereniging La Petite Bande	Isabelle Poulenard Guillemette Laurens René Jacobs John Elwes Max van Egmond Harry van der Kamp	Deutsche Harmonia Mundi	1985 (1985)		Period
John Eliot Gardiner [5] The Monteverdi Choir The English Baroque Soloists	Nancy Argenta Michael Chance Elizabeth Wilcock Stephen Varcoe Carol Hall Mary Nichols	Archiv	1985 (1985)		Period
Helmut Kahlhöfer [5] Kantorei Barmen-Gemarke	Mitsuko Shirai Hildegard Laurich Karl Markus  ( de ) Andreas Schmidt	Kantorei Barmen-Gemarke	1985 (1985)
Robert Shaw [6] [7] Atlanta Chamber Chorus Atlanta Symphony Orchestra	Sylvia McNair Delores Ziegler Marietta Simpson John Aler William Stone Thomas Paul	Telarc	1990 (1990)	Chamber	Symphony
Georg Solti [6] Chicago Symphony Chorus Chicago Symphony Orchestra	Felicity Lott Anne Sofie von Otter Hans Peter Blochwitz William Shimell Gwynne Howell	London	1990 (1990)	Symphony	Symphony
René Jacobs [6] RIAS Kammerchor Akademie für Alte Musik Berlin	Hillevi Martinpelto Bernarda Fink Axel Köhler Christoph Prégardien Matthias Goerne Franz-Josef Selig	Berlin Classics	1992 (1992)	Chamber	Period
Richard Hickox [6] Collegium Musicum 90 Collegium Musicum 90	Nancy Argenta Catherine Denley Mark Tucker Stephen Varcoe	Chandos	1992 (1992)		Period
Karl-Friedrich Beringer [6] Windsbacher Knabenchor Deutsche Kammerakademie Neuss	Christine Schäfer Ingeborg Danz Markus Schäfer Thomas Quasthoff	Hänssler	1994 (1994)	Boys	Chamber
Ton Koopman [6] Amsterdam Baroque Choir Amsterdam Baroque Orchestra	Barbara Schlick Kai Wessel Guy de Mey Klaus Mertens	Erato	1994 (1994)		Period
Carlo Maria Giulini [6] Bavarian Radio Choir Bavarian Radio Symphony Orchestra	Roberta Alexander Ruth Ziesak Jard van Nes Keith Lewis David Wilson-Johnson	Sony	1994 (1994)	Radio	Radio
Philippe Herreweghe [6] Collegium Vocale Gent Collegium Vocale Gent	Johannette Zomer Véronique Gens Andreas Scholl Christoph Prégardien Peter Kooy Hanno Müller-Brachmann	Harmonia Mundi	1996 (1996)		Period
Robert King [6] Tölzer Knabenchor The King's Consort	Boy sopranos: Matthias Ritter, Manuel Mrasek Boy altos: Matthias Schloderer, Maximilian Fraas Anthony Rolfe-Johnson Michael George	Hyperion	1996 (1996)	Boys	Period
Thomas Hengelbrock [6] Balthasar-Neumann-Chor Freiburger Barockorchester	Gundula Anders Mona Spägele Ursula Fiedler Jürgen Banholzer Bernhard Landauer Hermann Oswald Knut Schoch Johannes-Christoph Happel Stephan MacLeod	Harmonia Mundi	1996 (1996)		Period
Greg Funfgeld [6] The Bach Choir of Bethlehem The Bach Festival Orchestra	Tamara Matthews Rosa Lamoreaux Marietta Simpson Frederick Urrey William Sharp Daniel Lichti	Dorian Recordings	1997 (1997)	Bach	Bach
Joshard Daus [6] Bach Ensemble of EuropaChorAkademie Münchner Symphoniker	Hellen Kwon Hedwig Fassbender Peter Straka Wolfgang Newerla Peter Lika	Arte Nova	1998 (1998)
Helmuth Rilling [6] Gächinger Kantorei Bach-Collegium Stuttgart	Sibylla Rubens Juliane Banse Ingeborg Danz James Taylor Andreas Schmidt Thomas Quasthoff	Hänssler	1999 (1999)	Chorale	Chamber
Georg Christoph Biller [8] Thomanerchor Gewandhausorchester	Ruth Holton Matthias Rexroth Christoph Genz Klaus Mertens	Naxos	2000 (2000)	Boys	Symphony
Sigiswald Kuijken [8] La Petite Bande	Elisabeth Hermans Midori Suzuki Patrizia Hardt Petra Noskaiová Max Ciolek Knut Schoch Jan van der Crabben Stephan MacLeod	Urtext	2000 (2000)	OVPP	Period
Konrad Junghänel [8] Cantus Cölln	Johanna Koslowsky Mechthild Bach Monika Mauch Susanne Rydén Elisabeth Popien Henning Voss Hans Jörg Mammel Wilfried Jochens Stephan Schreckenberger Wolf Matthias Friedrich	Harmonia Mundi	2003 (2003)	OVPP	Period
Frieder Bernius [8] Kammerchor Stuttgart Barockorchester Stuttgart	Mechthild Bach Daniel Taylor Marcus Ullmann Raimund Nolte	Carus-Verlag	2004 (2004)	Chamber	Period
Helmuth Rilling [8] Gächinger Kantorei Bach-Collegium Stuttgart	Marlis Petersen Stella Doufexis Anke Vondung Lothar Odinius Christian Gerhaher Franz-Josef Selig	Hänssler	2007 (2007)	Chorale	Chamber
Masaaki Suzuki [8] Bach Collegium Japan Bach Collegium Japan	Carolyn Sampson Rachel Nicholls Robin Blaze Gerd Türk Peter Kooy	BIS	2007 (2007)		Period
Sigiswald Kuijken [8] La Petite Bande	Gerlinde Sämann Elisabeth Hermans Patrizia Hardt Petra Noskaiová Bernhard Hunziker Christoph Genz Marcus Niedermeyr Jan van der Crabben	Challenge Classics	2008 (2008)	OVPP	Period
Frans Brüggen [8] Cappella Amsterdam Orchestra of the Eighteenth Century	Dorothee Mields Johannette Zomer Patrick Van Goethem Jan Kobow Peter Kooy	Glossa	2009 (2009)		Period
Jos van Veldhoven [8] De Nederlandse Bachvereniging De Nederlandse Bachvereniging	Dorothee Mields Johannette Zomer Matthew White Charles Daniels Peter Harvey	Channel Classics Records	2009 (2009)	OVPP+R	Period
Marc Minkowski [8] Les Musiciens du Louvre Les Musiciens du Louvre	Lucy Crowe Julia Lezhneva Joanne Lunn Blandine Staskiewicz Nathalie Stutzmann Terry Wey Colin Balzer Markus Brutscher Christian Immler Luca Tittoto	Naïve	2009 (2009)	OVPP+R	Period
John Butt [8] Dunedin Consort Dunedin Players	Susan Hamilton Cecilia Osmond Margot Oitzinger Thomas Hobbs Matthew Brook ripienists: Nicola Corbishley Katie Tretheway Annemieke Cantor Christopher Watson Christopher Adams	Linn	2009 (2009)	OVPP+R	Period
Georg Christoph Biller [9] Thomanerchor Freiburger Barockorchester	Reglint Bühler Susanne Krumbiegel Susanne Langner Martin Lattke Markus Flaig	ACCENTUS Music	2013 (2013)	Boys	Period

Notes

1. recorded in Nov. 1952, first in Vienna’s Musikverein and then at Abbey Road, with a patch-up session at Abbey Road on 16 July 1953

References

1. "Mass in B minor BWV 232 - Recordings Part 1: 1900–1949". bach-cantatas.com. Retrieved 23 February 2015.
2. "Mass in B minor BWV 232 - Recordings Part 2: 1950–1959". bach-cantatas.com. Retrieved 23 February 2015.
3. "Mass in B minor BWV 232 - Recordings Part 3: 1960–1969". bach-cantatas.com. Retrieved 12 October 2013.
4. "Mass in B minor BWV 232 - Recordings Part 4: 1970–1979". bach-cantatas.com. Retrieved 23 February 2015.
5. "Mass in B minor BWV 232 - Recordings Part 5: 1980–1989". bach-cantatas.com. Retrieved 23 February 2015.
6. "Mass in B minor BWV 232 - Recordings Part 6: 1990–1999". bach-cantatas.com. Retrieved 23 February 2015.
7. "Bach: Mass in B minor - Robert Shaw | Songs, Reviews, Credits, Awards". AllMusic. Retrieved 12 October 2013.
8. "Mass in B minor BWV 232 - Recordings Part 7: 2000–2009". bach-cantatas.com. Retrieved 23 February 2015.
9. "Mass in B minor BWV 232 - Recordings Part 8: 2010–2019". bach-cantatas.com. Retrieved 23 February 2015.

External links

• Mass in B minor Commentary, musical examples, list of recordings, and other information, on bach-cantatas